The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Seventeen-year-old Cal Anderson has a secret. He can rewind time five seconds. You might want to say "by five seconds." It’s a neat trick for dodging punches or cheating on tests, but it won’t bring back his mother after she pushes him out of the way of a speeding truck. Why not? It feels like 5 seconds would be enough to fix that. Only when he learns his power comes from the Roman gods, and that his destiny is written in an ancient book of prophecies does he understand. The accident might not have been his fault after all. Cal isn’t just an ordinary teenager. He’s the reincarnated grandson of Julius Caesar, descended from Venus herself. But why would he think the accident was his fault in the first place, and why would this revelation change his opinion?

When the gods tempt Cal with a new prophecy hinting at his mother’s resurrection, he must find a way to 408 AD, where barbarian Goths threaten to burn Rome and the temple he needs to save her. Along the way, he falls for Amalia, a half-Goth girl fated to die in his prophecy. Why? And do you mean like Goth like modern day kid, or like she's a barbarian? But Cal will uncover the gods’ true purpose. Rome must be punished for turning its back on them, and they need his power to open her gates. The gods need his power? Doesn't seem likely. Now he faces an impossible choice: save his mother, protect the city, or follow his heart, because the gods demand blood, and if Cal isn’t careful, they’ll use him to spill it, just like they did with his mother. This is a little all over the place. You're not spelling out the connections between mom, his status, the gods, this girl, and what the goal is here.

THE AMULETS OF CAESAR is a 94,000-word YA historical fantasy that blends the fatalistic themes of Threads That Bind by Kika Hatzopoulou with the mythological stakes of Lore by Alexandra Bracken and the cunning heists of Among Thieves by M.J. Kuhn. It is a standalone novel with series potential.

I’m querying you because you’re a fan of retellings, and my book is a mythic take on the fall of Rome. My passion for history has led to a feverish addiction to biographies, and strange looks from my coworkers. Trips to Rome and Istanbul inspired the settings in my book. Good bio and comp titles, but you need more clarification on the plot. Right now all the threads feel like they aren't neatly tied together to make a cohesive plot.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Joseph Abramovich, born to opulence, wakes in a county jail cell. His life is shattered by reckless choices and the body of his secretary, left bleeding on the cabin floor. This is confusing becuase he wakes in a cell but the way the sentence is written it sounds like the secretary's body is right there, but it can't be Across from him sits a stranger gleaming with unnatural light who stops time at 3:00 a.m. From a bottomless flask, he pours a drink that drags Joseph not only into his own buried past but into a night-long tribunal of his lineage. With each revelation, Joseph’s illusions are stripped away and he is drawn closer to judgment. By dawn, will one last chance at redemption await, or will he face stern judgment? This is way too vague. It's a very broad brush that isn't conveying much of a plot

Told across three generations, Shlimazel, A Blessed Man is a 100,000-word historical-literary novel infused with magical realism and Jewish mysticism. From the brutal confines of an early 20th-century orphanage to the gilded halls of mid-century banking, the story weaves a saga of resilience, downfall, and the possibility of redemption. Threading it all is the stranger in the cell, the accuser, who serves as crucible for Joseph’s lineage. At its heart lies a single question: can the sins of one man be tempered by the blessings given to his ancestors? This is still really vague. It's not bad by any means, and certainly sounds like more of a literary novel, but I think more plot is necessary rather than big, sweeping statements

Readers of Dara Horn and John Steinbeck may appreciate the novel’s blend of intimate character study, historical sweep, and moral inquiry. Comparing yourself to John Steinbeck is probably going to raise an eyebrow

The manuscript is undergoing final line edits and will be complete by mid-November. Definitely don't say this. You need to have everything in the best possible shape before you even begin to consider querying.

I am a software developer with a PhD in Mathematics from the University of California, Berkeley. Throughout my career, I have published research and patented algorithms in computational geometry.

You definitely sound like a smart person! A query needs to answer these things - what does the main character want? What stands in the way of them getting it? What will they have to do to overcome the obstacles? and what's at risk if they fail? Right now those points aren't terribly clear.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

I am currently seeking representation for my novel, SPOONMAN, a speculative psychological horror, complete at 63,000 words.

All journalist Annie Caplan wants is to be done with The Weird Shit. I like this hook!

Ever since that whole deal with the old video game and the people who disappeared after playing it, she’s become a magnet for weird-ass stories that’ve turned her life into a never ending season of The X-Files. Even more intriguing and love the X files shoutout! Taking the staff job at a new culture site, I'm not entirely sure what this means. The first time I read I thought it meant like an archaelogical dig. Needs clarified she had hoped to leave all that behind, but her latest assignment looks like it’s bringing it right back to her door: someone calling themselves ‘Spoonman’ is paying developers to add strange symbols to their software.

Much as Annie would love this to be some dumb prank, her new boss, Gordon Locke, kicks open the door to Weird Shit Territory when he reveals one of those symbols just appeared on his chest the last time he saw his ex-business partner/friend Tom Lanzig – who used to use the screen name Spoonman in their Silicon Valley days. When Locke asks Annie to track him down and find out what the hell’s going on, she’s all set to say “no,” until he offers her a life changing bonus that she can’t turn down. See, Annie has a secret: she has “missing time” and that money could pay for the help she needs to treat the PTSD it’s left her with, so she can start to unravel what the fuck actually happened to her. This feels like it should be mentioned earlier, b/c it's an ongoing state for her, not something that crops up at this point in the narrative.

Somehow, though, Spoonman knows.

In fact, he knows more about Annie than he should, leaving her with no choice but to wade back into The Weird Shit to find out how, and maybe, finally, get those answers that’ve eluded her. But this may be a rabbit hole she can’t crawl back out of: somehow, Spoonman can change reality to suit his own whims, meaning she has no way to tell if what she uncovers about his past, the strangeness around his property portfolio or what part he played in the disappearance of his girlfriend is the truth or just an elaborate fiction he’s weaving to stop her from discovering the real, potentially world ending purpose behind the symbols... This paragraph is getting quite vague and suddenly throwing a lot of plot points in is only muddying the waters.

I’m a writer of horror and speculative fiction based in Northumberland (who's also taken the occasional foray into freelance copywriting and comics). My work - both comics and prose - has appeared in various small press anthologies down the years, and I'm the writer/co-creator of the critically acclaimed graphic novel Babble, the fan-favourite folk horror comic The 13th Stone and the Velicity Jones series, which currently appears in David Lloyd's digital anthology Aces Weekly.Great bio!

Right now this is reading really well, but the PTSD angle and missing time need to be mentioned sooner b/c that's her actual driving force - not just that this is her job, etc. A query needs to answer these questions - what does the main character want? What stands in the way of them getting it? What will they have to do to overcome the obstacles? And what's at risk if they fail? Right now there's a vague possibly world-ending scenario that just gets tacked onto the end. Everything needs to be drawn together a little more tightly, but the concept feels very interesting.