The Role of Fiction in Portraying Ideas that Impact Us All

By Gen LaGreca

Are there great novels, short stories, plays, and feature films that thrilled you, shocked you, gave you moments of nail-biting, edge-of-your-seat suspense, or that got you thinking about important issues? Did you ever wonder about the power of fiction to inform and inspire us.

News stories, text books, essays, articles, white papers, and nonfiction books give us a straight-forward account of factual issues, whereas works of fiction tell us a story. Fiction comes from the imagination filled with adventure, excitement, romance, intrigue, suspense, and the full gamut of emotions.

Nonfiction or Fiction? Which do you remember more? 

The difference between nonfiction and fiction is like the difference between reading a flight manual and actually being in the cockpit and going for a ride. 

For example, let's take an historical event: Sherman's March and the burning of Atlanta during the Civil War. How do we remember it? Through a textbook account of military strategies, generals, battles, and timelines? Or do we remember Sherman's March far more vividly from a scene in the novel and film Gone With the Wind? We’re in the middle of Sherman’s siege. Atlanta is wildly ablaze and in utter chaos. Scarlett O’Hara and Rhett Butler are in a teetering wagon with a half-dead horse driving it. A mother and her just-born child are in the back of the wagon, with the mother trying to shield the infant from falling debris from the fires all around them. The characters are desperately trying to escape Atlanta, but the Confederate army is in full retreat coming at them, slowing them down—and an ammunition depot is about to explode. 

You can see how fiction makes that historical event come to life in a haunting, shocking way.

Fiction depicts great struggles for freedom and independence.

The ancient myth of Prometheus relates how he stole fire from the gods and gave it to mankind. This empowered humans so that they were no longer subservient to the deities who ruled them. The gods were so infuriated by losing their power over mankind that they chained Prometheus to a rock and cruelly punished him for eternity. The quest of humans to break free from a ruling class echoes through time and is a great theme for works of fiction.

Did you know that storytelling played a role in the American Revolution? The popular 18th century play "Cato: A Tragedy" dramatized the struggle of a political leader of Ancient Rome, Cato, who fought for republicanism against Julius Caesar's tyranny. This play was so important to George Washington that he defied a Congressional order banning the performance of plays during wartime and had the work performed to inspire his troops after their harsh winter at Valley Forge. Washington didn’t give his troops a lecture or a pep talk to boost their spirits. Instead, he used the sweeping drama of a play. 

In the prelude to the American Civil War, the most influential abolitionist writing was a novel, Uncle Tom’s Cabin, by Harriet Beecher Stowe. It was this book—a work of fiction—that became an international bestseller and galvanized the North against the evils of slavery. 

Fiction has also shown us the face of evil in grim detail. The term Big Brother, which originated from George Orwell’s novel 1984, has become the enduring worldwide symbol of tyranny. We still use this term today, over 70 years since the novel’s original publication in 1949. 

Novels have contained moving messages about freedom. Ayn Rand’s epic philosophical novel, Atlas Shrugged, shows us the role of the individual’s free, creative mind and productive activities as the generator of human progress. This novel has inspired millions to embrace the glory of freedom. 

Stories that dramatize important ideas have always inspired me in my writing.

With no pretensions to the above works intended, I strive in my novels to create strong plots interwoven with thought-provoking themes. My new novel, Just the Truth, is a political thriller that portrays the threats to a free press in an era of growing government power and the fearless spirit of one journalist, Laura Taninger, who risks her career, her reputation—and ultimately her life— to uncover a scheme that just might subvert free elections in America. Just when Laura is on to suspicious activities surrounding the reelection of president Ken Martin, her source within the administration is murdered. This courageous newswoman battles the most powerful political players to keep journalism, a free press—and truth—alive. Through a gripping murder mystery, the novel brings to life the importance of a responsible and independent press, an accountable government, and the rule of law.

I love to write fiction that offers a full plate of plot action served with a generous pour of intoxicating ideas. Are you ready for a sizzling read? I’m inviting you to my table.

ABOUT THE AUTHOR

Genevieve (Gen) LaGreca writes novels with innovative plots, strong romance, and themes that glorify individual freedom and independence. She has written novels of different genres including historical, mystery, and romance fiction as well as short stories. She is one of the successful new indie authors whose novels have topped the charts in the popular ebook format. Her latest book is called, Just the Truth.

The Initial Insult Cover Reveal & Giveaway!

Happy Friday everyone! I’m excited to be bringing you the cover for my next release, The Initial Insult, which I pitch as “Edgar Allan Poe meets The Tiger King.” Enter to win a finished copy (when available) below!

Welcome to Amontillado, Ohio, where your last name is worth more than money, and secrets can be kept… for a price.

Tress Montor knows that her family used to mean something—until she didn’t have a family anymore. When her parents disappeared seven years ago while driving her best friend home, Tress lost everything. She might still be a Montor, but the entire town shuns her now that she lives with her drunken, one-eyed grandfather at what locals refer to as the “White Trash Zoo,” – a wild animal attraction featuring a zebra, a chimpanzee, and a panther, among other things. 

Felicity Turnado has it all – looks, money, and a secret that she’s kept hidden. She knows that one misstep could send her tumbling from the top of the social ladder, and she’s worked hard to make everyone forget that she was with the Montors the night they disappeared. Felicity has buried what she knows so deeply that she can’t even remember what it is… only that she can’t look at Tress without having a panic attack.

But she’ll have to.

Tress has a plan. A Halloween costume party at an abandoned house provides the ideal situation for Tress to pry the truth from Felicity – brick by brick – as she slowly seals her former best friend into a coal chute. With a drunken party above them, and a loose panther on the prowl, Tress will have her answers – or settle for revenge.

In the first book of this duology, award-winning author Mindy McGinnis draws inspiration from Edgar Allan Poe and masterfully delivers a dark, propulsive mystery in alternating points of view that unravels a friendship . . . forevermore.

Shannon Doleski: Cover Advice for Debut Authors

Today’s guest for the CRAP is Shannon Doleski who was born and raised in Cazenovia, New York. After graduating from Niagara University with an English Education degree, Shannon was an English teacher and swim coach in New York and Maryland. She and her family live in West Texas. Mary Underwater is her debut novel.

Did you have any pre-conceived notions about what you wanted your cover to look like?

I kind of had in my head that I wanted a very plain cover that was navy blue with a small submarine online in white. And that was it.

How far in advance from your pub date did you start talking covers with your house?

In June 2019 (so a year from when I sold) my editor sent me the sketches for my cover. She said that because my cover artist would be doing paperwork (cutting out paper and taping them to a background to be photographed) they wanted my input earlier than usual. I loved the sketch and paper colors the artist and designer sent. I asked for some additional sea creatures mentioned in the book – a crab and jellyfish. The artist added them. I really enjoyed how my designer and artist used aspects of my novel (one of my characters creates stop motion animations, and they wanted to make the cover feel like that).

Did you have any input on your cover?

I was really lucky to be able to make additions/suggestions to my cover once I saw the sketch. I know that some authors put together examples of covers they like before the cover design, and that was not my case, which I was grateful for. I would have picked too many covers and designs from all over with different styles. It would have been a disaster. I trusted the design and marketing teams to know more than I did about upper MG covers.

Was there an official "cover reveal" date for your art?

In July, I received the email with the cover art. My pub told me I could collaborate with a blog for the reveal or do it myself once preorders went live. But then marketing decided that the title font didn’t fit with the seriousness of the story, so it was postponed. In September, they presented a new font that they thought fit the tone of the book, and I was allowed to do the reveal right after that. I chose to reveal the cover with preorder links myself, instead of working with a blog. I think it’s a personal choice. I liked having control over the reveal. I think it depends on how comfortable you are, as an author, with social media and all its aspects, like creating graphics for different sites. I also got to do a lot of fun countdown stuff to the reveal. 

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How far in advance of the reveal date were you aware of what your cover would look like?

I saw the sketch in June and the final in July, but then with the font changes, it was revealed in September. 

Was it hard to keep it to yourself before the official release?

Hahahahaha, yes! Those two months where they changed the title font were difficult. In person, I did share with my close family and friends unofficially beforehand. 

What surprised you most about the process?

How different the process can be from house to house!  Other friends and members of my debut year had totally different experiences. 

Any advice to other debut authors about how to handle cover art anxiety?

I think we build up the cover so much because it makes our book feel so real. And it can be really hard to give up creative control of our babies. My advice would be to know that that kind of self-inflicted pressure is normal, but we need to trust our cover artists and designers. But if there’s something nagging you about it all, speak up. Use your agent to facilitate if necessary. Your team wants the author to love the cover as much as readers!