Finding Inspiration With the Inventor of Pictionary: Rob Angel

Mindy:             We're recording this on June 9th and we have a Super fun guest coming on. Usually I host writers and screenwriters, play writers, like you know something in the publishing industry, but today we have Rob Angel, the creator of Pictionary. 

Kate:                Well he is a writer too now Because he wrote a book about it. 

Mindy:             He is a writer too now because he has a book coming out all about how Pictionary became a thing. So we're super excited to have Rob Angel coming on to tell us about Pictionary and how it came to be a thing, cause I mean, I don't know about you, Kate, but, you know, I grew up in the eighties, and so Pictionary, like that's that was a go to for us.

Kate:                Yeah. I don't like remember, life without Pictionary like that was like one of the staple games that you would have. 

Mindy:             Yeah, it was like Pictionary, Monopoly. My family had Trivial Pursuit. That was Ah, we were uh, I've always been, like, an over educated farmer.

Kate:                We were not Trivial Pursuit family. We were really into Scategories. I really liked Scattegories.

Mindy:             We had a game. Did you have a game called Bargain Hunter? 

Kate:                No, I remember we had Don't Break the Ice. Oh, yeah. You know, one of those kiddy games that are like, um, everyone I remember when we were kids. One of the biggest games was, um, Mousetrap, which was, like not a fun game to play. It was only fun to build the mousetrap like the game itself was really boring. But then, like you once you got the mousetrap together. It was super fun to put the mousetrap together. 

Mindy:             We played, I didn't have Mousetrap. I didn't have Candy Land. We played Monopoly and we played Trivial Pursuit. And we played this game called Bargain Hunter. Like I said, And then there was a game and it was like from the fifties or the sixties, because it was my mom's game when she was a kid and it was a Barbie board game, and it was all about like, you... 

Kate:                trying to get a husband? 

Mindy:             No It was for like a high schooler. Yeah, and it was all about, like, getting, you know, it was set up like a Monopoly board, and you would play it and would be like, Oh, no, your hairdo is ruined in the rain, Go back five spaces. 

Kate:                Was it all like, sort of like fifties type misogyny like your Oh, and your job is to look beautiful make babies and keep the men's happy?

Mindy:             It definitely didn't have babies cause it was for teenagers, but it was all. Like, you know, your manicure is ruined. Go home and cry in your bed, you know? But it was a Barbie board game, and it was kind of fun. And you... I mean, I hate that I'm talking about this like, I really enjoyed it. But I did. Oh, yeah. You know, you wanted Ken. You wanted Ken to be your date to the prom, But sometimes you drew Poindexter. Poindexter was the dork. Oh, my God. I found it. Okay, I found it. The Barbie game. It was first made in 1961. Oh, my gosh. Okay, hold on. It's called. Oh, my God. OK, it's actually called the Barbie game Queen of the prom. 

Kate:                Oh, my gosh. That's so fun. It really should be, though, Like, there's no Poindexter. Like when we played Barbies and we played Barbies a lot. I have four sisters. We have, like, a bucket o Barbies. And, um, it would always be like, you know, 20 Barbies and two Ken dolls, and they would have to all fight over the Ken, so it should really be like Ken didn't ask you to prom. You're going with one of your girlfriends and will slow dance together. Like there's no Poindexter in the Barbie world. 

Mindy:             Oh, no, This is, This is fun. It gets worse. OK, so it's called the Barbie Game queen of the prom. A fun game with real life appeal for girls. Um, it says get a boyfriend, formal dress and be elected as club president. 

Kate:                It does seem like the thing I would have enjoyed as a little girl like that would be totally on brand. But now, as an adult, I'm sickened by it.

Mindy:             I know but damn was a fun game. I'm looking at it now. And I'm like, Oh, my God. Okay, Sorry.

Kate:                But the 90s also had, like, that shopping mall game, which I think I was a little old for that, but I think my younger sisters had it. Do you remember like, that shopping mall game? I can't remember. It was like a huge nineties thing. It was very much like on TV and stuff.

Mindy:             Are you sure it wasn't Bargain Hunter? Because Bargain Hunter was all about shopping.

Kate:                This was definitely mall. It was very pink. there was very mall focused.

Mindy:             I don't I definitely don't remember that one. 

Kate:                I definitely think somebody will. Do you have, like, a away for? Um Uh, well, nobody can call in because we're recording this, but I feel like someone needs to, like, message us about the mall game. And somebody is listening. 

Mindy:             And if you're listening. And you remember the mall game tweet at me or Kate. I'm @Mindy McGinnis, And you are?

Kate:                @KateKaryusQuinn 

Mindy:             All right, I found another one. Do you remember Mystery Date?

Kate:                Mall Madness! I found it! 

Mindy:             I'm throwing more like, totally sexist and really fun games at you.

Kate:                Mystery Date sounds... is that's an older one, right? Like that old... 

Mindy:             1965. So you get like, Oh, my God, I love this game. Okay, so I spent a lot of time in my grandma's house. OK, So you have cards. There's, like a door, like a white little plastic door in the middle of the game. You open it and it shows you who your date is. And there was like, you know, it's the equivalent of, like, Barbie where there's a Ken. And then there's the Poindexter. Mystery date The guy that was considered the dud...

So there's like a few different guys, so you can get you can get like the guy that's like the beach dude. And he's got his beach blanket ready and he's got his flip flops and his ah, you know, umbrella over his shoulder. And he's like the guy that's a good choice. And then there's the nerd and he's actually got a pocket protector. And he's carrying a school book and then the dud. That's like supposed to be the one you really, really, really don't want to get. Is wearing like cargoes, like up to his belly button and like an open white V neck shirt. And you just kind of looks like... Okay, here's the thing. He's wearing like work boots, and he looks kind of dirty. And so it's like this is a manual laborer. I feel like it's like a working class guy, like they're like, this is a manual laborer. You do not want to date this person.

Kate:                I'm not even gonna bother with a segway. We're switching topics. That's enough of that. Oh, uh, so the other day, I don't think we were recording. I think it was something you typed at me in. You said, you are going to be so embarrassed when you hear yourself on this podcast cause you released the first podcast of us co hosting. You said I did not edit you because we've talked before about how you'll sometimes edit out the ums, the ohs, the pauses, which you call the filler. I asked you, Are you gonna edit out my filler? Because I know I have a tendency too make a lot of extra like words like that. Like I play like I am a demented Barbie doll from a game from the fifties. 

Mindy:             You're a valley girl.

Kate:                Yes, I am the Buffalo Valley girl. And, um So you said you just didn't. Like it defeated you. Is that what happened? Or you Just didn't even try because you realised that part of my charm?

Mindy:             Well, it wasn't that so much. No, What it was was that you use it like almost as an inhale. So when I'm editing it, I cannot pull them out without clipping the words surrounding him. Because you just insert it like breathing. So I wasn't able to. For one thing it would have taken at me, I don't even know how many hours to pull all of your likes out. But for the second, it wouldn't have even sounded right because your cadence would have been messed up. And I was like, Number one. It's not worth it. Number two. It won't sound right. Number three. Perhaps it's part of your charm. I don't know. That's up to the audience to decide.

Kate:                Part of my charm? Yes, I think that's really all I just heard of everything you said. 

Mindy:             Okay, that's fair. Selective audio. I'm used to you. We talk all the time. I know what you sound like. I would be surprised if suddenly you lost filler. I didn't even realize how bad it was until I pulled up the transcript.

Kate:                When Another Little Piece, which is my first book, came out the local newspaper, the Buffalo News, which is a big deal around here. They're like a like a big newspaper. The woman who does the reviews for Children's books, They always have a little section at the bottom of the Sunday paper with a couple Children's books reviews. So they reviewed Another Little Piece. And then she called me and she said, Would you be willing, you know, to do an interview? She emailed me and I was like, Oh, my gosh, of course, Yes, on. And so she called me on the phone and I was really nervous to the point where I was talking too fast and I was like, feeling short of breath. I didn't realize it, but I was also saying like a ton. And so she wrote this article and she put quotes from me in. And my quotes made me sound like an idiot.

You know would be like Quinn said, “Oh, like you know the YA market is just amazing And there are so many readers and that’s just like the most cool thing.” So my mom, they've always gotten the paper. They get it every single day. They're like the people who, if it's not on the front porch, When my dad goes out to get it, he's calling and saying, Where's my newspaper? Um and so my mom said, “Katie, there was an article about you in the paper today,” and I said, I know Mom, I did an interview. And she said, “Your father was so surprised. He took the paper into the bathroom and suddenly I hear him shouting out me. Really? He's saying, “Katie’s in the paper! She’s in the paper!” And so my mom says, “You know, you you gotta try when you're talking to not say like so much.” 

Mindy:             I'm looking at the transcript. The trains are from our first, our first published episode, which came out June 1st. And it was with—

Kate:                Which listeners should know You can read the transcript if you don't have time to listen read. The transfer of our Midwestern accents are just such a turn off that you would rather read than listen. 

Mindy:             I pulled up the transcript and I ran like, you know, a search on it for the word like, and it has 313 incidents. 

Kate:                Those aren’t all mine. 

Mindy:             Quite a few are mine. However, I did find a line here that I wanted to read to you. So here's a line from Kate from the June 1st episode regarding dog menstruation. “But I would say as recently as 50 years ago, like Like every if you had a female dog like you just went without, like, nobody really got your dogs neutered or spayed.” What you actually said here was, “as recently as 50 years ago, nobody really got their dogs neutered or spayed.” But you have to embellish. You know, it's interesting, though.

So my sister's filler, she does use, like because you said I do believe it's a generational thing to a certain extent, but she actually says blah, blah, blah. She does. She uses it so often that you notice it. It's just like in a regular conversation. She'll be like So you know, I cleaned the kitchen and then I was working on something else and blah, blah, blah. And then the phone rang and it was Mom and Mom wanted to tell me all about how dad got his finger crushed by the tractor and blah, blah, blah. And then I had to go into town. And, of course, they didn't have my prescription ready because blah, blah, blah. That's just what does, she said, his blah, blah, blah like, all the time.

And once you notice it, it is egregious. You know how you find yourself when you're having a conversation with, like a British person or someone with an Irish accent, which we have—

We have David Gaughran coming up, because he has an Irish accent. And sometimes when you're having conversations over a long period of time with someone that has an accent, you kind of start like mimicking them a little bit or picking up on certain words. If you're with my sister for more than 15 minutes, you will start saying blah, blah, blah. 

Kate:                Yes, if I'm down south. I start to drawl. If there is some slang that everyone around me is using, I can't help but pick it up. 

Mindy:             You know, it's funny. I'm the opposite. I just, like, really dig my heels in. So— 

Kate:                I know you are stubborn is hell.

Mindy:             I know. If I end up in like New York City. Or, you know, Chicago or somewhere like that where people are talking to me about, you know, my books and who I am and where I'm from. I actually kind of lean into my Midwestern a little harder. Yeah, uh I have caught myself doing it before. It's like I will be a little more. Yeah, it's kind of funny. I don't know why I do it. I mean, it's not on purpose, but when I'm around, um, I guess city people for lack of a better word, I kind of just like, lean into it.

Kate:                I remember the first time we were in Chicago, and you were like, This is a big city. This is kind of freaking me out. You're like, it's so big, and I just I don't feel comfortable here. You're like, it's just too much. So maybe it's like that feeling of like, I don't belong here. I'm going to prove it. I'm going to show you all. 

Mindy:             I will create home with my voice. Yeah. I've gotten better about cities, though, um, I mean, that was probably one of my very first times in a major city, like as an adult, maybe only one twice as the child. So I can even enjoy cities now, but yeah, it's it's not easy. I mean, I got to be with you or was, well, also, you know, things have changed. You can just pull up a Google map and figure out where you are and where you want to be. Pretty easily so. 15 years ago, I wouldn't have had that. That feeling of safety, 

Kate:                I’m impressed by people who travel alone.

Mindy:             I travel alone a lot. 

Kate:                For business, but for, like, pleasure? 

Mindy:             Oh, no. No, I wouldn't. Well, I don't know. I might I can't imagine it being a lot of fun. 

Kate:                Yeah, I'm not a do things by myself. Person. Do you go to the movies about yourself? 

Mindy:             No. 

Kate:                I don't either. Do you ever go to dinner by yourself? 

Mindy:             Yes, like in a hotel restaurant. So, yeah, if I fly into, like, a Con or something. And if you guys aren't there yet, if I don't know anybody. I'm hungry. It's like I'll go eat in the restaurant by myself and take my laptop. I'm never alone because I have my laptop.

Kate:                Yeah, I guess so. Yeah.

Mindy:             I text you guys, and be like hey Kate, Demitria, I'm sitting here, You know, in this restaurant, you're kind of with me in spirit.

Kate:                Yeah. Yeah, that's true, but yeah, I would rather just go to the hotel and, like, have pizza brought up or something and to sit by myself, which is wrong. We're supposed to be strong women and go out and not need other people. But I don't go. 

Mindy:             I go down to the weight room or the workout room at the hotels and I work out and do all the things I said I was gonna do. 

Kate:                That's impressive. No one works out when they're on vacation. I did once one time, cause I was so stressed out. It was when I was with you guys and I was like, my anxiety was flaring horribly and I couldn't sleep. And so I went to work out. 

Mindy:             Yeah, I work out. Um, I really actually have kicked it up since quarantine because I had to have a schedule had to have something. And so when quarantine started, it was like, I'm gonna really come down myself. I'm gonna run every morning and I'm gonna lift every night. And so I did. And I did it all through quarantine. Quarantine has been lifted here in Ohio. My gym is open again, and I used to just go to the gym twice a week. And now it's four. I run every morning, regardless. And I lift Monday through Thursday like CrossFit. 

Kate:                Wow, that's really impressive. I was starting to lift before the gym's closed. My husband talked about doing it. Remember me complaining about how heavy the weights were and that they hurt my hands?

Mindy:             Yes. And I tried to tell you that you were using a men's bar instead of a womens bar, and that that made a huge difference? 

Kate:                Yes, yes. There's when my husband was just setting me up and having me do it. But it hurts your hand so much like you were like, Oh, you're just gonna have to have blisters and stuff. And I was like, you know... 

Mindy:             Callouses. Yeah, you have to go. I’ve got calluses. I’ve got weight lifting callouses.

Kate:                I don't want them, but I was gonna push through, and I actually I had a pair of, like, weight lifting gloves and my Amazon cart that I was about to purchase, like, right before this all happened. And then, of course, this happened in the gym Shut down in our gyms Haven't opened up. So I mean, if the quarantine hadn't happened like I probably would have been like on the women's bodybuilding circuit by September, I think, Yeah, I thought it was a shame. Like the opportunities that were lost. Like I always wear my Fitbit. But now I'm actually like paying attention to it. And I'm like, Oops, I've been sitting on my ass all day today.

Mindy:             As soon as I wake up, I get out of bed and I run. You know, it's a new development for me, and I really like it because it just forces everything to get going. Well, we better bring Rob on so he can talk to us about Pictionary. 

Mindy:             So why don't you tell us a little bit about how the idea for Pictionary even happened for you and then talk a little bit about that process of having it turned into an actual board game that you can purchase in a store. Because I've heard from people that move in those circles, that it’s a lot like publishing in that it can be very difficult to make that leap into that traditional board game industry. 

Rob:                 It was tough back in 1982 when I was a waiter, 23 old waiter, and I decided to work on Pictionary. My roommate said, Hey, you guys want to play this game called charades on paper? Being 23 of course. Let's play a game. We stayed up all night, sketching words to each other. And then the next night and the next night. And so it just became this late night activity, and after several answers, said, You know, this may make a really good board game, and that was kind of the genesis that got me started thinking about it. 

Rob:                 Then I over thought it. I got inside my head and I started looking at the big picture, and I could visualize Pictionary on store shelves. But marketing plans and business plans and financing just all became too much for me and I shut down. So I had to pause. I had to stop thinking about it, but it never left my brain. 

And then one day I see this Trivial Pursuit card. Oh, the problem I have was putting words into the game. I see the words printed on a card, and that's my ah ha moment. Went to the backyard with a dictionary a paper and pencil. And I didn't over think that cause everything was right there in my house. The first word I saw that made sense was aardvark. 

Kate:                That was the first word

Rob:                 That was the first word. That's how it all got started because I had taken that first step, the first easiest step. Let's be honest. And but the beauty and the transformation, if you will, was after I wrote that word down. My mindset went from I was a waiter, to I was a game inventor. That was the switch, and it was just fun writing down the simple word. I still didn't have a plan. I knew what I was going to do next. I didn't, I couldn't predict the future, but I got started, and that's where the whole thing in my brain, uh, kept going because now in the game inventor and game inventors invent games.

 Kate:                That's really interesting because with writing a lot, you know, writers will spend years working on books and not being published and submitting and submitting, and they don't feel like they can call themselves a writer because they're not published. But if you are doing it, you kind of call yourself a writer. Or you can call yourself, you know, ah, game inventor, because you are you're doing it and you're taking the steps even if, um, you know, nobody else has recognized it or it's not in the stores. 

Rob:                 Yeah, it is actually true in anything. It's not just writing or game inventing. If we keep putting labels on ourselves, then we'll never move forward. Anything. To write a book is gonna take two years or whatever, and then the game is going to take eight months. Whatever. We'll never get started. So it's just a just a label that we can put on ourselves. And if you're a writer and written one word to me, you're a writer. 

Mindy:             I think it's interesting too, you said that you got too much inside of your own head. You had this idea. You were excited about it. And then when you started actually working with it and you saw the huge scheme of work that was ahead of you, the marketing in the planning, the promotional, everything that you have to have in order to even approach the traditional business. It is so intimidating. And it's not the reason why you got started. That's what it's like for writing as well. There are so many similarities.

Before I was published, it would be like I have an idea and it's sharp and shiny and new, and everything about it is glittery and it's a unicorn. And I'm so excited. And then I start looking at the process of getting published, and I'm just like, Oh, God, I don't want to do that. I don't want to go through that. Obviously, I did. I pushed myself. I made it happen. But it really kind of does once that that, uh, dirty fingerprint of commerce goes on to your dream. It does transform it.

Rob:                 The dirty fingerprint of commerce... 

Mindy:             I’m a writer. 

Rob:                 We all have ideas. Uh, great ideas as we're getting out of the shower. We have what we got to do is just keep plugging through on them. And as you say, you the dirty fingerprint of commerce, whatever it turns into is OK, we've got to just plug through. But the other thing is when we know that it's time to turn around and go different direction. That's okay too.

Kate:                So what happened after aardvark? What was the next step that you took? I assume you got through the dictionary. 

Rob:                 I got through the dictionary and then I just had to figure out if the game was any fun. It was a lot of fun. My roommates... but I got the feeling drinking beer was the cause of that problem.

Kate:                That does skew the results. 

Mindy:              Yes, writers understand that, too. 

Rob:                 I know my strong suits and my weaknesses and running a business is not one of my strong suits. So I got business partner who could do that. And I've got a graphic artist partner who could take care of that, and I did marketing and sales. And that was the first really big step after finding out that the product would work or the game itself work. I still didn't have a product, and then we had a rather simplistic business model. It was make games. Sell games You know, I'm 23 24. I don't know what I'm doing. Everything is intuition. Everything is by instinct. Let's make some games.

Kate:                And that this is, like way before Kickstarter. So, like, what was your like Now you know you would, you know, you kick started and, you know, offer this game. But how did you decide to market it and get it out there and create the games? Like, were you going to like Jo Ann Fabrics and like cutting cardboard?

Rob:                 Oh, yeah. And the Kickstarter phenomenon. I'm jealous and not jealous. At the same time, I would be just click and point and create a prototype. We didn't have that option. So I literally went in the phone book, that big yellow thing, and I knew we needed boxes. So I looked at boxes and then I knew we needed pencils and die cubes, and I found nine different companies to supply parts of they were all shipped to my apartment. 

Kate:                The phone book. I feel like we should, like, translate this for the younger listeners. Like, yeah, Like, Wait. But why didn't you just go on the Internet and Google it and go on Amazon for those things?

Mindy:             And so just so everyone is aware, there was a point in time where you got something every year called the phone book, and it had everybody's phone number in it, which now is just like people. I mean, it's like an invasion of privacy, right? Cause it had your address printed in it too, huh? 

Rob:                 It's everybody in your city instead of being online, was printed and sent to you. Yes, every business printed and sent it.

Kate:                I still remember, with a friend going through the phone book and print calling everyone with the last name Weiner and to the Weiner’s of the world. I'm sorry. It was wrong.

Mindy:             I remember going through the phone book and finding like our teachers phone numbers and pranking our teachers. 

Kate:                Oh my gosh. I would never have done that. That's mean.

Mindy:             Well, I never told you I was nice. 

Rob:                 Well, we were young.

Kate:                How many like prototypes did you create?

Rob:                 We did 1000 games that we put together My apartment. 

Mindy:             Holy crap. How many people were helping you with this?

Rob:                 My two partners, a couple of friends, and we literally hand assembled each of those games at my first house. It's I mean, every card, every block, everything. Our fingerprints on it. 

Mindy:             How hard is it to get one of those original games? 

Rob:                 They're out there, but most of them have my signature or their scrolled up. So I have squirreled away probably about seven or eight of the original 1000 out of the 38 million.

Kate:                That's got to be a major collector's item, cause that it's such a cool thing. 

Rob:                 There were cool. Make sure you get one. If it has a sticker on the box and the plastic, it's not original right there out there that we did that probably about your four when Win, Lose or Draw came out. Yes, and they ripped us... Yeah, they ripped us off.

Mindy:             They did. Because its the same thing. They just have really big markers.

Rob:                 Exactly. And so we put a big sticker on the box. Is said Original Charades on paper Game. We were the first, the biggest and the best. 

Kate:                When you were in your apartment with your friends and you were making these 1st 1000 were you like, this is gonna be huge. This is gonna be amazing. Like, could you feel like this is gonna be something? 

Rob:                 No.

Kate:                Were you at least telling yourself? Like whenever I'm writing a book, I'm like, Oprah's gonna love this one. Like, I tell myself that even though Oprah has not called yet Oprah, I'm waiting here. 

Rob:                 I'll give her a call for you. 

Kate:                I would love if she could just give one of my books a shout out. But you know, I feel like you kind of have to, like, have a little bit of pie in the sky Dreams to like, assemble 1000 games by hand.

Rob:                 We assumed and hoped that we would sell a lot but our minds wouldn't let us go there because we would make decisions based on that versus we've got 1000 games to sell. How do we do this? And then if we keep true, our vision and what we're thinking of, what we want to do, the money will come. The sales. But our focus was squarely on those 1st 1000 games. Um, and we put one foot in front of the other instincts, drove everything. There's no, was no Internet, right, Right?

Kate:                So how did you sell him? Was it like, back of the car, like out? It's selling out of your trunk or like going store to store and getting them to put a couple on the counter? 

Rob:                 Yeah. I mean, one of our biggest tools was demonstrations, so I would stand at the bottom of the escalator downtown, Nordstrom in Seattle, pen and paper in hand. Go Hey, play my game and stand there for literally 12 hours a day and sell three games and I'd be excited.

Mindy:             That’s familiar to writers to because we do, it's called table selling, so you'll be like at a festival or something like that. But the difference, though, is that people are coming to a book festival. The people that are showing up to events are there because they want to buy books. You're literally just like accosting people in Nordstrom's.

Kate:                That’s hard to do. 

Rob:                 It was. But it was, you know, I was 24 by now. 25. it was my mission. Yeah, there was. There was plenty of days. I mean, that I wanted to quit. I mean, how many? You've done something in your you're doing your 14th demonstration or your you were doing your 15th book tour, or whatever your Oh, my goodness. But it was just that that feeling that Pictionary was cool. Pictionary was special, was just a part of my life. And so that got me through those days.

Mindy:             How much did it sell for?

Rob:                 $30 retail. And that was when a movie was $2.85.

Mindy:              Wow.

Kate:                Were people saying like, Oh, this is too pricey. Like, did you price some customers out? Or was that like, what was what were other board games going for?

Rob:                 Our competition was Trivial Pursuit. They were selling for 30 bucks, so we decided sell them for 30 bucks. We lost $7 a game.

Kate:                Because you couldn't mass produce? 

Rob:                 We couldn’t mass produce. We had to assume where we produced in quantity, that price would come round. But we knew he had to be competitive. We knew the market was, and so we just priced accordingly and lost seven bucks and cross your fingers. Yeah.

Kate:                So how did you come up from the beginning? It was called Pictionary. How did you come up with that name? At what point did you figure that out? When 

Rob:                 We were playing with my roommates, We were using a dictionary to get the words. And one day one of the roommates started playing this game called Fictionary, which is now Balderdash. 

Mindy:             I love that game. 

Rob:                 Laura Robinson's become a good friend of mine. It's a very small community. So he just started playing this game. What are you doing? It's called Fictionary. Kind of. This light bulb goes off and he said, Well, pictures, pictures called Pictionary that was it? Wow, that was pretty quick. But I want to say I want to make one thing go back those games, those 1000 games. I equate them to a book in that I touched every one of those pieces to every one of those 1000 games. It's like a writer. Every word you put on that paper's yours. You're messed with every word. And sometimes it's hard to let those go. And sometimes it's, you know, is it the right word? Was that the right card? And so there's a lot of parallels in putting that out.

Kate:                Absolutely so many parallels. Yeah, and I think also just that. The difficulty, you know, like I think a lot of people, they see the success and they don't you know, see the day after day of having to go and, you know, put the game together and then having to sell them like that's the part that you know in the story of success gets two sentences. But in the living, it is really, really difficult. That's that's the quitting point.

Rob:                 I couldn't agree more. I mean, people just see Pictionary as a success, but they don't see the 16 hours at the bottom of the escalator, and it didn't see that I would walk literally, in the street with the game under my arm and then walk into any store front. I mean, I didn't know the rules, right? I didn't know you couldn't sell to, not toy stores and Toys R Us. So I go into a real estate company, sold them six games. I went into a pharmacy, knickknacks, doors, department stores. I didn't care. I was just getting people to see Pictionary in places that normally wouldn't do it. 

Mindy:             Did you have to have, like, permission from Nordstrom's to be there to be like a vendor?

Rob:                 Oh my. Yes. Yeah, they The first sales call to them did not go well. I go in and here I am, you know, game under my arm. And say I have got this great game. You should play some. We sell shoes and handbags and dresses, right? Oh, gosh. So I said, Well, Pictionary is fun, and your clients will really like—No, Rob. Sorry. Well, by now I'm starting to think this is a big deal. This is a big sale for me, Not just numbers, but I need this account. I was offering her everything and anything, including I would do demonstrations at the bottom of the escalator and sell the games myself. That got her attention. And that's what turned the tide. She took 12 games for six stores. 72 games. I mean, I remember the little numbers. Yeah. Wow. Very very. And that's how that all came out. But I was willing to do anything for the sale. Have you ever had that? That feeling where, you know, you just have to accomplish this task to have to get this goal. Yeah. Yeah. One of those.

Kate:                What was the what was the next big step in the journey? 

Rob:                 Lot of slogging it out. A lot of, you know, demonstrations. And we'd go to the the restaurants and open up the game to start playing. What are you playing? Pictionary! Um, but the next step, we became pretty popular pretty quickly. So this is 1985 and beginning 86 all the major game companies heard about us, and we basically we sold 8600 games and we became too big for ourselves. We couldn't fund our growth. right way had the license. And that means basically, somebody takes on the job and the cost of manufacturing, distribution, marketing and sales. Pay us money for that right, we get a deal or get an appointment with Milton Bradley. Biggest game company in the world. Huge They hold the market that 80% of the market I'm 20. I'm 26 years old. I mean... 

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Kate:                Where were their offices?  So did they fly you out there? Oh, 

Rob:                 No. My partner flew. Coach. Stayed in a fleabag motel because that's all we could afford.

Kate:                No, those cheapskates. I think should have flown you out there. 

Rob:                 At this point, I think we needed them more than they needed us. And so we Finally, we come to a deal at 26, $500 a month and I'm driving a 10 year old car. Yeah. Yeah. And so they gave us the deal. Biggest royalty that ever given any independent game company ever. Everything we wanted. Except they wouldn't put in writing that they wouldn't touch the packaging without a written approval. Our whole vision, which was very, very simple, was based on picture because we knew everything would flow from that. You can't touch Pictionary. Nobody can touch Pictionary, but us. They didn't share that vision way. Didn't trust that. I said no to the contract. I was ready to risk going back to waiting tables and give up on my vision. It was so important that, um what a sudden Senate calls it your just cause really does sacrifice everything. Your vision. And I was willing to do that. We had no Plan B, my partners and I And okay, let's be honest. There was, ah, day of what the heck of? 

Kate:                Was it a split vote or was it, you are all in agreement because I could see that being like a heated argument of, um, you weren't all on the same side.

Rob:                 You know, it's one of those odd things that we look back, that all three of us felt the same way because his partners, we all had different skill sets. That's okay. You just you combined those. But we shared the same vision and we shared the same values. Yeah, it wasn't about business. We connected his people as humans, and that's what drove the business. That's what drove us always moving forward. And because of that, when that decision came down, we were in complete agreement.

Kate:                Really? I feel like such great, you know, advice for anyone in any field, you know, working with others and partnerships. And, you know, I've done co writing and yeah, I think you're right. It Yes, you have to share that vision. And I know that you're coming from the same place.

Mindy:             I know a lot of people that ah want to be published. They wanna have their, you know, their words in print and are willing to kind of take whatever leap is necessary, which is good. But sometimes they're going to go for something smaller than what they're worth. Like they don't recognize their own worth, so they won't necessarily. And I'm not saying everybody should wait until, you know, one of the big Four publishers picks you up. If there is something that just sticks in your craw, like you were saying, you're like No, I really feel like I'm selling my soul If I do this, it's a calculated risk, I guess. 

Rob:                 Oh yeah. Every everything is a calculated risk. You have to take action. And sometimes you owe, uh, that if you can't find a publisher, you can't find somebody to since your game, it just have to do it. Otherwise you'll be stuck. And your product, your game, your your book, whatever will be stuck. So at some point, you've just got to jump. 

Mindy:             I mean, and that's something that I tell people. A lot of people writers will be scared to put themselves out there scared to put the book out there or get feedback from someone Or, you know, even send a round of queries to try to get an agent. And it's like it is scary. If it's worth doing, then it's worth throwing yourself into it.

Rob:                 I completely agree. My book process, I was absolutely scared. I'll just be honest with you. 

Kate:                The blank page. Did you write aardvark again? 

Rob:                 Of course. I mean, seriously, you gotta write, start writing somehow. Euphemistically right? Aardvark is a state of mind. Yeah, it's not really writing down that one simple word, but it's a mind step so you could pull that first step, which I did, and I celebrated that victory, but I still didn't have a plan. So aardvark is more of an emotional decision to keep moving forward. Aardvark is taking the first step without knowing what the 2nd 3rd and fourth step is gonna be without waiting to, Have all the pieces in place before you get going, whether it's a book or a game or a business, whatever. And I really, truly believe this that we can get ourselves unstuck by taking those little steps. I mean, it's you can say it any way you want the whole world with books about finding your aardvark by taking first step, taking your small step. But you know, for me, maybe for people, finding your aardvark will resonate because you've got to do it where it's just that idea, rattling around in your head and don't worry about where it leads if you do that for me, that was tough. One foot in front of the other until look what I've got about this game. It's magnificent.

Mindy:             So you turned down Milton Bradley. 

Kate:                Did you actually have to call them and say like, now we're gonna pass. For some reason, I'm envisioning Milton Bradley as the actual monopoly man and being like, What are you talking about? 

Rob:                 Oh my goodness. Personal story. This is one of the biggest moments. My partners. I remember. I've never I've never told this story on air anywhere, that we go back and forth and they gave us everything we wanted and were on one of those old speaker phones. Three of us are there. And we said, You know, guys, we need those guarantees about the packaging. Quiet for a minute. All of a sudden, from the other end of the phone, we hear, we're Milton Bradley. You're gonna have to trust us on. My partner says, the only people I trust or the three guys in this room. Click. We Hung up.

Kate:                That's ballsy. 

Rob:                 We looked at each other with complete horror and shock, but we do. It was the right decision, But yeah, it was It was the biggest decision we ever made. 

Kate:                That's huge. Although I have to say any time anyone ever says you're gonna have to trust me. It's like, Oh, no. I never say that. Did you scream? Did anyone scream? Where you giggling, like, hysterically, Or was it just like silence after the hang up?

Rob:                 It was dead. Silence. Say we just may be screwed ourselves. And so it wasn't like we made the right decision. It was like sweat. And I'm hyperventilating. Yeah, it was It was hard, right? Decision, but hard. Yeah, it was. It was a tough couple of days. Oh, gosh. Yeah, that would be some sleepless nights and definitely a trip to the bar. 

Kate:                Or maybe several.

Rob                  On. We just never left. The beauty was the universe provides, and things happen for a reason how they're supposed to. Three weeks later, we get a call. There was a joint venture, they wanted to license Pictionary. And it was all the people who could make it all happen. And they gave us all our guarantees and a bigger royalty rate. So, by holding out for what we knew was right for us in the product. We got a better deal and we went from 6, 8 thousand games out of my apartment, literally. The 350,000 games when we license them to three million games. And by your four in the US alone, we did 11 million games. Three more Europe with the biggest game of the world. 

Kate:                By the time you got to 11 million games how old were you? 

Rob:                 31 by now. 30.

Kate:                Oh, my gosh. You are a little whipper snapper with all that those games! And were you, like, What do I do now? 

Rob:                 I was fortunately, had some good mentors that helped me navigate that. It's not easy to navigate. Failure could well planned for plan B. These were planning for failure, but I had to figure out how to plan for my success because I was woefully unprepared. Yeah, I went from $500 a month, three years later, A millionaire. I mean, yeah, no idea what to do.

Mindy:             I don't think I would have been able to handle that at 31. Honestly, I would have been, like, so irresponsible. 

Kate:                I mean, even, you know, authors will get, you know, a first big deal and you know, Mindy and I were actually, um, two days apart in age. Both turned 41 in March, and we both, um we're in our early thirties when we got our first publishing deal. But, um, you know, we know some like people who were in their early twenties and they got huge deals and you know, all the attention and stuff. It really messed with their heads. And I always said, like, I'm glad I wasn't that young cause it's it's hard enough to get through your twenties and you know, to have all that thrown at you, when you're trying to figure out who you are is really difficult. And it's also just hard in publishing, you know, Everyone focuses on the first step in getting over that first hurdle and then what? You're published. It's like, What do I do next? How to not just started a career but sustain it? Yeah, and that's like no one really talks about that part as much. 

Rob:                 I think you've nailed it completely. Sustained. How do you sustain? How do you sustain your lifestyle? Sustain long term what it is you want out of life? What’s your vision? That's what sustained me. I mean, have you ever seen yourself 10 20 years in the future Knows that check comes in. Well, maybe that's not exactly what I wanted. Mm. But you gotta stick true to that. That's a little It gets a little difficult to navigate, but you have to stay the course of what is important to you and what you visualize for yourself. And that helps.

Mindy:             You have a book coming out now this month called Game Changer. The Story of Pictionary. And so what made you decide here? How many years after the creation of the game itself to write like a memoir, this non fiction about the creation of Pictionary? What was that instigating moment for the book?

Rob:                 The original intent, honestly, was to write down what my Children's father did because they only know the aftermath. Yeah, so I started writing the book. Just here's what I did, so they would appreciate. Well, that was early on the process. And then as I started writing, I'm realizing this is a pretty good story. I didn't live it until I started writing it down, and I remember this now. Remember this and I wanted to start sharing that story with people, and that's what kept me going. And it turned into a great book, if you will. But it's just a really good story and wanted to share that inspiration with everybody else. I mean, I was a 23 year old waiter, and I dared at some point to dream to take on the big game companies. And the book is just that journey and the obstacles good and bad and personal business and overcame to get there. And it was just a fascinating process to write this thing.

Mindy:             I'm looking at the cover right now. I have to ask, Is that an aardvark being drawn?

Rob:                 Yes, it is. I thought it was. 

Rob:                 Aardvark has played a big, big role. Not just Pictionary, of my whole life. So I thought I pay homage to, uh to the art of aardvark.

Kate:                And so what? Do you have your kids read the book? Are they old enough? 

Rob:                 Oh, yeah. They’re 24, 26 and one of the real benefits, if you will, to writing this. So I was sharing the story with them as I was writing it. You know, when you're doing something that's resonating, you know you have that feeling and that gut tells you this visceral reaction. Oh, my goodness. This is going well and this is working. So when my daughter was reading the book, I decided to have her help me edit it. She got involved, and now she really understands. So my original purpose for the book has been realized. That was a pretty bring powerful moment for me.

Mindy:             Kate, You're going to write a memoir for your kids, about how you have ah, degree in film and a master's in film and then another Masters in What are your Masters and again creative writing and film? 

Kate:                Film and Theatre. Very useful degrees.

Rob:                 They got you where you are now. 

Kate:                That’s right. Absolutely. And my Children are actually very impressed that, um I am talking to you today because they are huge game lovers, especially my oldest son. He he loves playing games, and we do have Pictionary. We've actually been playing a lot of Pictionary with, um like kind of Ah, do it yourself version over Zoom cause there's that drawing you can draw on the aboard. You where you can draw the screen. And so we did that, um, with my family, actually on Easter, which is, like five different households. And we had explained to my mom how to play like three times, but then she got it. But we all told her like, this is Pictionary. No one called it Win, Lose or Draw. My kids don't even know what that is.

Rob:                 right. I Appreciate that. 

Mindy:             When Win, Lose, or Draw happened. Were you just like what? Hey!

Rob:                 They came out 19 actually 1986. And they launched 87. And we already sold three million games. First reaction is, of course, They ripped us off, but it was really one of the few times I really thought we were gonna fail. Yeah, it was this onslaught of this competition well funded half hour TV show Celebrity Power, And I panicked. I was like, we've got to do something. What could we do? And we're gonna loses this battle of drawing games. Uh, and it was It was a rough several months while they were on air until the numbers started coming out that we had succeeded in keeping our number one position. But there was that moment of Okay, is this gonna all crater on me? 

Kate:                I can see if Your numbers actually went up like I could see someone actually going to the storm being like, Oh, yeah, I want to play a drawing game and then being like, oh, Pictionary. 

Rob:                 We didn't realize it at the time, but it turned into a commercial for Pictionary because we were the first and when people exactly would go to the store, they thought it was Pictionary, so they would just buy Pictionary. So that was a nice little bonus. 

Mindy:             I think too, what's interesting to me as an author, because I do see this happen often. You have an idea, and you think Oh, my gosh, this is so original. I've never heard of anything like this. My idea is super cool, and nobody's ever done this before. And then I'll be browsing in a bookstore and I pick up a book that is basically my book and it just came out and you know someone I don't know and we have never spoken had basically the same idea, and it happens quite a bit. I have a friend who had written a really good, um, count of Monte Cristo retelling gender flipped, set in space. And it was awesome. And about two or three months after I had or no weeks, weeks after I had read her first version of this, I see a sale in Publishers Weekly, which is where they do the weekly sales. The deals have been made, and it was for a gender flipped version of Count of Monte Cristo set in, and I don't think it's in space. But it was like in a fantasy world. 

It is interesting how rare those Black Swan ideas can be. Um, I feel like we're all kind of pulling out of the same creative cloud. At some point, I read a great book. It was about human evolution. I have not been reading. Much like ironically, quarantine has taken away my reading time. Okay, here we go. It's called Transcendence: How Humans Evolved through Fire, Language, Beauty and Time. It's by an Italian woman named Gaia Vince, and there was a quote in there. She was talking about story and the importance of story and the importance of storyteller and culture and how it’s evolved over time. And there was a wonderful quote from I believe it was like a Greek poet 500 BC, and he was like, I'm going to stop writing because it's become clear to me that there are no new stories and everything's already been covered. And I'm like, Dude, that was like, 500 BC. So people kept going, you know? But it's interesting to me that, like even that long ago, one creator was just like, Yeah, there's nothing truly new in the world. We're all just telling the same things. 

Rob:                 We are. But isn't that the beauty of art? Because you could take the same theme 1000 times, takes that same thing and does it differently, and based on the writers Proclivities or the inventor. So yeah, there It doesn't matter, because if you go with that attitude or that idea, you'll never get started, right? 

Mindy:             You'll never do anything. No, I agree completely.

Rob:                 The Black Swan. You can't plan for that. I mean, I might Goodness, we couldn't plan for that. For Pictionary, er or Twilight or whatever. Yeah, but it's It's just a matter of going. Okay, This is my motivation. I'm gonna do it. You see what happens? You can. Yeah, I can. You can't get too caught up in that, which I have. Of course. I'm telling you what to do. Not what I do, right? Of course, it's easier to do that. Yeah, just to throw caution to the wind, See if it resonates.

Kate:                And I think you know also, I think the beauty of Pictionary is it's It's one of those ideas that's so simple. You know, you don't have to read three pages of directions to start playing the game, right? It's It's so, it's just so clean and so beautiful and so simple. And it works. And you didn't feel the need to make it. You know, at a lot of extra bells and whistles to make it, you know, spinners or whatever. And that's so great. Especially, you know, playing games with my kids. We’ll, you know, open up a new game and then an hour later we'll try and play it after we, you know, waded through the directions and figured it out.

Rob:     It was kind of like our first business model. Make games, sell games. Yeah, draw words. Guess words. We keep it dead simple that anybody could play. But I think the hallmark of like people still play Pictionary. Isn't the drawing, isn’t the guessing it's that it's an emotion? it's like going to a rock concert where something Mick Jagger's onstage everybody's in. This same vibe is still doing this same thing when you're sketching and guessing and you're having fun and your senses are alive, you remember those shared collaborations moments. That's what brings people again and keeps them together, going back again and again. You don’t remember this really great Trivial Pursuit question. That's why it's resonated so much. 

Mindy:             I do have to counter you don't remember those great Trivial Pursuit questions because there is one that my group of college friends because we played Pictionary, because I'm sorry we played Trivial Pursuit and Pictionary because we were just like big big nerds, and that's what we did. And so we were playing Trivial pursuit and it was a game that’s been going on, like all week as we stuck very, you know, soundly to the rules. And somebody had all their pies and then made it to the center. And, you know, we were playing on teams and were trash talking each other and were being super difficult, and the winning question for in the middle with all your pies. Wa - What is the first book of the Bible? And we were all religion majors. Those of us that were on the other team were just like, flip the table. We're done. We're just like No! So there is, There is one memorable trivial pursuit question. 

Rob:                 What's the answer? 

Mindy:             Genesis

Kate:                That almost proves the point, though, because it is like the emotion of all of that, that made you remember that question? 

Rob:                 That's exactly right.

Kate:                I can see you seeing it. So specifically of like, the pie like you're painting the whole picture like it's so captured in your mind. 

Mindy:             I was pissed, like probably one of the most angriest times that I've ever been in my life. And I have been divorced like twice now, So yeah. Uh, well, a lot of emotion involved. 

Rob:                 I have a good person. You could talk to you that will release some of this anger. 

Mindy:             Oh, it gets released. Don't worry, it's all in my books. Kate, do you have any last questions? Or Rob, do you have anything you want to add that

Rob:                 The advice I give to people is Don't over think things. Everything is a process. Writing is a process of getting a game is a process, so there's no right or wrong way to do it. I mean, there's books, and if you do these three steps, you'll be successful. I don't think that's true, right? All your intuition Follow your instincts and just get going. And I know it sounds simple, but don't ever think that that step and I kind of liken it to a spider. What? He's making a web. He doesn't sit there, and you know, think today I'm gonna make a web that looks just like this. No, he just kind of jumps the wind, catches him and he lands somewhere. And then it goes back and he jumps again. And then he builds the web from there. It's all instinct. It's all intuition. He doesn't over think process. And so think of think of their process of building out Web building that spiderweb. That's that's the fun part of it, not knowing what it's all gonna be. And when the spider webs done or your book is down here, game is done. That's what it's supposed to be.

Kate:                I see a picture book in your future with the spider. 

Rob:                 Let me get through the 1st one please. I mean, it was a six year process, and as you said earlier, I wasn't ready to put it out a year ago. When I'm really proud of it now. And like I said, it just it just tells the story. If you love Pictionary, now you're gonna know how it all came to be. That's all. 

Kate:                That's awesome. And I could see it being a great book for people to pick up who are stuck in their houses and are maybe, you know, thinking this is a good time to, you know, make that dream come true for themselves, something that they've always wanted to do. So, um, it seems like it's like really one of those sort of inspirational reads.

Rob:                 You could break down all the lessons and things that I overcame, but really what it comes down to I was a 23 year old waiter had an idea. I went for it and it worked out. If I could do it, anybody could do it.

Traditional or Indie? Why choose? Author Katee Robert Finds Success with a Foot in Both Worlds.

Mindy: Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more at WriterWriterPants on Fire.com

Mindy:             This summer I'm adding a co-host, fellow author Kate Karyus Quinn. We'll be doing a series that focuses on hybrid and indie authors. If you're thinking of going the Self Pub route we've got authors who found success with six figure sales, as well as authors who are just starting out on the road to indie publishing. Learn from them. Learn with us. 

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Kate:                I’m Kate Karyus Quinn and I am back on the Writer, Writer, Pants on Fire podcast pushing Mindy to chat more. Really. I want to, like, make her open up more and just get into all your sore spots. And so I thinks it's time to talk about your dead dogs. 

Mindy:             I think we're over sharing. And, um that's fine. Okay. So yeah, last week we talked about menstruating dogs and this Week, which we do have a guest for you at some point. But this week, we kind of teased last week that Mindy used to use have two dogs, and now she was zero. This is true. It's a sad story. So, I had an Australian shepherd, and this Australian shepherd, I think she was almost 20. Her name was Dana. Her name was actually Dana Scully, if I'm being honest. So Dana Scully and I had been together forever. So, like this cat... Sorry. It's a dog. 

Kate:                Well, okay. You know, you have a lot of cats when you're calling your dog a cat.

Mindy:             I had a cat that  lived for 20 years to though, It was like 22.

Kate:                Isn’t it more common for cats to live that long? 

Mindy:             It’s much more common for cats. Yeah, but I had a cat that saw me through, like, pretty much the same time, period. But then the dog just, like, kept going, but yeah, I had a cat that I think I got her when I was seven. And I had her until I was 29. Yeah, so that sucked. Her name was Mercedes, anyway. Oh, because I had just watched, like, License to Drive. And, you know, Heather Graham is in it. And she's Mercedes Lane. Yeah, so I named my cat Mercedes.

So then I had this This dog, I got this dog and her name was Dana Scully. And she was an awesome dog, and she saw me through, like, a marriage and a divorce, and then a new relationship that lasted, like, pretty much 12 years and then a break up. Actually, that dog was with me through my last year of college, too. Moves too, household moves, uh, you know, books, writing many, many books so that dog was with me forever. And she was at the point where it was like there were multiple times that I thought she had died. So, like I go outside and she’d be sleeping in the sun and like at one point, I was like, positive the dog was dead, like I tried to wake her up. I physically shook her and she was not reacting like she was, she was dead.

So I texted my boyfriend at the time because we were living together. I was leaving for work and I texted him, I was like, Hey, Dana’s dead. She's in the side yard. If you would please bury her before I get home, I would really appreciate it. I can't do it. I gotta go to work, right? She wasn't dead. She was just, like, so deeply asleep that she just wasn't coming up out of it. But the dog wasn’t dead.

Kate:                That’s crazy.

Mindy:             Yeah, so it's like he went outside to bury the dog and she just came running around the corner to greet him. And he was very confused. So she had kind of, like, pulled a fast one on me a couple of times that I thought she was dead. And I had had this, like, experienced grief, right? Like, oh my god my dog died. So one morning, I go outside and I had two dogs at the time. I had Dana and I had Brutus, and I'm like Dana, you know, and I'm getting everybody around. No Dana, like she just doesn't show up. And she basically was so old that she would go outside, find her spot where the sun shone and just laid down. She wasn't there. I'm like, Oh, shit, she wandered off to die because dogs do that.

I go inside and I'm getting like, because I live in the middle of nowhere, totally rural. And I got on like, my boots to go through this field and just, like, see if I can find her somewhere and all of sudden I'm like, oh, shit, cause I have a pond. I was just like, Oh, my God. I hope she didn't, like, try to walk down to the pond because there's really steep banks and I go out there and she's floating in a pond and I was just like, Oh my God, my dog drowned.

And so I had to go get her like I did, you know, take my boots off and everything and swim out and get her and pull her back in. And, ah, so then I called my boyfriend, and I was like, I always like, hey man, Dana’s dead. He was not home at this time. And I was like, Dana is dead, and I need you to, and I need you to bury her. And he's like, Well, she's she's actually dead this time? I was, I was lost, like I could hardly speak. And I'm like, No, she drowned. I just swam out, and I had to get her and haul her body back in and all this. He was then, like, he felt horrible. Ah, that he questioned me on whether or not the dog was dead, and he even asked me, he was like, Did you try to perform CPR? Dude, Uh, stop questioning me. My dog is dead, but, um, yeah. So, I lost Dana. 

Kate:                That really sounds like a like lost scene from Not A Drop to Drink. Like that would fit perfectly in that book. 

Mindy:             Yeah, It would totally fit in there.

Kate:                Yes, if the mother probably wouldn't have let her have a dog, but no,

Mindy:             Exactly. Well, but if it was a good guard dog, then that's acceptable. You had to earn your keep 

Kate:                That's true. That's true. 

Mindy:             That's how I feel generally. But when you've earned your keep for, like, 17 years and you're starting to slow down, I'll let that slide. But yeah, so my other dog, Brutus. Good boy. Great boy. Pound Doggy had had him for, like, 10 years like he was older. So he's a big dog. He was bigger. He is my German shepherd.

Kate:                He was the secret basement pooper, right?

Mindy:             He was a secret basement pooper, but I don't know how much secret it was because he would tell on himself like he would go shit in the basement and then he would come upstairs and he would just look at me and he had a specific look on his face that said, Hey, I just shit in the basement. I would see that look and I would just go Brutus! and he would be like, I know, I know. I’m sorry!  The cat litter is down there and I think he just like, he literally was trying to use the litter pan. He just couldn't like, there was too much math. 

Kate:                Do you think he got confused and thought he was maybe a cap or part cat?

Mindy:             I think he just doesn't understand, like parabolas. Because he was trying to use the litter pan. He just I don't know. There's more positioning when you're a dog. 

Kate:                Oh, yeah, Yeah.

Mindy:             I don't know any way. He ended up getting a brain tumor And so I had to, had actually take him and put him down like about six weeks ago, right when the quarantine started. We're recording this April 22nd and so we're all in quarantine. So I had to put my dog down. My last dog had to put my dog down right before quarantine. And I had just gone through a break up of a guy that I was with for 12 years. So quarantine has just been stinking awesome for me. I'm racking it up. I’m losing men and my dogs are dying and there’s a pandemic. It's just, it's like a country song.

Kate:                You know, you texted or we were on slack with Demetria, I think. And you said it was like the first week of quarantine and you were like so I just had a to take my dog to be put down. It's not going so well. And we’re, just like oh, no! 

Mindy:             See, you don't want me to chit chat. You don't want me to do this because it's like these are my stories. No one is glad that you talked me into this right now. Okay? 0% of people are happy. 

Kate:                I think they are. Everyone can relate to this cause everyone has had to do this. I had to take my cocker spaniel, our first, my husband's, and I our first little dog. And she was like, always like, sickly and the scared little dog. And it was so hard to do. It's the hardest thing about, like having to take a dog and put them down is like you you just don't know like you feel so bad. Like, is it time? Is it not time like, like they could keep going? Are they suffering? But you can't tell and it's also like it's hard to take care of the dog at the end of their life, like with our dog, like she was, like, shitting herself all the time. And so it was like, You feel guilty, like, do I just want to, like, stop dealing with this? And like, that wasn't it. But you, like, have those thoughts.

Mindy:             No, totally. And see, with Dana because she was so fricking old it was like, I didn’t want her to be scared. I just didn't want her to be scared. And she was so old that my vet was like, You know, she's due for her booster, but quite frankly, it's a really expensive booster, and it might not be worth it. And she gets so upset when she goes to the vet, even like maybe we should just, like, give her give her some time and see how she's doing. And like my vet was basically like, don't worry about vaccinating this dog because it's a waste of money. And so I was just like I just didn't want her to be scared. I didn't want that to be her last thing is that Mom puts her in a car and she's terrified and then, you know, and so I didn't want her to be scared. And then, yeah, she ended up drowning. And so I was just, like, so pissed. So pissed at fate. 

Kate:                So no, I know. I remember you were so upset at that. That's just so horrible to like. Have to go and pull your dog out of the pond is horrible. That’s horrible. It’s horrible. 

Mindy:             It sucked. It really did. And it was just Yeah, And then shortly after that, just, you know, break up and quarantine and yeah, everyone should buy my books. There we go. 

Kate:                It was a hell of a year. I feel like you're one of those people who, like shit, happens to them more than others, but maybe not. I can never tell if it's just like some people are better at telling stories and just or if... Like, do you feel like crap happens to you? Like the first thing I remember about meeting you the first time was you said I can only see out of one eye. 

Mindy:             No. I could only hear out of one here because my ear drum had ruptured, right?

Kate:                No, you were in the middle of your eye Surgery. 

Mindy:             Oh, shit. That's right. No, that is something that is just, like, frickin bizarre. 

Kate:                So you were looking out of one eye, Kind of like Winky. Like you would like have to close one eye to like focus.

Mindy:             Oh, no, that's true. That that did happen to me. So I would assume this has never happened to anyone. Um, with my first Ah, my first advance for a book. I decided I was going to give myself the gift of sight because I had been wearing contacts and glasses since I was in, like, fifth grade. And I was so tired of not being able to see and having to find my glasses or put in my contacts first thing in the morning cause I was, like, legally blind, like it was bad.

And, um so I was like, I want LASIK. So I go to get LASIK. Actually, my vision was so bad that at one point when I had first gotten married the first time, um, we had a puppy – it was when Dana was a puppy. So here's a puppy story. Dana ate my glasses. You know, I couldn't wear contacts that point in life because I was in college and I had, like, really abused my eyes and slept with my contacts in, and they wouldn't let me have anymore. Like Red Flag, my little file. And it was like she's not responsible enough to wear contacts.

Kate:                That's horrible.

Mindy:             It was terrible. So I had, you know, glasses and my dog ate my glasses and I was literally stuck at home. I couldn't leave because I can't see. 

Kate:                Did she eat them or did she just chew him up really bad?

Mindy:             She consumed parts of them, and so it wasn't something I could reconstruct. So, like, that's how bad my vision is that I was stuck at home and I had to, like, call my dad and my dad had to come get me, and I had to be driven somewhere to buy glasses so that I could see. 

Kate:                Without glasses mine is pretty bad too. I wouldn't drive somewhere if I didn't have my lenses or my glasses on. 

Mindy:             No, like it would be so unsafe would be ridiculous, you know? Anyway, I decided to give myself the gift of LASIK. Turns out my corneas or too thin, because when they do LASIK, they just cut a slit and they flip up your cornea. And then they lase the pupil and the rods and cones, and then they flip your cornea back down and it heals. My corneas were so thin, they were like, We can't do that. It won't heal again. We actually have to scrape your corneas all the way off. It's called surface abrasion.

Kate:                Is this a Common thing? 

Mindy:             It's It's basically the backup for LASIK. Like if you don't qualify for LASIK, you can get this done. And I was like, OK, I'll do it right. And so it's like the same machine that they use for LASIK, but they actually just, like, scrape your corneas off. And that was just, like fucking weird. 

Kate:                With the laser?

Mindy:             No, no, They scrape it off, like with a spatula. Yeah, I'm not even kidding you. Like they literally like you're you're laying there. They give you Valium, right? But you have to be— 

Kate:                Like a spatula? Do you mean scapula? Like used to flip pancakes. I feel lke the place you to was really janky.

Mindy:             No, I went to like a really expensive one, Which is what makes this so fucked up because it wasn't like a spatula, like they bought it like dollar general or something. But, like, that's what it looked like. It just looked like a little flat piece of plastic, right? And I granted, I couldn't like focus on it because it was literally going into my eye, but yes.

So they took my corneas off both of them, and then they start lazing, you know, using the machine so they do one eye and then they go to the other one, the machine, just like stops like, just stops working like how your light bulb just goes out sometime. Except it's a $3 million machine. It just stopped working. And they were like Oh shit. And everyone around me is just like, oh my god. Oh no. 

And it's like not a good feeling When your corneas are off, you have Valium running through your veins and you're on your back with like a clockwork orange thing on your face holding our eyes open. And everyone around you is going, oh shit, oh shit, oh shit, oh shit. I’m so Valium’d that I didn’t care. And I’m like, what’s going on? And they're like, Ah, basically, we we fucked you. Uh, they were like they were like we are so sorry. You know, and basically had to wait for my corneas had to grow back, which takes, like, three days. And then they had to wait for, like, six months to make sure because they had done, like, a small treatment on that one eye. So they had to wait for everything to recalibrate, get the new prescription, go back and get my cornea scraped off again, and then treat that other eye. But so, yeah, I was basically, like, blind in one eye. When I went on tour for that first time. And then I got vertigo on that trip to because from flying, I got vertigo. I thought you were talking about when my ear drum broke. 

Kate:                Well, yeah because that happens so much. But I feel like that's I mean, that's also a weird thing that happens to you, but that happens to so often. But the Yeah, the the laser eye surgery. So did the laser eye surgery. Did it hurt? My friend said it felt like having a rubber band snapped against your eye. 

Mindy:             You know, when they did the laser part, I don't remember because I was still very much just like dude they just scraped my corneas off like I was so focused on the feeling of having your cornea scraped off. Because the other thing is like, there's basically pressure on your eyeball. You remember, like in the seventies when you would go to the movies or the early eighties and before they had previews, There was just like like, oil and water. Kind of like moving across the screen. Did you have that experience as a child? 

Kate:                No, If I did, I don't remember it. 

Mindy:             well, it was like a lava lamp. So that's what it looks like when they scrape your corneas off like that. That was my perception, cause your eyes are open and you're looking forward. It's like a thing moving across, and it just everything goes wonky And you just see like lava lamp shit. It's bizarre. 

Kate:                but you can feel the pressure? I mean, I’ve had three C sections, and obviously you have those while you're awake. So that's probably somewhat a similar sensation like you can feel someone like tugging on your insides, but it doesn't hurt. It's very, very uncomfortable. 

Mindy:             A c- Section on my eyeball is probably a really good way of putting it.

Kate:                Yeah, yeah, yeah. But No baby came out.

Mindy:             No, I did not have a baby out my eyeball. No. That didn’t happen. 

Kate:                But what's more painful or uncomfortable having the eye surgery or having your needle face treatment? Because I really do want to get—

Mindy:             the needling.

Kate:                Really?

Mindy:             The needling hurts dude. Um, the eye treatment... I would say the needles are more painful. 

Kate:                And just so people know, Mindy and I are, um we both turned 40 last year. A week like, three days apart, four days apart. I'm the 19th you’re, the 

Mindy:             The 18th 

Kate:                We’re one day a day apart. So we're very into skin care, and I sort of got you into it. The student has surpassed the master because you just, like, leapfrogged ahead of me and, like, started doing all these treatments. And now I just, like, ask you about them and like I'm jealous.

Mindy:             Yeah. Yeah. You were like you could buy this cream, and I'm like, or I can get my face punctured over and over with a needle. That's what I'm gonna do. I did. I got the, I did the BBL first, which, if you if you Google BBL, it's gonna tell you Brazilian butt lift. I did not. I did not get a Brazilian Butt Lift.

Kate:                It’s on the to do list. 

Mindy:             Yeah, you'll know if you see my butt, it will be very clear. No Brazilian butt lift has been done. But it's like broadband light therapy and that I really liked liked. That was cool because it just, like, basically burns off your age spots. Yeah, and they don't come back. 

Kate:                That's like it's not something that has to be redone or— 

Mindy:             Its maintenance, its maintenance. So, like, I'm going to get it done like, once a year now. But, um, I really liked it. And then the thing I'm doing right now, which I'm in the midst of because I bought, like, a package. So I have four treatments. Is the micro needling. Um, they basically just puncture your face over and over and over. It damages your face, but it makes your skin produce collagen in order to heal. And it just, like, tightens up your skin. And it does work like I would never, I would never say that it's not worth it, but it's expensive, and it fucking hurts. And so, like, when you're right in the middle of it, you're laying there thinking I am paying you a lot of money to basically actually torture me. 

Kate:                But you have to, they give you something, right? You can get an anesthetic?

Mindy:             They give you. Ah, laughing gas. Um, I didn't take it for the first pass because I was like, I'm tough. And so I did it without for, like, the first pass. And I think they do three passes. And and so she started the second. And since my face had already been punctured repeatedly with, like, basically a Brillo pad of nails, I was like, it already hurt. So they started to a second time, and I'm like, I'm out. I'm out. Bring me the laughing gas. And then once you have the laughing gas, it just...

Kate:                It just didn't hurt. It just felt like-

Mindy:             No, it still hurts. You just don't give a shit. Laughing Gas is awesome, dude. I mean, I had it. Have you ever had any pain killers? Never?

Kate:                Um, like after my c section, I've had they gave me, like painkillers, but I only took them for, like, a couple days. And then I stopped and just, like, was with ibuprofen. But, like, I've never had, um, I've never had a cavity or anything, so I've never, like, needed it for dental work.

Mindy:             Yeah. See, I've gone under and been in medical situations so many times. Um, I got Valium in the vein one time. That was interesting. I had to swallow a camera. You’re right, I do have a weird life. Um, I had to swallow a camera because there was a problem with my heart. So basically, they showed me this camera, and it was like, the size of my fist, and they're like, you're gonna swallow this, is gonna go down your throat and, you know, we're gonna look at your heart. And I was and I looked at this thing, and it was it was the size of my fist. I'm like, I'm not swallowing that guys. And they were like, You won't care, once we start theValium, and it was like in an IV drip ofValium and I and I literally just went Ahhhhhh.

It's like my experience with any type of situation like that is like you're still aware and you still feel everything. Like, I could feel the camera moving around inside my sternum. Like I could feel it touching my my breastbone, like moving and Yeah, but you just don't care. You just don't care. Like you have better things to think about. And I don't know what they were. Um, I couldn't tell you what I was thinking about, but yeah, when you're when you're in an altered state, you're still I mean, in my experiences, you're still aware, and you feel the pain. It just isn't relevant, if that makes sense. 

Kate:                Um, is it almost like you're floating above yourself like watching? 

Mindy:             No, I've never had an out of body experience. Um, it's mostly just like it literally just explodes your euphoria. And you're happy. It doesn't matter that someone just shoved a camera down your throat or, you know, scraped off your cornea or broke your eardrum. Yeah.

Kate:                You have had an interesting life, and this isn't even talking about the time you texted me and Demitria and said, I put my hand through a glass door today. 

Mindy:             I did that was a cool one. I have an amazing scar from that one. And actually it was so cool, though, because I could see there's a split second when you are very badly injured. There is a split second where you don't start bleeding yet. If you've been cut by something that's super sharp, for one thing, it doesn't hurt because it severs the nerves immediately and you actually aren't in any pain. But you also don't— 

Kate:                Like when you're shaving your legs and you think you cut yourself and you're like, Oh, shit, did I cut myself? It's not bleeding, I guess. And then it starts to bleed. That's like I cut myself. 

Mindy:             And you put your leg back in the water and it burns. Yeah, so I I did indeed put my arm right through like a plate glass screen door from the 1970s. 

Kate:                In a moment of physics gone crazy, right?

Mindy:             Yeah, Like I just like straight armed of this door and it came back and I wasn't being aggressive. I just like my flat palm just hit that door at exactly the right angle or whatever, but it just shattered, and then my arm went through the hole and Then I I watched this huge piece of plate glass just literally swing and think to myself that's gonna fall straight up, guillotine style on my arm. And I have all of these thoughts but not quickly enough to pull back. Like you know, your mind works so fast and it falls and slices me open. And I looked down at my arm and I had this beautiful moment of clarity before it bled where I could see inside my arm and I could say everything. It was awesome. It was so cool. I could see the muscles and I could see the tendons I like as soon as it opened. Like the fat just like rolled back. And then drip, drip, drip, drip Just blood all over the place like it was crazy. Um, yeah, that was a good one. We should We should always start talking about my bodily injuries. 

Kate:                I am so squeamish. My daughter has had her molars and back teeth have started coming out her baby teeth and she is like so, like, a soon as the tooth gets loose, she like she just keeps working at like she just can't stand to have the loose tooth. And she keeps working it and she wants to, like Mommy, like Mom. I have this tooth and it's like go tell your dad I don't want to hear about it. It grosses me out so much, I don't know. I'm super squeamish. I'm just so squeamish. Like if I looked and saw the inside of my arm, I would have face planted on the glass and probably slit my throat because I would have probably passed out. It's so, I have no ability to deal with that stuff. 

Mindy:             I was incredibly intrigued. I even had a moment where, you know, I was like, flicking my fingers and watching the muscles like flick right before it started bleeding. I actually had that opportunity, and I was like, This is cool. Um, at this time beginning to bleed out at an enormous rate, and ah, then I ended up like I was dating someone at the time that drove me to the ER, and I had, in the meantime, just bled all over everything. Like it was it was bad. Um, and I texted my mom and I was like, Hey, just so you know, I'm fine. I am perfectly okay. I'm being driven to the ER right now. Could you please go over to the house? Because there was glass all over the place and I still had Brutus and Dana. At that point. I was like, Can you go to the house and clean up the blood? Because I don't want the dogs, you know, to step on it and get hurt. 

And so my mom's like, Okay, you know, like I grew up in a farming family. People getting stitches is just not news, right? So I played it down. Anyway, Mom goes over to the house, so we live really near each other so, like, five minutes later, I get this phone call. She's like Mindy, You are not okay! You should see the blood!

And she showed me like she took a picture because I had stood over the sink for, like, half a second, just rinsing it just to see how bad it was. And there was like, a coffee cup had been sitting in the sink to get washed, and it was literally, like, full of my blood. And my mom was like, dude, you are not okay. She's like, I can track your progress through the house. It is not hard. And I'm like, Yeah, but I'm okay. And I was I'm fine. I have a great scar.

Kate:                I am not surprised that that would fascinate you. My other earliest memory of meeting you in person was you being very excited to tell me in great detail all the awesome research you've been doing about lobotomies. It's like you like that and sheet wrapping because you were writing, A Madness So Discreet. And so you were just like, Oh, my God, I I'm just I'm loving this information about the lobotomies. It's fascinating. Do you know what they used to do? And I was like, You were just, like, so excited about it. And like, you just wanted to tell everybody. Like you were like, spreading The good word of lobotomies to everybody. 

Mindy:             I’m not an easy person to love. I wonder why I'm single. Okay. Um so who's who's our guest today? Katee? 

Kate:                Katee Robert. 

Mindy:             Katee Robert is coming on today to talk to us about writing sexy, sexy stuff? Yes.

Kate:                And she is so great I stalk her on Twitter, so I'm gonna have to let her know that. And, um, you should stalk her on Twitter too and instagram and all the places because she's she's really so fascinating. And she's such a cool person and talks about a lot of really interesting stuff. Her writing and knitting and life.

Mindy:             All right, let's get Katee on.

Kate:                I follow Katee on Twitter and you're very active on Twitter, and you're very funny on Twitter and super interesting. Is that your favorite form of social media? I feel like people who are on social media let you feel like you know their whole lives, but it's all you're holding stuff back. You know, you're showing people what you want to show them, so I don't know. Do you want to talk about Twitter?

Katee:              Instagram is my favorite. Just because it's consistently mostly happy you can, you know, go look at pretty pictures like of books or pets or food or whatever, and so that's kind of my refuge when, like the rest of social media gets too intense, I really enjoy Twitter for the most part, in just like the little rapid fire conversations that happen and feels very organic in a lot of ways that you interactive with people that you wouldn't necessarily interact with otherwise. But it can get brutal sometimes. And it can. I can sometimes get a little oversensitive. So I have to, like, take Twitter timeouts. 

Kate:                You’ve had people like, come after you for, like, things you've said, haven't you?

Katee:              I have a series that is fairytale retellings and people have strong opinions about it. And whether it's... I don't know, they just have very strong. It creates very strong feelings. And, um and occasionally I get some, like, pushback about that on Twitter and specifically Twitter and occasionally just other stuff like. It's just people, especially right now, are very their best Selves and their worst Selves. And so you get a little bit of both, especially on Twitter. Um, because it's so easy to fire off a tweet and, like, you know, really into something emotionally, and I've done it too, So I'm not definitely not throwing stones. Usually I have Freedom, the Freedom app on my like computer. And so I lock myself out of Twitter at 5 p.m. Every night just for my mental health, so I don't just scroll endlessly. But, you know, I really enjoy Twitter. Facebook's fine. I just have corners of Facebook that I spend time in. That's like my safe spaces. So I don't spend a lot of time on, like my actual timeline. And then I really enjoy Instagram just across the board. 

Kate:                For the most part, you can just look at pictures. You don't necessarily have to see the comments, whereas Twitter, I honestly as an author and I'm not a big author, and I don't have a ton of followers, but I do have a fear of, like, someday accidentally saying something and getting like at the bottom of one of those, like Twitter dog piles where like every single person like piles on and is like, Yeah, you are stupid, like, How could you do that? You know, like it happens all the time and I see it happen to other people, and I'm just Oh my god, I would go and live in a cave. 

Mindy:             I struggle because I see people that I know and that I like and that I absolutely, know are good people. Twitter is not an honest or best representation of ourselves. I used to be on Twitter like quite a bit, and I have, ah, decent following there. And I think it does work as far as like marketing and promotion. Maybe it does, I think, or at least it does in the YA sector. But I tell you, I went through a break up like about six months ago, and I just pulled back from everything. Super hard. I was just done. I crawled in a hole and died for a little bit. And when I came back out, I was just like, dude, this is stupid. I don't enjoy this. I'm not having fun. I don't end up getting anything out of this experience. The only thing I get out of it is knowing who's in trouble today. 

Katee:              Yes, I've taken like months and months off Twitter. Just for that reason exactly, is cause it. Sometimes it seems like like Facebook is what it is. Instagram's all happy and Twitter's just screaming all the time and and there are good corners of it and there are really good interactions. But yeah, it's it can be really fraught like for sure, and it's daunting at times that just anybody can just, like, come out of the woodwork and, like, show up in your mentions and just be Awful. And you almost can't engage with that because then it can create one of those dog piles like authors behaving badly and now you're the asshole and you know everybody has gonna have an opinion about it. I feel like everybody's social media is curated to some extent, and I try to just be a positive representation of, like, you know, not without struggle and not without, like, I have stuff that I struggle with. I try to be honest about that because it's not fair to be like everything's awesome all the time. But I also don't want to dwell in that too much just because I am a purveyor of escapist stories, and that's what I want out of my content. And so that's what I will try to put out in the world.

Mindy:             You know, I like I still live in like a super super super small town, like we graduated, I think, 68 kids last year and so early on, like in high school, I told one of my friends who would get upset, like people would be talking about her, or whatever. I was like, Dude, this is where we live. If there's something that you're considering doing and you wouldn't want your mom to know, don't do it. Because everybody is going to find out. And so that is kind of my rule on Twitter too. If you wouldn't say it to your mom, about your mom or in front of your mom. Don't say it. And that has helped me out a lot. Like when I'm ready to fire something back is like, Would my mom be upset with me for this? Yes. So you know, just that, like you're saying the pile on and the attacks, it's It's exhausting. I've seen enough of them to be like, Oh, I'm out.

Katee:              Because of some of the negative experiences I’ve had on Twitter has really changed my feelings on, like Is this worth like being angry at this author? I don't know over like that they did this thing or said this thing or published this thing? Like most the time. Now it's like I'm just gonna go back to like my corner of the world, and I cannot comment on this because it has nothing to do with me and not my circus, not my monkeys. I mean, sometimes occasionally do get pulled in because that mob mentality is very intoxicating even when you're trying to be good. But I try really hard to just stay positive. 

Kate:                You do seem like you really do use it, though, to connect with your readers. And you post about your books a lot and also you do post excerpts. You had an excerpt the other day that I scrolled across, that was like for Daddy romance. And I was like, That is totally something that I think is icky. But then I was reading your excerpt,. I was like, Oh my God, I may have to read this. It was really strangely hot, and I was disturbed and was like, I gotta talk to my counselor about this.

Katee:              It's funny, cause that book is solely exists because of Twitter, because I shot off a tweet like I had read, um, Nikki Sloane had put out a book that has this complicated relationship with his father in law. After reading that series I was like, Do I like Father in law stuff? like I don't think I do. I feel like I really don't. But apparently this particular scenario is okay, um and so I fired off this tweet just like mostly joking. But the response of it kind of prompted me to be like, Well, maybe I'll just sit down and see if I can write like some of it, because it's not my normal kink or whatever. And then I wrote the book in a week. So uh so it's definitely that experience was solely because of, like, Twitter and social media is that I even wrote that book to begin with, and so, you know, some good positive stuff does come out of it. It's definitely not for everybody. 100% not for everybody, But it was, it brought me a lot of joy in the middle of like, this crazy pandemic. So I hope it brings some people joy who read it too.

Mindy:             So, in terms of like marketing and promotion and just like discoverer ability, are you using Twitter to connect and to interact? Or do you think that's useful? As a marketing tool.

Katee:              I feel like Twitter is useful in more word, of mouth. I sell more books for other people like that. I enjoy that. I'm talking about them on Twitter than, like my own books. I don't think like the actual promotional tweets that maybe were really popular, like five or six years ago. I don't think that they work. I think people just scroll past, um, so if you're engaging in, like a really organic way, that could help. But it's hard to know, like I have no way to track that one way or another, So I can't say definitively. 

Kate:                I would say, like I've seen your recommendations to And they always feel, um, it doesn't feel like Oh, my friend, you know, asked me if I would tweet her book like It always feels like I read this book. I really enjoyed it. It feels honest. It doesn't just feel like I'm doing somebody a favor, and I think that's I think that's what everyone's looking for, You know, you do want to hear like, Oh, I loved, someone loved this book and, you know, this is why you should read it.

Katee:              I feel like, because I do a round up at the end of every month of like the books that I read and finish, and I only put books in there that I enjoyed, like, I don't talk about the books that I didn't like because it's life's too short and they're my peers and I don't want that karma. I try really hard to make sure that I have read and finished and enjoyed any book that I'm recommending just because there is, like, a level of trust there that I don't want to like, violate. 

Kate:                That’s what readers are really looking for. And it's obvious that you're also a reader as well as a writer. And so I think other readers respond to that. 

Mindy:             I have been in a massive reading slump just because I don't know if it's the environment if it's being stuck at home or what, but I haven't read anything I like in a while. It is killing me because that makes me less creative, like it's hard for me to write. If I'm not getting in any enjoyment out of reading.

Katee:              I actually through most of March up until, like the last week I read I didn't finish like six or seven books and it was not the book's fault. It was just like I could not settle down and just read. And then I read that Nikki Sloane series the Filthy Rich Americans and just it blew me away. And, like I read like, three out of four, the books, like in Individual one Sittings, which I never do and kind of broke my slump a little bit. But her stuff is great and amazing and like she's a master. But it's not necessarily what I normally read cause I write in a similar like types of stories. And so I don't like to read what I'm writing, but that those books, just like, completely blew me away and like, re energizes to be like, I'm ready to read again, but it took a month to get there.

Kate:    I love books that are that you love as a reader, but that also inspire your own writing. For me, a couple years ago, um, The Hating Game that book, just like I loved it so much, I do not re read a lot, or if I re read, I wait like several years because I have a terrible memory. And so I forget most details pretty quickly. But this book. I reread like four months after I read it the first time because I just needed that, like, shot of, like, happiness in my brain. And, um, I was like, I want more books like this and I ended up writing, um, a romantic comedy because I was, like, so inspired as a reader and a writer by that book. 

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Mindy:             So I want to talk about what you think does work for marketing, and we're talking about the Indie market here for my listeners. We've been talking to a couple of different in the authors, and everyone is saying that social media doesn't necessarily work, which, honestly, is a relief to hear. Weirdly, I have an incredible amount of interaction on my Facebook page like I don't want to go back to talking about social media, but for some reason my author Facebook page has like super traffic. So I just keep putting pictures of my cats up, and that seems to be what works. But when it comes to actually like marketing, an author that we had on earlier said that she doesn't even put any money most of the time into paid ads, she said, she just relies on her mailing list. So where do you land on that? 

Katee:              Um, I only have one  paid ad that runs like consistently, Um, I have a free novella for a menage series that I wrote back in 2018 that it's just Perma free, and it's like a $10 day ad, and it just performs consistently enough that I get a nice trickle in that I earn my money back and then some. I haven't found a way to replicate that. Probably cause I don't really have any other free books currently. And I'm not, I don't know how it works. I mean, I wish I could say I did. I have because I started traditional and back in 2012 when there was, like, certain things that you knew you could like plug in the algorithm and like, get a result. And now it's a lot more depends on the author. Depends on the genre. Depends on a number of factors completely outside our control. And so most of my success in Indy has been just through word of mouth, which I do not know how to replicate. 

Mostly. What I do is I have ah, pretty active Facebook group. I overshare. I share teasers. I talk a lot about my process. I'm just like, out there in the world with that. And now I do that as well on my Patreon under the free like for people who just pop over there and that, like the teasers and just talking about it and I guess, an organic way I got on the how else to describe it has drummed up a lot of response there. It's not something that I can like, I'm trying to ensure that, like the books that I write are within that same umbrella of the books that are doing well now. So then there's like some natural crossover but actual marketing like I just sort of am winging it constantly. Like I just talked about it a lot and just, like, make my own teasers cause I enjoy that. And and the teaser seemed to like get some response. But like I have a mailing list. But it's not particularly like it's like 30 or 35. No. Words are cool. 3500.

Mindy:             Math is hard, words are cool.

Katee:              Um, so it's not particularly like an insane number of subscribers, but my open rates Pretty decent. Um, so I, but I've been trying hard for the last year to build up like the direct to reader, like to build up my newsletter and offer exclusive content to them and through my Patreon in my reader group in Facebook to just give them content that they actually are, like can get excited about that isn't necessarily just, like a lot of the stuff of, like trying to create reader engagement has never worked for me. I know it works for certain authors, but it it's just for whatever reason. My readers don't respond well to that, so they like the excerpts like the really dirty ones.

Mindy:             So with your loss leader, the free novella does that, then lead into a series. And that's how you hook your readers?

Katee:              That novella, it's a novella and then two full length novels are all the same Royal romance with a Prince's Bodyguard and like this American bartender they hook up with, and so the novella is like the one night stand they have together. And then the full length book picks up several months later when they connect again. It is a little cliff hangery, which does kind of create some anger and some people that just want the whole thing free. But for the most part the trickle down of people who download that and then purchase the next one is about the same percentage as with my paid works. It just is much higher numbers, So when I finished my series I'm working on now. I think I'm gonna do the same thing just with the full length novel, because there will be six books in that series. So the buy through will be pretty good if people do it. But I'm waiting until I have the serious complete before I do that. 

Mindy:             Do you get a pretty good read through rate then?

Katee:              I think about between 25 to 30% of people who read the novella, from My numbers, go on and by the second one and then from there, like 80% by the third one. So it's a pretty pretty solid read through, and it's the series is years old, and it's still, like sells. Pretty legit. Like from my opinion, there's like 30 to 40 downloads a day on the free novella, so yeah, which is pretty good. 

Kate:                I wanted to ask you in terms of, you said you're you know you're working on different things and trying to improve different things. I've also seen on Twitter. I guess I stalk you on Twitter. I don't know. I think you're one of those names when I'm like, scrolling through my Twitter feed. You always have something interesting to say or something interesting going on. Like, a couple years ago. I remember you got a Peleton and I was interested in that and you got a great Dane and I have 1/2 Great Dane ½ St. Bernard. So, anyway, and your toddler, little child, And I have I was toddler and I have older kids, so I don't know, I feel like I don't know, a weird secret connection, Even though I'm, like, super shy on Twitter. I never say anything. I just like silently. Anyway, you said you have, um, business spreadsheets. Am I right? Uou're kind of like trying to be more organized and stuff. And I would love to know about that because I I'm terrible at organization. I hate numbers. I hate spreadsheets. I try and start spreadsheets, and they turn into, like, this blobs of random bits of information. It's just I'm very bad at it. And it's such a chore when I start them to keep them up and to keep entering the data that they usually just like fall into disuse.

Mindy:             Yeah, and that's very true, I can say from experience that Kate's outlines are also a huge fucking mess. 

Katee:              In 2018 I like, when the bottom of the market dropped out in traditional in a big way, I kind of had to be like, OK, I'm gonna go Indy and go hard or I'm gonna have to figure out how to get a day job when I'm not qualified for anything. In an effort to try to figure out what works and to have some actual data to work with, I created the spreadsheets, which in the last two years I have curated a lot better. So it's, I have a weekly sales and income for each book that I track and so like on Monday, I get up and put in the numbers and the estimated income. And then at the end of the month, I have an actual like profit and loss type report, right, because I have money coming in from several publishers from a couple different like freelance things and from you know, the six different places with Indy comes. So it's like money all over the place that is not on a normal schedule, and it's never paid at the same time. And so it's helpful for me to have, like, a quarterly view of like, here's where the money is, here's where it's coming in. Here's what I'm paying out. I'm not always great about being in the green, but, um, but it's it just gives me a nice macro view of it. And so, like when I run an ad, I can kind of have that data. I have a series that underperforms for various reasons, and so I made the first book in it free just to see if that would make any difference without me actually doing any ads or anything with it. And even I think I'm three weeks in and I can see now that the numbers for this month already better than last month, even with the free book so it's helpful to have that kind of information so I can make decisions going forward.

Kate:                That seems like every Monday that seems like one part of me is like, Oh my God, that would be horrible. That sounds so tedious. And then the other part of me is like, Yes, but it's your fucking job, like that's how we should be thinking. Like I kind of like give myself a mental slap like yes dummy, if that’s gonna be your job that’s what You should do.

Katee:              Last year I took, Becca Syme has these awesome courses, Write Better, Faster and strengths for writers and so I took both of those last year. And I found out that I'm a number two strategic with, like, number 5 input. So the spreadsheets really work for me. Um, but they, I can freely admit that they might not work for everybody because sometimes some people they stress out and, like, you know, so but it pleases me, and it's like a treat to me to pull my numbers. So that's kind of how I have been consistent with it. Tracking my expenses less consistent cause It stresses me out.

Kate:                Mindy, you had Becca on the podcast.

Mindy:             I did. I had Becca on the podcast And she talked about matching your personality strengths to your writing and business strengths and how those are helpful. And it was really cool. Like, I learned a lot from her. And like, much like you, I walked away going. Wow, I'm not doing this right. 

Katee:              It's so it's really, having that information is really helping me kind of lean into the stuff that works and stop beating my head against the stuff that doesn't like. I don't plot anymore at all because it just never worked out for me and It was always a study in frustration and so but learning that why that is was really helpful. So now I'm like, I don't feel guilt about not doing it anymore. Cause it's just wasting my time.

Kate:                That's awesome. I really wanted to take that quiz after I listened to Mindy's podcast and like, whatever the test it is, it's not a quiz, but, um, and then I sort of forgot about it. Back burnered it, But that's I don't know. I really feel like I need that in our little group. The work that we do.

Mindy:             I'm the numbers person which saying that of the three of us, I'm the one that has the strength in numbers is not a compliment or any type of like testament to my math skills. It's just that, you know, we are a trio of idiots. Well, you know, in the kingdom of the blind, the one eyed man is King. I'm the one eye. So I'm doing that. I do the numbers, but it's like I do, I do every 15 days, um, do a balance sheet and do our expenses and our what we've made. We’re making money, which was the goal. Anyway, it's just in order to actually crunched the numbers and see what works, we would have to probably hire someone because because we really are floundering in this shallow end of the pool. Like where you know, the kids all peed. 

Katee:              I mean, I have friends who have been in Indie that make, like, absurd money that don’t track this So it's it's definitely everybody kind of figures out what works best for them.

Kate:                Can you talk a little bit about hybrid being a hybrid author? Do you consider yourself a hybrid? Or do you feel like you have left the traditional part of your career behind and are now, indie? And that's where you're happy and where you are, you know, most successful in making money.

Katee:              I am hybrid. I actually just recently sold a trilogy to Sourcebooks, so I am officially hybrid again. Um, but it's definitely been really strange to go back to working with the publisher after having full creative control. Um, because part of the things that I have loved so much about being Indie is that no one tells me no, like, no one tells me that I'm going too far and I write really bonkers books like Admittedly. And in traditional, there was a lot of like, Oh, this is too far like with some editors more than others. Like I've had some really amazing editors that helped me shine my vision to perfection instead of like trimming it. But just being able to just do it for myself and like, go full out has really been successful in, like a lot of my readers are. I'm gaining new readers as a result of that.

And so it's been very strange going back to traditional. It's also giving me a lot of perspective of like what my time's worth, because now I have actual like numbers and money amounts and and I can see like, Well, that's not a good deal. Before going indie, a lot of it, like there's that such a power imbalance in traditional like when, especially when you're new author, it's like you’re like I am so thankful that they gave me this deal. Like That's so amazing. They're the power holder. And once I realized, like, you know, I could do this on my own. I don't necessarily need them. And so it's given me a lot of freedom to be like, OK, yes, I'll take this deal. But like, we're gonna talk it out, I'm gonna have to feel really good about it. In order for me to say, yes because I can make X amount of money on my own. Or Or I won't take this deal because you're not offering me enough. And I can go do this myself and with less stress and be paid, you know, in 60 days instead of in like 18 months.

But I think traditional does have on attraction as far as like, I really like having eggs in multiple baskets, and I'm very excited about this new series I'm writing with them. It's like a Greek mythology retelling in contemporary setting, and I think it's gonna be trade. I don't quote me on that. It's giving me a chance to get my books in the hands of readers who might not find me if the read mostly e book, but it's also three books, so I feel OK giving three books just to see what happens. But I plan to be primarily Indy and, like my publisher, is very, very supportive of that, which I appreciate. My goal is to be like 75 80% Indie, like 20% traditional.

Mindy:             I'm curious about cross over because my experience has been the Indie readers, are Indy readers and trad readers are trad readers. And since you've got a foot in both worlds, do you see people picking up both, um, parts of your author series like, Do you see people buying your trad books are the same people that are buying your indy books? Or is that data you just don't have?

Katee:              At least a subset of the readership does transfer over. I mean, my numbers on my indie books are not necessarily like my very successful Series with Grand Central that start in 2015 like the numbers with my Indie are not necessarily higher than that. But I do have a lot of readers that started there and jumped with me because this is my indie books are kind of similar. But with this new Series, I've actually intentionally seeded in this world that so the Indy readers potentially will grab those new books because they have been introduced to the world already. Um, but we'll see. I mean, I don't know what the price points gonna be, and that is something that matters to a lot of people and understandably so. So if it does end up being traditional like a 10.99 book, I think that that will be a barrier for some readers.

Kate:                And it's so hard when traditional also wants to price the Kindle book so high. People just do not want to pay that. And I know it's a deliberate strategy they're doing cause they want people to read on paper still, but it's like there's a certain extent where you can force the market. But there's some people who just want to read on their kindle. They do not want to mess with paper.

Katee:              Yeah, agreed, and especially if you're looking at a new author like 10.99 for a book, isn’t... That's a lot of money. And I am not a particularly conscious of price point as a buyer, but, like even 10.99 gives me pause. We'll check out my library and just see if I like it or not before I buy. I don't know. It will be interesting to see if there is crossover now that I have any numbers to compare with the new Series because I have intentionally seeded it in. But I've also found that, like some readers, just like the Series they like and they don't want any other series from you, even if it's like almost the same thing.

Mindy:             You mentioned earlier that you do have one paid ad that you keep going and that it works for you. And that's for your loss leader. Ah, you're Novella the free Novella that leads into the six book Series. Where Are You putting that? is that on Amazon? Is it on Facebook? Where is that placed? 

Katee:              It's only on Facebook's, mostly because I have yet to figure out Amazon ads. I keep trying, and I just It's it takes more time and energy than I can devote at this point in time. But the Facebook ad I listen to Sky Warren had a couple of classes with RWA a few years ago, So I followed that instructions and help set up like a couple different types of ads with this and narrowed it down to the one that on Facebook that, um, that does well and it's consistently like 10 cents per click. It's just runs and occasionally it will, like kind of go up and then I'll just shift things around. And but for the most part, I just like, set it and like, check it once a week just to make sure nothing crazy's happened. And yet it just kind of does its own thing and has worked out really well. 

Kate:                Facebook is a little more, set it and forget it. But I babysit the Amazon ads constantly. They are definitely a little more sensitive, and it's hard to get them to spend sometimes.

Katee:             Sometimes like I had one that I was like, I'll just run this and just see what happens and kind of like test it out and it spent money like my teenager with my credit card. And I was not necessarily seeing the sales corresponding to like make it worth my while. And so I tried about a month of that just to see if I could, like, finesse it. And it's apparently just not my skill set. So, So Amazon. And I don't get along all that well with advertising. Facebook just gets a little more user friendly and I feel like the information just makes more sense to me.

Kate:                Well, Amazon is difficult cause they hold back so much information from us, even though they know everything. So it's That's a little frustrating. So you're full time author, right? Like, this is your realsy job? 

Katee: Um, yes. 

Kate:                So, can you talk about a little bit being a full time author? And how you balance that with your life and maybe even how you're balancing that right now with... I assume your whole family is home. Are you guys all healthy? Has Covid 19 come to visit you? 

Katee:              We've been all healthy. My husband is technically out of work, but is doing a side job out in the middle of the country by himself. So it's fine, but, um, yeah, we've all been healthy. We're on week six of self isolation. Ah, it's it gets a little hairy. I invested in something noise canceling headphones and they are my life. Um, but I've been full time author since 2012. I am a creature of habit, and so I, through trial and error, have discovered that my best focus hours are in the morning. And so I get up and write in the morning until approximately noon ish, depending on, like I do it in 15 minute sprints, just because my four year old is very needy. And vocal. So I can usually keep him occupied for 15 minutes to just, like, do the thing and, you know, do those sprints. And then until I do that, until I hit my word count.

Kate:                I could see some people saying, like, I couldn't do that like 15 minutes and then to like, have your concentration broken and then to jump back into it. I mean, that's difficult.

Katee:              It's one of those things that again doing that strengths finder stuff with Becca Syme has because I'm a number one activator. So it's like that initial push to do an action is like, really rewarding for me. So doing that over and over and over again with 15 minutes? I don't know. I guess I just trained my brain to do it. I would definitely not work for everybody. Um, and I… 

Kate:                It’s very much a mom thing.

Katee:              Yes. I don't know what I'm gonna do when he goes to kindergarten, and I suddenly have, like, the entire day. It's I who knows what'll happen then. So I and very deadline focused. So I figure out when my deadline is, and then reverse engineer my word count. Just so I have the data cause I'm a data freak. And so then I just hit that deadline every day, and I intentionally don't schedule writing on the weekends. So if I do it, it's just bonus.

Kate:                And this your daily word count generally what are you aiming for?

Katee:              Usually about 2000 words a day. Last year, I wrote over 600,000 words, and I think I hit 5000 words a day on like two days. So it's just like the little bite size chunks that just make a big, big difference. Writing is kind of like my self care. It's like the thing I do for me. And so, luckily, I've been very fortunate that in this time of intense stress and anxiety that writing is like my escape, and so I haven't had too much struggle with that. It's just enforcing my family to respect the time because they normally don't see it that much. They’re in school or at work or what have you. And so, But I mean, they've been pretty good about it, for the most part, and especially because when my husband's declared non essential, it's like, Well, we're a single income household. So here we go, the financial side of things it can get really hairy, like 2018 was really rough because we had the boom in 2012 and then, like around 15 and 2016 like everybody's income started dropping. And and I think mine have like, halved three years in a row or something crazy, and that's why I went Indie that I have a little more control and I'm making you know 70% instead of like, 25 I can pump out the book because I write really fast and pretty clean for the most part, and so I'm able to like, release quite a few books a year without having to worry about, like quality being negatively affected. 

Mindy:             And how many books do you typically put out in a year? 

Katee:              I think I average about six. They're like, they're not, they’re like 76 to 80,000. They're not particularly long books, for the most part, So I'm not writing 120,000 word books like six of them, like just They're nice, like perfect bite sized books that, like a 4 99 price point. For the most part.

Kate:                Isn't that on the higher end a little bit for Indy? Like I know the last author we talked to. Her books were more like around 40,000 possibly fifty.

Katee:              The thing is, I know a lot of indie authors like that to 99 cent price points. Um, and 2.99 is what I Well, I guess if I had 40,000 be 3 99 because I just really hard to bounce back from that 99 cent thing that we had for a while there and most readers will pay up to 4 99 without blinking, especially if they trust you as an author. And I feel that my work is worth that so that so I don't feel bad charging 4.99 for like, a 70,000 word book. That's kind of part of it is that I want to make sure that the the story's worth my while to, like, get out and put out an appropriate price point. That's not gonna like hamper my, uh, like, perceived value. 

Mindy:             Pricing is all over the place for Indie, so if you could talk about that for a little bit because you mentioned the 99 cent thing that you had to recover from, so could you talk about that because I knew there was a big wave where that's what everybody was doing 99 cents. So can you talk about the pros and cons of that?

Kate:                But also, can you also talk about the value just to make this question more difficult? Can you talk about the value of an author's work? Cause I think you know, a lot of people talk about that, like, you know, we can't undervalue ourselves and recently in traditional when the, um, quarantining first started out and if you saw this on Twitter, there was, um, a website. I can't remember what it's called, and I don't want to give him press anyway. But anyways, they made a bunch of books free that they used to make it sort of like a lending library that these, like, scanned books that they would lend out. But they opened it up and made all these books available as many lends as they want and NPR covered it. And a bunch of other outlets like, Hey, look at this great thing the site is doing. And authors were like, They're not doing a great thing. They're giving our books away for free. They did not pay anything for them. Like this is terrible. Why are you pushing that? And then authors were getting pushback from people on Twitter, saying like, Oh, you're selfish. You should be happy. Someone's reading your book and it kind of blows my mind how many people have that feeling about it.

Katee:              For exposure. I have a, um, a pin somewhere that, cause This similar conversation has often had in my, like I knit in like the yarn industry, and there was a pin a while back that says, like, if I wanted exposure, I'd get my tits out. 

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Katee:              The 99 cent trend happened when I was still with a small press, and they very much jumped on it, which sucks. Like it's, I understand how attractive it is, And I think that it's really valuable as, like, a sale price point, like a special like for a limited time. Like I have a book on sale right now for 99 cents combined, you automatically with Amazon bumped down to 35% like royalty rate if you're under ah to 99. When I went Indy kind of looked around was like, Well, my attritional books are 5.99 books, And so my readers are obviously okay with paying that it's so competitive out there, and a lot of people feel that they can take get an edge by having lower prices. But I have not seen that to be true. Necessarily like it, there are things that can give you an edge. I don't necessarily know what they are, but I don't think the price point like it might get somebody to one click, but it won't necessarily make them, like, sit down and read a  book or buy the next ones. And and I can't survive on 30 cents a book I got bills to pay. 

Kate:                We just had a release and we tried a 99 cent release for a new book to see if it would work and it did not. Did not get us anywhere. And all our pre orders were like but pennies in our pockets so. It sucked. 

Katee:              It's such a crowded marketplace right now that the things that make you stand out are not necessarily the price and people who will pay 3 99 don't blink at paying 4.99. And I mean, when you know there's a threshold for that. Of course, right. But I just refused to be apologetic about, like, charging that, like, I had a conversation with an author friend recently that they were like, Well, we should, Or you should put that price at, like, 2 99 because that'll really, you know, bring in people. And I'm like, no, I'm good, like take a little bit less sales and get the higher royalty rate and then potentially have, like, you know, a reader that actually reads it and enjoys it, and potentially buy the next one.

And I haven't actually had pushback on that at all, which I think some authors fear, that they'll get readers that, like you're selfish and charging too much. And it's a personal choice that every author has to make for themselves. Like I don't do Kindle Unlimited. I just I've always had really high sales on the other retailers, even traditionally, and so I just have put a lot of effort into building up those platforms because I don't trust Amazon completely. And and I also am very vocal about like, you know, if you can't afford this, like, go to your library cause I still get paid for those, Um, whereas that free lending thing was, you know, we don't get paid for that, like go to your library, check out overdrive like. And I know not everybody has that option. But it's just especially right now. We are spending so much time Home alone, stuck here like, and what we're consuming is art like it's whether it's books or TV or, it's all art, and it's astounds me that people are so unrepentantly like No, I'm just gonna take it. I don't feel like paying for it.

Mindy:             The argument that I hear the most that is usually thrown out for pro pirating is that people will download it and because it was free because they never paid for it, they might do a one click and download it and never read it simply because it's been devalued, which we talked about earlier to with a 99 cent click, it's been devalued simply by being free or extremely cheap. That's something that I mean, I find myself doing as a consumer. If I buy a book for 99 cents, it’s probably gonna set on my pile because I wasn't that excited about it in the first place. It just happened to be 99 cents, so I bought it. Now does that make it okay to pirate? No, it does not. I need those pennies in my pocket. This is what I do for a living. So I think the argument is interesting, though, if you translate it over into price points because I do think it's possible to devalue your work by pricing too low. 

Katee:              Yeah, because if people get used to paying 99 cents and that's all they pay for you and you suddenly put out a book at 4.99 there might be push back because there you've established that you are worth a certain price point or your work is work worth a certain price point. And it's hard to come back from that. And I think a lot of in the authors and even publishers that you know, jumped on that train. Eventually, people will get used to it and stop complaining. But there is a level of expectation that you set up. I got bills to pay. I do this for a living, and my kids eat a lot. I want to be paid for my work and and I'd have also found that, like you said with the free books or the 99 cent books and sometimes when you do these promotions, they people download it and then just never look at it again. And I mean, I do that with full price books, so I can only imagine it with the free ones.

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Kate:                Can we, um, talk about sex? On writing sex. Are your children ever allowed to look over your shoulder as you're writing? Especially, I mean, obviously the four year old. It doesn't matter. The older kids do they know what you do, are they? How do you handle that?

Katee:              Um, yeah. They know we're really a really open family with, like everything, communication and information and what not? And so they very much know what I write and that it's soo particularly saucy, and I don't curtail what my kids read with a caveat being that they cannot read my books until they're over 18 just cause I don't want to pay for that therapy. But if they want to read like saucy books of other authors, like, you know, go for it. If that's like, I read I started romance at, like, 12 or 13 and and they were scorchers really intense, so I don't—

Kate:                One of my grandmothers. She would give me her romance novels, her Janet Dailey's and, um, stuff like that. 

Mindy:             I had a similar experience where my grandma would read it, and then my mom would read it, and then they give it to me and I was 12 or 13 and I was learning some things. And then I would like, you know, be reading something and, you know, feeling a little bit saucy myself. But like, Well, this is really turning me on that I'm like, Dude, my grandma read this book. My grandma held this physical object and her eyes moved over these same words, and maybe my grandma got a little turned on, too. And now I'm ruined. Now I'm broken.

Katee:              My mom was always a big like thriller reader, and so she read Iris Johansen and I would read her books, but then I went to the library and found her historicals, which were I mean, I recently went back and reread some of them like thinking  like, surely they weren't that saucy? like I just felt like they were saucy because of my age. No, no, they were really, really hot. 

Mindy:             As an adult now and then, of course, because I'm like, 41. But when I was in my twenties and like my late teens, all my expectations were blown. They talk about, like, porn with dudes. But I'm telling you, we got the same problem because it's like, I was like, I'm not rolling around on the floor like so completely lost in this physical experience that I rolled too close to the fireplace in my hair catches on fire like, No, that's gonna happen. You know, it's like that that I have never had that experience, so I don't know. That's just an aside. 

Katee:             My mom set me down and she's like, read what you want, but understand that sex will not change a man, and he will not change how he feels about you if you have sex with him. And I was like, Okay, Mom, I think that romance novels could be really helpful in just even if they're like, so over the top, it still is like prioritizing female pleasure. And that is something that we don't see in a lot of media, more now than we used to. But it's still very male gaze-y, and so I think that can be awesome. But it's yet it's definitely ah above and beyond reality in a number of ways.

Kate:               I mean, I don't know if it was so much the old ones, but I know like newer romance novels, the sex scenes are very female positive, and there is a lot of focus, on like him, pleasuring her like it's not just about like him.

Katee:             Well, my middle child is just turned 13 and he I don't know how we got to this conversation like, it was one of those ones where you just, like, kind of black out as a parent and, like, try to be cool and like And then afterwards you're like, what? But we're talking about, like it somehow came about, like talking about orgasms and like the clitoris. And he was just like what? They don't talk about this in sex ed! like I don't understand. Like where is it? What's happening? I'm like, Oh God, there are certain romance novels and I actually went through my list and, like, made a short list which I will give him if he ever asked me, but like that are very good on demonstrating like purpose of foreplay. And like they use language that isn't particularly flowery. So it's like they would be a really helpful how-to manual. I’m like here is some things that you should probably know before you get intimate with another person.

Kate:               I think you should post that online as like a parents how-to like Romance Novels to give to Children who are Wanting a how-to.

Mindy:             Or like, just adult males. You can just put it up there for adult males who have no idea what the clitoris is. It’s a public service. You should do that. 

Katee:             This information is going to put you ahead of 90% of like dudes, like heterosexual dudes your age until you're like 25. 

Kate:               But even then I had a friend whose husband was confused when she was pregnant, about how the baby would come through her pee hole. Oh, no, she was like, No, sweetheart, they're different. Please.

Katee:             Oh, you're a sweet angel.

Kate:               I just feel like so many men are, like, eww, like women's bodies, like, you know, it just think it's, like, gross. They're weird and they don't want to know about it.

Katee:             So it's like, this is information that could be very useful to you. And the more you know about it, the more like of an asset you are as a male human being. And honestly, this is just going to give you an edge. When you start dating, someday, learn these things, learn these things. Yeah, but we're very open in this family about like that stuff, no matter how, like, occasionally, like, sketched out I get. And just like, I don't really wanna have this conversation. But you know what you asked me. So we're gonna go. So they know I write really saucy and they know that Not allowed To read my books until later on.

Mindy:             I write YA. And my traditional books are under YA. And so I have occasionally run into, because I worked at a school for a really long time. Luckily, I left shortly after probably my raciest stuff came out or I mean, it's not even racy. That’s YA right? So they have sex, and that's a problem. But it is funny, because every now and then it's like adults will be talking to me, and they're like, that book was, like, kind of hot. And I'm like, Yeah, I know.

Katee:             I have to make sure I delete my signature on my email before I email the school officials. I forgot once, and they're like you’re a romance author? I’m like please don't Google me, like you just don't, like, just save ourselves both the headache. I write very saucy. I'm sorry. Not sorry. But like, you know, just let's save ourselves that talk.

Kate:               Because people are weird about it. And people are so fascinated, too, by authors, you know, they're like, Oh, you're an author. Tell me about that, you know, And it's just yeah, as if they find out you're an author of Of books that are, You know, the then I feel like it would be a whole other conversation in school. Other parent relations are already so sometimes awkward. And PTA’s, you feel like you're being judged and just weird.

Katee:             I constantly forget that sometimes people in real life follow me on like Instagram. And so like one of my sons, his friend's mother was like, I never know what I'm gonna get from you if it's gonna be like knitting or like, straight up explicit sex scenes. And I'm like, I'm sorry, and she's like, No, keep it up. I was like, Okay, cool. But my neighbors will follow me on Instagram, and it's a little like a head trip sometimes, because I have these Barbies, I occasionally act up, no act out like position sex scenes, like from a menage because, right, you want to make sure everything does what it's supposed to do, and you just get the biggest, like kick out of it. And I am very grateful and feel very fortunate, because if it could very much gone a different way. If they were less cool people, it's hard sometimes to reconcile like real life. Katee, who you know, doesn't shower till three PM And like author Katee Online, who's like, sometimes clever and occasionally funny.

Mindy:             I think too, with romance, I'm gonna I'm gonna talk about porn again. Um, and erotica. You said it earlier. It's a fantasy world and, like we all know that and accept that. So when those lines cross with the real world where Katee who is, you know, the mom at PTA Making the Brownies, And Katee, who is writing a mmf you know, overnight or sleep slumber party. It's two different things, and people have a hard time when those things intersect and I had to laugh, like it's not funny. But at the same time it was like, pretty amusing to Me. I had a student who graduated a female student, graduated, really pretty, went to Hollywood, wanted to be an actress. And, of course, you know it didn't work out. Never works out. And so she ended up in a couple of porns. But, like real, like low rent shit porns.

And her brother, her younger brother was still a student. And so it was one of those things where, you know, like somebody found out she was in a porn and all the kids, all the guys are like, Oh my God, I'm go watch that. I always thought she was hot, right. Then they go watch it and they were like, I don't feel Well. 

Katee:             Right? Because it's it's the familiar and like right?

Mindy:             Because it's a person that they know and that they know her brother. And when they're watching, you know, various things be performed upon her body. They're just like, Oh, like they were turning it off. I would over hear conversations because I worked in the library and I would over hear students like when they don't know that you're in the stacks and it was like, sweet. And, you know, in a way they were, like, feeling very protective of her. And they were just like, Man, I didn't like that when he did this. Oh, you guys, I mean, this is a good lesson for you.

Katee:             My ex brother in law is about four years younger than me and he, we are occasionally still in contact, and he had read not one of my particularly saucy books, like one of the earlier ones, and he's like, I can't read your books. He's like, I just hear you in my head and it makes me kind of uncomfortable. And I was like that. That's very fair, my eldest, because she knows I'm writing a female female book for the last book in my current Series and she's like, I really want to read that one. I'm like When you're 18. If you’d like a female female book I will happily like, there is a ton of them whether, like YA or like romance, But, um, you can't read mine. 

Mindy:             My mom, like, has a problem with my books.

Katee:             I don't really talk to my mom, so it's kind of a non issue. But when my grandma was still alive, she was like, I'm really proud of you. But like maybe you could write books or a little less like, you know, sex and a little more Jesus. I’m like oh, thank you for the support. Sometimes friends remind me like, Hey, something like, you know, the whole not all press is bad press, and a lot of people like these people that have the misfortune of being, on like the wrong side of a Twitter mob. A lot of those people that are angry are buying their books just to hate read and so absolutely, who's laughing all the way to the bank? You know, all you have to do is get off Twitter, and it's like they're not even talking.

Mindy:             As a traditionally published author, I have a goal to be banned and that has not happened yet because when you get banned and you write for teens, people buy that shit like cocaine. I mean, they love it. Believe me, I think I just am not read widely enough yet because at least at least three of them are easily bannable.

Kate:               Well, Female of the Species should definitely get some banning. I mean, the girl like sets a dude on fire or something.

Mindy:             Yeah, I know, but I Instead I keep getting like School Library Journal, like, you know, stars. And, like people somebody actually like legit gave me a medal. Oklahoma gave me a medal. You, but also like I cannot get banned. I don't know. I always tell everybody, when they’re like, what do you think it would take for you to get banned? And I'm like, It's simple. It's female masturbation. Yeah, Yeah, if I put that in a YA book, I'm done. And also very famous suddenly.

Kate:               That's kind of a sad statement, but very true. 

Mindy:             I'll have to figure it out. I mean, I don't want to write a whole book about that. I feel like that might be... but, hey, we are all stuck at home, so maybe maybe. Oh, my God, Kate, That's my next book.

Kate:               That's your next book. You could be like. Yeah, I researched this subject heavily during the COVID 19 quarantine I was researching, and researching.

Mindy:             Everybody will be like what's your process? And I'm like for writing or like what?

Kate:               Really Hands on with the research. I like to get in there.

Katee:             Don’t ask questions you don’t want the answers to.

Mindy:             I will answer you, and you will blush. Oh, my gosh. Okay, so we've had you for about an hour. We should probably let you go. Um, but thank you so much. Great conversation. Thank you so much. 

Kate:               I'm so glad that you were willing to do this. You are so interesting. And you have so many great things to say. 

Katee:             I had fun. This was fun. Thank you for inviting me.

6 Figure Indie Author Shares Her Secrets to Success

Kate:               Hey, this is Kate Karyus Quinn and I am co-hosting with Mindy McGinnis on her podcast Writer, Writer, Pants on Fire. And I am here because I invited myself, um, to be on Mindy's podcast, basically. I think that I texted you, or I emailed you. I was listening your podcast in, um, my car. I was actually listening the Becca Simm interview, which was amazing and so interesting. She works with indie authors a lot, and I actually was the one who told you to interview her. I like coming up with ideas. I think I'm like I'm very much an idea person. I'm not as good at, like executing them, which is why it's really fun to be like, Mindy! I have this idea for a podcast, and we should do it together. And we should talk about being in indie publishing because you are publishing, but you mostly, you know, interview traditional, authors. But a lot of people who wanna publish, you know, are considering both routes. And, you know, I've just recently in the last year started Indie publishing. It's really interesting as an author to look at both sides of it, and I think both routes are equally viable. You know, if you approach them professionally. And so you were like, Yeah, sure. And then I basically, like, stepped back and just, like, let you set it all up. And no, I just show up and talk, so, I mean...

Mindy:            Yeah, that's a pretty good run down of what happened. Kate said you should do this. And then I did it. And then Kate was like, Oh, so we're going to do that. I'm like, dude, yeah, it's done. So for the next, like, three months, June, July and August, we have just Indy and self pub authors coming on and they’re hybrid as well. But we're gonna have a whole bunch of different authors coming on, Not necessarily in this order, but we're gonna have Lee Savino, Tara East, Alexandra Torre, David Gaughran, Katie Robert, Alaina Johnson, Tim Westover, Kurt Dinan and Glenn Dire are all going to be on the podcast, and we're gonna be talking to them about their processes.

Some of them are hybrid. We're gonna talk to them about how they decided to make the jump from traditional publishing to self and Indy and the pros and the cons on both sides. So we're just and also marketing because marketing is just the biggest thing where you know you can't sell anything if nobody knows it exists. 

Kate:               And I really think indie authors are way ahead of traditional authors on marketing, and partially, that's because they they have to be and be because it's it's not easier per se. But you have more control over your book in the back end to do different things with marketing. You can change the price you can, you have you know, more immediate feedback to know if things are working. So it makes marketing more worth it. And also you get money out immediately. I would never run um, you know, say, Facebook ads for my young adult books with Harper Teen because, um, I haven't earned out on those books. So I would basically just like the throwing money away, because I would never see a return on that. I'm not even close to earning out. And any Facebooks ads I ran would not get me significantly closer to that. But when I run Facebook ads on my indie books, I can immediately see that day how much I'm making that day and how many units I'm selling and how many pages are being read. And so, you know, I know if my ads are working and I'm going to, you know, two months later get paid out for those cells, it just makes a lot more sense.

And there's so many more things you can do. But like, I mean, one of the biggest thing that Indies talked about a lot of our newsletters, and that's really something that, um, I feel like traditional authors, not all of them, but a lot are sleeping on that and, um, really need to up their game. 

Mindy:             Well, you remember we were sharing. Where were we? We were somewhere. We were sharing a hotel room. Yeah. Was that was that Pennsylvania, or was It wasn't I don't think it was Pennsylvania. I think it was California was my tour, right?

Kate:               Yeah, I think so. California. Yeah. You, when you're in a hotel room, you just remember the hotel room and, like everything outside of it disappears. It's like a hotel room anywhere. 

Mindy:             Yes. Yeah, that's was my experience, but I remember laying on my bed and you were just like, Mindy, do you have a newsletter? And I was like, Yeah, I send it out. You know, when I have releases or whatever. And you were like, Oh, yeah, I never open it, and you were like, that's because you're doing it wrong. And then Kate was just like, Now you need to read this book, which it was Newsletter Ninja. She was like, You need to read Newsletter Ninja. And you need to be sending out a newsletter every month that you do this and you did that. And I was like, Jesus Christ, Kate. Tell me some more things I need to do. 

And then you literally were like well, the other thing is that You should fold Writer, Writer, Pants on Fire into your Mindy McGinnis site. You need to bring the blog and the podcast all into one place. And I was literally laying on the other bed going Fuck, fuck, fuck! Because you were, like, illustrating months and months and months of work. And you were right, Like I did all those things. I did all those things and, you know, have significant traffic on my site. And, um, of course, the newsletter. Now that I send now every first of the month, I have awesome open rates and click rates their amazing. And they do the little thing where I actually, like, ask a question. And if you answer me, you know we'll start a conversation. Do people actually do that? People will actually, like, email me back and be like, This is my cat, and I'm like, Oh, cool. I like your cat. And like, we end of just having conversations about things that have absolutely nothing to do with my books and it’s cool. 

Kate:               Yeah, because you're you know, you're connecting with your readers and you're not just trying to sell them something. And I remember I also told you like, be a little more chatty, like you are, like, very much like, here's the information. I mean, you're very good at. Like, um, you know me. I just go on and on and on and on, like I'm terrible at Twitter. Because even with the longer Twitter or size that you can now do I still have more things to say than fits in a tweet. You are very good at being compact with your words, and you are all mostly facts, like here it is, my new release and this is it. I was like, You have to be chatty and like No, make yourself seem like a person because you are really interesting person. And when people see you, you know, live when you do a panel or when you do signings, people are always like, Oh, my gosh, you're so funny or so interesting, and you’re like, you know, my books are not funny. You always have to tell them, but you know they're not.

Mindy:            They're not.

Kate:               Oh, no, But they're not funny. You are.

Mindy:             I am. That's true. And I don’t, I don't do the chatty thing. And it's funny because you're right. You do tend to go on. I tend to not. I know that already I have noticed because we have already executed a couple of interviews with our guest authors. You'll get like, super chatty and I'll be like, man. And now I'm gonna, like, bring us back down to some information that would actually be useful.

Kate:               Um, I my brain is not organized. It goes off in, like, 20,000 directions, and I will start out talking about one thing and suddenly be down the road because one thing reminds me of another thing and then another thing and another. And suddenly it's like, What were we talking about? 

Mindy:             And I always know what we were talking about, and I will bring us back to it in order to make me the full circle that is necessary. But yeah, it's true. But I think it's a good mix because you're chatty, I'm not chatty enough, and I know people like it. I personally like... hopefully you're enjoying listen to me chat right now, but personally, it's like when I listen to a podcast and people are having those conversations like when I was like where were we? What hotel where we in? and you're like I don't know. Maybe it was Pennsylvania or California. As a listener. I'm just like, dude, shut up. I don't care where you’re talking about. And you're like, no people like that. So I don't know. We'll see. We'll see if you guys like that.

Kate:               I like that stuff. It makes me feel like we're friends and we're hanging out like it's like we're all sitting around and having a chat. Except I don't get to talk.

Mindy:             I can see you driving a car and just answering back to the podcast. 

Kate:               I know. Totally. Yeah.

Mindy:             No, I can see you doing that. I, am like skipping forward 15 seconds to see if they said something that mattered yet. 

Kate:               I like the chatty stuff. I mean, yeah, I really do. So speaking of chatty stuff, it is currently, um, April 22nd. We are in what week of quarantine are you in? 

Mindy:            I am in week six. Week six of full on in the house, watching Netflix quarantine.

Kate:               I actually the other day said were in quarantine and my husband correct at me and he said, We're not in quarantine. He said we're staying indoors, but quarantine is only if you have symptoms, then you're in quarantine on. I was like, OK, Mister.

Mindy:             I don't have a husband, so I don't get, like, corrected at all. That's so nice.  What are you in week?

Kate:               I have no idea. Time is meaningless. I'm terrible with time regardless. But, um, I have no idea. I really don't know. Since my birthday, the week of my birthday is when we went away. And that was March 19th. 

Mindy:             Yeah, so and my birthday is the same week.

Kate:               Yes, that's right. Yeah. Yeah.

Mindy:             And people get us confused all the time. We should...

Kate:               I seriously think we have some sort of common ancestor. In um, Ireland or Germany, because we both have German and Irish, strong German and Irish ancestry. 

Mindy:             Yeah, and we are going constantly, constantly confused for one another. Like, if we're both at an event, I mean, I don't know how many copies of your books have been brought to me to sign, and I'm just, like, no that that's Kate. Wrong person. She's slightly taller.

Kate:               Yes, slightly taller. And yeah, I mean, we're both tall we both have dark hair and, um, I actually I have a little bit of face blindness where, um, like, if someone changes their hair drastically or their hairstyle and it's very hard for me to recognize their face, like even with actors like you know, I'll watch a trailer and I'll be like, Why does that person look so familiar? And my husband will be like because it's Russell Crowe and I'm like,Oh...

Mindy:             See, I I don't know if it would be called, like face acuity or something, but it's like I'll be watching, something and will be like that guy. How do I know that guy? And like, three minutes later, I'll be like he was in an episode of The Young Riders in 1991. Yep.

Kate:               That's yeah, I do not have. That is very hard for me. I recognize voices more like If someone has a distinctive voice, I'll be like, I know that voice, but, um, you know, hairstyles get me all the time.

Mindy:             The other day I was listening to, you know, like Pandora or whatever. And there was an ad, and I was like, OK, I know that voice like that’s someone famous and I'm supposed to be sitting here going Oh, yeah, that's so and so. But I couldn't figure it out. And I couldn't figure it out until, like, two minutes and all sudden, like, dude that’s Jeff Goldblum. 

Kate:               Shame on you. He has a distinctive voice. What was he schilling?

Mindy:            I don't remember. See, it didn't work.

Kate:               I guess it didn't. That was a foul. You’re too busy going, why do I know that voice?

Mindy:             And then I'm like, Wait, what should that voice be saying? What do we know hat that voice says? Then I’m like – oh,  that's a big pile of shit. And then I’m like, oh. That’s Jeff Goldblum.

Kate:               So, um, are you sitting in your closet right now?

Mindy:            Yes, I'm in my closet. I'm in my recording studio. I am in my bedroom with the door shut. 

Kate:               I'm sitting on my bed and I'm actually looking at my bedspread and there are splashes of blood all over it, and I'm probably gonna get in trouble for this. It's not my blood. It's my dog is in heat. Yeah, my puppy. So we got a puppy last September. Um, and we got her from a local breeder, a very responsible local breeder. And she has all her breeding dogs are getting older. And you know what some breeders do is they when their dogs get older, they give them to somebody else, you know, basically put out to pasture, adopt them out to somebody else. 

But she was like, No, these dogs are part of our family, you know? She's like, I can't just like get rid of them. But, you know, she was like, we you know, they've done breeding. So, um, what they're doing is a, um find families who want to be guardians of a puppy, and they raise that puppy and then when the puppy is ready to be bred, we bring the puppy, you know, during the later heat to her house and they have a date with a boy doggy.

Mindy:             If they really like each other, fall in love. And maybe...

Kate:               Yes, yes, yes, it's It's like Lady and the Tramp with the with the spaghetti and meatball. And then you know that sexy part after that, where am I mean, they do have puppies at the end, lady and the tramp. So, you know, they...

Mindy:             You know, it happened in that park. It totally happened in there. 

Kate:               And then she comes home and, you know, she spends most of her time at home until she's ready to give birth. And then the breeder takes our puppy and, um she gives birth at the breeder's house, and then she's there until, you know, the puppies are ready to go to their new homes. I thought this would be really interesting to do because I've never seen a dog in heat, and I really, honestly didn't know anything about it. Um, and I just want to be really cool to just be part of the process and like, you know, we can. Once she has the puppies, she's gonna like face time with us and let us see him. She doesn't want us to directly come until the puppies are weaned because she's afraid the mama, our little Luny might want to stop feeding her puppies cause she'll want to be with us again. I was a little nervous, but I was excited, and I didn't really know what it would be like. And so she she started having a little bit of blood. We noticed a little bit on the bedspread. She sleeps in our bad. It's been like that for a couple of days, just not that much. And she's a very clean dog. She really, really, really likes to just go to town down there, just licking away, keeping herself nice and tidy and she's always been that way. 

But today she's she's dripping a lot more, and we're seeing drips on the floor more. So, um, I think it's kind of good. Like my, well, my 13 year old boy and my 10 year old daughter, Zoie, my 10 year old is, like, very matter of fact about it. Like, Luna is in heat, you know, that's why she's bleeding a little bit. And my 13 while he's only 13 a couple weeks he was like, Ewww! And she was just like, Jamie! She’s in heat. It’s totally normal, you know.

So yeah, It's such a thing that people don't experience any more. But I would say as recently as 50 years ago, like like every, if you had a female dog like you just went without, like, nobody really got their dogs neutered or spayed. 

Mindy:             it's just plain ignorance about such things is always amusing to me. My ex had three older sisters and we lived together for like, we were together for 12. We lived together for five. 

Kate:               And you were living with the three older sisters? 

Mindy:             Yeah, that might have worked out better. He and I lived together for five years and, um, I'll never forget. Like he had three older sisters and they grew up, you know, with women around. And I came to bed one night and he was like, Hey, I'm not trying to be rude, but do you think that when you're bleeding that you could wear something when you come to bed so you don't bleed all over the sheets? And I was like, What are you talking about? And her was like, you know, you bleed on the sheets sometimes. He's like it's not a big deal. I'm just letting you know. And I was like, Do you think I'm not wearing something? I was like, Dude, I have on like a tampon and pad and you bleed through that shit and you got blood on the sheets and he was like, It's that much?  And I was like, Dude, if you want me to free bleed all over you some night, I totally will. And then you will understand. It was it was just like you will think someone died in our bed and I was just like, Dude, seriously, you grew up with three older sisters. How do you not know this? And he was just like, I don't know.

Kate:               It ruined him.

Mindy:             I think that's why we broke up. 

Kate:               You just, you couldn't hide it enough that you have this terrible thing that happens. No, I think I'm just gonna just like live in, stay in a cave for a month.

Mindy:             I'll just get a hotel room and freed bleed and write, we should do that. It would be amazing. We'll have to sync up.

Kate:               We should just open it up. The Free Bleed women's writers thing and then we'll get some like men's activists will be like You can't discriminate up against us!

Mindy:             We’ll be like come bleed with us, dude. I’ll cut ya. I’ll cut ya.

Kate:               BYOT Bring Your Own Tampons.

Mindy:             We took chatty like we're like, we're just going to go. We're gonna talk about menstruating dogs. 

Kate:               So that's my dog life right now. So everyone knows you're super into your cats. But you want to talk about what’s going on with your dog life or is it too sensitive?

Mindy:             I can talk about my dog life. Um, yeah, and 

Kate:               I'm trying to peer pressure you into getting two dogs I know.

Mindy:             And it's not gonna work, is just not gonna work. So yeah, you're really not... 

Kate:               But Mindy, they’re best friends!

Mindy:             I don’t care if they’re best friends! They can go front another friend somewhere. That is not me, cause I don't need more friends. I'm not like I have a no, I have, like, two. And I'm good. My dog life. Everybody knows I have cats and I post my cats all over place. Um, for whatever reason, I don't know. I didn't post my dog that much, and I don't know why. It just It's not that I loved him less. He just wasn't, um, in my face all the time.

Kate:               You had two dogs until recently.

Mindy:             I did you boy, you really just want to drag all... You just want me to tell all the horrible things. Why don't we save? Why don't we save the horrible story of how Mindy went from having two dogs to having zero dogs for next week's intro?

Kate:               That’s a great way to hook people. Want to hear a sad dog story? Join us next week for all the sad doggies. 

Mindy:             all the reasons why Mindy no longer has any dogs. Bad math. Let's let's do that. Because we've already shot it for, like, half an hour for our lead up for this one. Yes. All right. That's right. I’ll have Lee join us. Yeah, poor Lee, you know, no idea what she's just agreed to, but she does write werewolf like gangbang books. So I think she'll be fine.

Kate:               All right, cool. Let's bring Lee on then.

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Kate:               Well, Mindy and I both know each other because we started traditionally publishing together we were in the same debut group and, um, 2013. My god that seems like a 1,000,000 years ago.

Mindy:             The golden age of YA.

Kate:               It was the golden age of leaving our houses even like that is a different world now.

Mindy:             Yes, I remember. We went places.

Lee:                 We’re living in a dystopian YA now!

Kate:               We hit the end of the dystopia trend. Actually, Mindy, your book was like one of the last.

Mindy:             Yeah, it just squeezed in. We I was lucky. And now, like, believe it or not, with these sales, people are texting me. People are emailing me. People are like, Oh my God, this is just like your book. And I'm like actually, it's like nothing like my book, but it's cool. I mean, if you want to read it... uh, 

Kate:               You're like, No, that's gonna happen later. Give it a couple more years. Mindy's book is about a world with no water.

Lee:                 I like the YA dystopia world, you know, the woman that discovers she has secret magical powers like I'm here for that and then fall in love with a werewolf. Like that's my sort of dystopia.

Mindy:             I could definitely fall in love with a werewolf, but that's partially because I haven't left my house in five weeks, and I am only in communicating with animals right now. I was texting with someone and I was like, I'm only speaking to animals right now when we go back out into the real world, when I greet people. I'm just gonna lay down in front of them and show them my belly and like, roll around. That's how I'm gonna communicate. 

Kate:               I tried to do a zumba class on YouTube yesterday on and two of my Children sat on the couch watching me, critiquing. What are you gonna do? The push ups? I was like, I'm not doing the push ups and the dogs are under my feet. The little ones like sticking herr nose in my ass when I bend over. I was like, Oh, my God. 

Lee:                 I downloaded Peleton, which I've gotten before. The yoga is pretty good, but I'm thinking, you know, I really want the yoga course where the instructor has a two year old on her back. 

Kate:               So you have two year old and a four year old. That is like the worst combination to be trapped in your house with not one toddler, but two.

Lee:                 It's pretty crazy, and we lucked out because my mother and sister had just moved for a brief time, according to my sister. She's staying with my mother and they live around the corner in an apartment, and we can walk there so we're quarantining among ourselves. And right now my kids are down at Grandma's. My mom said that she heard on NPR Review of Books, and they were talking about how women authors back in the day just would choose not to have kids like Jane Austen was. You know, just not going to go there because otherwise you can't be an author. I think it's better for us now. So I try to think of Jane Austen. I'm like, What would Jane Austen do? Apparently, she wrote, standing up in the corner and when someone would walk into the parlor should cover her work. That's totally me. I kind of need like a cave. 

Kate:               My 10 year old daughter is really cuddly, and she will sometimes, like, come and cuddle up to me when I'm like sitting with my computer and like, if I'm writing, I'm like baby, go somewhere else. I was like, I can't stand to have someone looking over my shoulder. Don't look at my computer when I'm writing like it's so terrible. It's very private, and now I'm co-writing too most of my Indy books are Co-written and we use Google Docs. So I have been writing and then I suddenly see like a cursor near where I'm writing. I realize co authors in there and I, like, yell at them on Slack like Go somewhere else. Don’t work like in the same spot. 

Lee:                 Yeah, I'm careful about that because I totally I co-write a lot also, and I'm totally then typing in the doc and go to, like, replace some character's name. And then a child attacks me and things get all screwy. I mean, there's practical reasons why I want privacy.

Mindy:            My cats have contributed to many of my books. I mean, I've actually found things that I have turned into the editor, where there's a line where it's just like the cat had walked across my keyboard and my cursor had jumped, you know, and I just didn't see it. And my editor at this point, it's just like, “this must be where Minnow contributed to the book.”

I don't know. I don't need like, total isolation. I was working full time when I started writing, and so if I had a chance, I would work at work. I got pretty good at writing with background, always writing while a TV is on. I can write in public, I’ll write in airports, like it's just it hit a point with all the traveling and stuff where I had to not be picky about my environment if I was going to get anything done. 

Lee:                 I think I'm gonna just need to build... I mean, writing is a habit. It's a muscle you can exercise so I can learn how to do it. I guess with the toddler on one leg and the dog on my feet.

Kate:               I find on Children's television shows are really good background noise for me, actually, because obviously I have a toddler, a 10 year old and an almost 13 year old. He's a month away from being 13 my oldest, but, um, the littlest one gets a lot of iPad and a lot of TV, especially lately, and I can like write with Dora, Blue's Clues that horrible Blimpie any of those in the background

Lee:                 See if mine were a little older and I'm supposed be home schooling. I think I would just teach them how to create unboxing YouTube videos.

Mindy:            We’re talking about traditional publishing, which is how Kate and I began. And then recently, Kate and Demetria as well. Our friend Demitria and Kate have started, Ah, wandering out into the Indie world. And so if you could talk a little bit about what made you make that decision and ah, you know how you found success? 

Kate:               Yeah, like how long you've been doing it, too? I mean, I feel like I'm still a baby author and that in the indie world.

Lee:                 The fact that you guys can write an excellent book, you know, well enough to get picked up by an agent and a publisher. There are so many more hoops to jump through. Um, because being an Indie author, you could just, like, slap your grocery list onto a word account and upload it right? But to get going and to get selling, I highly recommend honing in on genre and sub genre and the same sort of things that you guys did to get picked up by an agent and then a publisher.

I actually went to college for creative writing. So I was in the world where you were supposed to write literary fiction, submit to agents. Um, and I graduated in 2007 and finished my book in 2008 and started submitting it. And it was actually right at the point where you could start to be an indie author without having to buy a bunch of print books and boxes with them in the back of your car and travel cross country selling your print books out of the back of your car. You could upload to Smashwords, right? And I kind of fooled around and I actually gave up. I was like, You know what? This probably isn't gonna work. I should get a real job, and I did. And I was depressed. And then— 

Kate:               Cam I ask a question? The book you wrote the first book you wrote. So did you. I know you write like genre fiction. Now, when you were in that literary college setting, did you try and write literary? Or did you, were you the person who was like writing genre fiction and having your classmates like, sneer at you and be like, ugh?

Lee:                 I always knew I wanted to write genre fiction. They let me take my last senior year and do independent study. And that's why I kind of went to this college because they were very supportive of, like, independent work. I did write something that could pass as literary, but it had a main character who was a werewolf. So it was very much like fantasy. They loved it. My professors loved it. Like I didn't quit submitting, uh, things to classes. I was so over creative writing classes. I just think they're just a waste of time. I wish I had taken more literature classes.

Kate:               So would you, if you could go back would you be a creative writing major again or do you feel like it's...  I'm coming from, I have to say as somebody who has a BFA in theater and an MFA in film and television production and will be paying off my student loans until I die. So yeah. 

Mindy:             And to counter that, I did do the lit circle. So that was what my degree was in. I have never taken a single creative writing class in my life. I went the route of studying literature, so yeah, really interesting to get your take on that. 

Lee:                 So the only thing that a person needs to be a creative writer is to write, and I honestly, if I could do it again, I would probably go back and do that. Like that Steve Jobs saying, where you just take whatever class interests you. I would take a lot more philosophy, a lot more history, a lot more English, like just literature classes, a lot more ancient art and mythology I would just take probably they would never graduate me cause I would just take whatever I want. It actually have this thought in mind of one day writing some sort of literary fiction book and getting invited back as a writer in residence, which they will not allow me to do if all I’ve written is erotic romance, but whatever, cause I'm making a lot of money. I have paid off my  student loans. 

Kate:               Don't you think you would have more to like teach students about working as a writer, being someone who is actually living off the writing and actually able to pay their loans off the writing than somebody who has had a literary novel published?

Lee:                 Yeah, absolutely no. In fact, I teach courses like I have courses up and I coach authors, and I don't coach them on how to write a book. Um, although I will give advice on that, but I prefer to coach on the marketing and, like, have a sales hook.

Kate:               Kids need to be taught, there are ways to put yourself out there like you did. There are better ways than just going to auditions and hoping someone picks you like you should be a creator and sort of start your own things.

Lee:                 We're going to see more of that. I believe so. And in the indie world—or

the author world, you know, with us going indie or having the option to go indie it’s gonna happen in the film world. And that's what happened in 2015 as I was like, You know what? I'm just gonna be an author. I might never make any money, but I want to be an author because I wanna be an author. And I do not want to wait till I’m 80 years old and looking back on my life to be like, Oh, I wish I had. I’m gonna do it now. 

Mindy:             So, in 2015, that was right about the time when attitudes towards self publishing we're starting to change because it very much used to be, Well, people who self published couldn't make it in the trad world. And so they're going this other route. And I know that was very much the mindset for a lot of people who were traditionally published, to be honest. And I do think the stigma has been lifted from self publishing a lot in recent years, and I think that is due to the fact that you can findgreat success. So I mean, you mentioned you've done very well, like financially. Are you comfortable sharing numbers? 

Lee:                 I made half a million dollars last year. 

Mindy:             Fuck me. Okay.

Lee:                 Loans are gone, and my college costs a lot of money. Even though I got scholarships, it wasn't, it wasn’t inexpensive. Four year university. Yeah, I made Let me let me back up because I recently put this out in a group that I have for authors on Facebook, Millionaire Author Mastermind.

Kate:               I’m in it! 

Lee:                 And I mean for the point of that group, to be very honest about the fact that I love writing and it is art for me, but I am gonna make money. And I’ve found a way to combine that. 

Kate:               I love that. That is the best part of the indie world. Honestly, I feel like people are so much more up front about, like, this is a business I want to make money. And yes, I love to write. Yes, you know, you have to have passion for your story, but also like, don't be stupid and, you know, go out and write something that no one is going to read and is never going to sell. And there's so much more transparency about money too. It's really so different. It

Lee:                 It’s very cool, and I wanted to step into that, but also not push it in people's faces. So if you join the group, you're going to get me talking about money. If you don't join the group, I'm probably not gonna mention it unless you're in my circle, you know? So, yeah, I've embraced the money. I also understand that people would look at me like, oh, she writes pulp. But I love, I love what I write, and it means something to me. I think that you can still be an artist and be very creative, but also write something that's gonna have appeal, and I always want to write about werewolves. I just did. I want to write werewolf romance and I went to college thinking these are the books I write. Why? Because when I read the classics women as they were depicted in Anna Karenina, Madame Bovary, Tess of the Duberville's, Portrait of a Lady. All these male authors were writing about women and in the end, the women had horrible experiences. I didn't want to read that anymore. I was 16 and I was like fuck this,  I'm gonna go read SciFi fantasy where the women are tough and strong and beautiful and they get on dragons and they save the world.

Kate:               What were you reading at 16, that was that. Those books. Who were your authors who were your influences?

Lee:                 Ursula K. LeGuin, Anne McCaffrey was a big one and then loved her. I remember going finding the romance section, and I would stand there, and I would not check the books out because I was like, Oh my God, I do not want my mother to see this book cover. I would read them standing in the aisle and honestly, if you want to get I mean, I'm an erotica author, So I write about sex. I write tons of sex scenes, my word count per hour when I have tracked it. It goes way up when I'm writing a sex scene, also flirty banter. And there's body parts moving. And it's a lot of description and dialogues and apparently fight scenes and sex scenes, that's where I speed up. So I just put a lot of those in my books and I write really fast.

Mindy:             How many books do you put in a year? 

Lee:                 6 to 12.

Mindy:             Okay. Wow.

Lee:                 They're an average of 40,000 words long, so that's none. That's not like—

Mindy:             If it was a physical book, it would be thin. Art aside, I do get frustrated with the, you know, follow your heart, right, your dream kind of thing if you're following your heart and writing your dream and not able to pay your bills-- because that was me for a long time. And I love to talk about tapping into that success like you. Obviously you have to write a product that people want to read. Yes, but you also have to put it visually in front of them. You guys were talking before about, you know, creating art and then like presenting yourself to the world in a different way and thinking outside the box and not necessarily climbing the ladders that have been put there in the past for people to, you know, rung up in order to achieve anything.

And I think that's very true and it's super interesting, and I also think it's really fucking hard to stand out when everyone is doing it. I struggle with it myself all the time. I mean, I used to be super super active on social media, and I went through a break up last year that just, like, devastated me, and I just kind of pulled back and I haven't really gone back yet, and a lot of it. It just feels so fruitless. So like, can you talk about some of the methods that you have found that are effective in the in the world? 

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Lee:                 So you do not need social media. It is a waste of time. The diminishing returns happen very quickly, like after like probably an hour a week, so don't worry about it If you love it, do it. Do one thing. Like if you love Instagram, do Instagram. Love Facebook like I do, do Facebook. If you hate Linked In, don't do Linked In, right? Um and if you hate all social media, don't worry about it. This is what you need. You need to pick a genre, ideally, a sub genre, and you need to study the tropes. And I want you to match tropes with voice so your art comes in with the voice, But when you go to put a cover up, you look at the tropes in the genre. So for me it would be a wolf on the cover cause I'm writing werewolf romance and I'm writing Sexy Werewolf romance. So it's a sexy guy on the cover with a wolf that is it. Very simple. That's my cover

Kate:               Can I interrupt? I know like I see a lot of times like, I think I know what you mean when you say tropes, but I know like I always see whenever there's a post about it. Like on a Facebook group will always be somebody saying, What do you mean by tropes? and what are tropes? I mean, if you are saying werewolf is a trope, you really have to know, like what people expect in a werewolf book. Like what people expect in a vampire book. Like werewolf, how much can you, I guess, go outside the lines. Can you have a werewolf that, um, that doesn't have a full moon thing? What are the rules within each trope and how far out of them can you go? Because right now, I, my co writers and I were writing, um, Academy urban fantasy more in the young adult range. And, um, I think we're sticking to tropes. But I’m not always sure.

Lee:                 I could talk about the academy urban fantasy trope as I see it. So, first of all, genre fiction, you need a happy ending. If you have a long series, ideally like Harry Potter, the big bad guy, the boss of the game doesn't get beaten until the end of the book, like the end of the Series right? Each book there's a There's a win. Each of those books pretty much followed the beat sheet. And I highly recommend Blake Snider's book on filmmaking and script writing called Save the Cat. And it talks about the beat sheet. And I find with all my students, with all my co writers and with my own writing that when I have some awareness of the beats as they fall in a book, the book becomes stronger and it doesn't like sag in the middle as mine are wont to do. And also the ending is very satisfying and honestly, romance authors will deal with, will put up with a lot and the same with erotica readers.

Honestly, guys, if you’re brand new and you are okay or would love to even write erotica, go for it. Write under a pen name and just write tons and tons of stuff, you just have to, like, pick a kink and write it. But, honestly, you're practicing writing. And you don't want so much of a story as long as you're writing what the erotica readers want, which is... they don't even want, well, they wanna have the ending of a certain type, but they don't need like you know them to find true love, the characters or whatever. In romance, they must find true love. Werewolf romance one of them needs, at least one of them, maybe both of them, needs to be a werewolf and needs to... part of the fun part of those types of books in the genre on the sub genre. Is this typically a human woman discovering this this paranormal world. Now you could switch it up. You could have it the other way. But honestly, if you read a lot of werewolf romance, you’re gonna kind of internalize the tropes. 

You’ll be like, OK, I have to have a happy ending like everything needs to be resolved. And they and they, they are in love and they end up staying in love, right? And then if you follow the beat sheet, there's conflict going on. Um, there's external conflicts and internal conflict. But your readers will forgive you a lot as long as you have this wolf who is showing up, Let's say at her high school, and he's like the, you know, the bad boy high schooler. And she's interested in him. And then she she's at a party and she wants to get close to him. And then she sees him turn into a wolf and run off into the woods and, oh, my God, there's this world that I'm entering into, and it's kind of a metaphor for rites of passage and growing up. And you can get into all that. Or you could just enjoy the fact that you know, she’s falling in love with this big bad wolf literally and play with it.

And then, you know, hopefully there's some bad guys in there and they're fighting the bad guys and, um, they’re fighting each other and their love for each other. But by the end of a werewolf romance, they're gonna end up together. And that could happen within 40,000 words for me. I've written a lot of werewolf romance, and I wrote one series where it's set in Viking, Norway or historical times. But the Vikings are werewfoles. I don't know. It has all the elements that people like. It has these warriors turning into giant monster wolves and saving the women. Or fighting with the women Or, you know, some of the women are witches who are very powerful. And so there's all sorts of ways I've I've put my own voice of my own ideas and my own, um, decision that, I think that Viking berserker warriors are werewolves, actually. Now I'm gonna write about it. What if they really were? What? What what would happen? How do they fall in love? 

And then in my contemporary world, I've had, um, Motorcycle Club. So these big tatted up guys with leather vest turn into werewolves at night and you know, a human woman wanders in and she's weirded out because, you know, she's a lawyer and she's all put together and they're all big guys, and he's all interested in her. And then suddenly she sees him turn into a wolf too and then, but they’re also falling in love and falling into bed with one another, because that's what my books are about. 

I've taken the one thing which in a werewolf romance, needs to be happy ending. And there needs to be a time where the readers see the character shift into a wolf like and learn about the werewolf world as this other world, and that’s why this paranormal reader grabs my book and opens it. And I understand that and I deliver that. But in my contemporary series, I put in tons of jokes and they’re on motorcycles and in my Viking series, put in tons of like witches and warring with a mage and plague and all sorts of crazy stuff. Some people get frustrated when some book sells really well, and they're like that writing was so bad. But I would like you to flip that around. I'd like you to say, What was it about that book that enticed readers? Because then you go write a book with elements that entice the readers, but then write it better and, you know, put in what you know, putting more beautiful prose or whatever your strengths are amazing twists in the plot.

Kate:               I totally agree with the Beat Sheet. Actually, I've written pretty much my whole life. I always wanted to be a writer, but I was never able to finish a novel until after I went to film school, and I learned how to write screenplays, and I learned the screenplay structure, which is what you know, Save the Cat is all about and, um, then I was in Tennessee and I had a brand new baby and I didn't know anybody, and that's when I first started writing my first novel.

Lee:                 My first novel is nowhere. Like you cannot find it.

Kate:               Yeah, Mine too. Oh, no, it's terrible. I opened it up like, a year ago, thinking I could like mine it for parts. And I was like, Oh, this is, uh bad. Like really bad.

Mindy:             No, that happened to me to. I wrote my first novel in high, no in college, and I went back to look at it, and I was like, No, that's not gonna, that's not going to cut it. It was terrible. But I always tell people, you know, while you're writing, you can't be aware of how bad it is when you're growing as a writer.

Kate:               You can't.

Mindy:             Because you can't just be like I actually suck at this thing, you know? I mean, you gotta have a certain amount of hubris to even begin.

Kate:               It's true. You really do. You have to be like Oprah's gonna be calling!

Lee:                 As a beginner we have so much excitement and also it doesn't take very much for us to get like rapidly better. because we know so little. So you learn one thing and then you suddenly you have improved so much, and I'm at the point where, I’m like if I could just get 1% better. If could just get 10% better. You know, that is a big deal for me because I do have a lot of skills. Oh my gosh, Guys I have been writing like half a 1,000,000 words for five years now every year and publishing most of those words and getting paid on most of those words, which then I've funneled into moving forward with my career.

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Mindy:             I'm looking at your books on Amazon. I can see you know some of your tactics at work here as far as pricing, Um, but also I want to shift you back around to talking about promotion and marketing because So, for example, I'm looking at your berserker saga. The 1st one and you have 426 reviews, for one thing, and your 1st one is 99 cents, and it's on Kindle Unlimited. So if you could talk a little bit about that end of it. Pure business, what's your process? And how did you arrive at learning what was the best? Your best methods? I know you said Social media doesn't matter.

Lee:                 Yeah. Social media doesn't matter. Newsletter mailing lists do, and that is internet marketing 101. You want to sell a course online. You want to sell Children's books on online. You want to sell werewolf romance online, get a mailing list. I have a freebie that I offer for the berserker series. So I've actually I probably have a freebie for every single series that I... like my main series. And how do decide whether they were my main series? Well, book one took off and I decided to just keep writing in that world, you know? And I have, you know, 13 books in the series. Well, I don't care if I put book one free or book one on sale at night at 0.99, and that's my loss leader. And that's a marketing term. But you're giving away something for free.

Because when you think about your reading experience, how did you get into the authors that you're really into? Typically, someone handed you the book and said, You need to read this or you were in a library. You picked it up there. And a lot of times our entree to a new author is through a free book. So I'm ok with giving away books, probably because I feel less confident about my advertising skills. Um, and I feel more, like hey, try me out. And if you hate me, you'll never pick up anything by me again. And then I get messages where people are like I love you. I'm so glad I found you. I got a free book.

There are ways to get reviews on books. One is to ask for them. Um, that first freebie I popped out there, the 99 cent book you're talking about. I at the end of it was like, You know, I'm thinking about writing more books in this series, but let me know if you liked it and a lot of people just wrote a review saying, I like it, I want more. Or they would tell me because I put my email on there. And then I think I also give that book away a lot. So I probably have more people who read it and get excited and come back and write a review. And then I do remember reaching out to some reviewers, people I know who have an email list of people who will leave reviews like an ARC team. And I just gave them a book that wasn't new. I gave them, I gave them that book and it was old when I was like, Hey, you know, I’d like more reviews on this book. I'm trying to get a BookBub on it or something, and I need more reviews on it. I, like, give that book away a ton, and that is a great strategy.

I know someone who makes seven figures in romance, and she mainly advertises one book of hers, and that book is free and the first in a trilogy. And it leads to another book that's 4.99 then a third book that's 4.99 then everything that she's writing, since that first trilogy ties into the same world. So okay, and she has this map in her head of Like, where she wants her readers to go. But she only really advertises that first free book and then her new release. And she’s hitting the USA Today list, based on her fan base.

Mindy:             Really cool. So what you're saying is, Mailing list. What about paid advertising? 

Lee:                 Paid advertising is awesome, but I would make sure that you have a product because now we're talking bank. Write a book, a product that people love. So I really think that to start earning a living as an author, you've have to write a book and write a series on that book that really hits the right tropes. It doesn't have to be trendy, but it has to hook people enough so that they take a chance on you, buy your book and then fallin love with your voice. So that again, that’s voice. Then at the end of the book, you say, Hey, do you want to hear more from me? And you get them on your mailing list. Now I say, Hey, you want a free book related to this 1st one? And they say, Yep, Please. And that's how I get them onto my mailing list and I have 30,000 people in my mailing list. So when I have a new release. I email them, and I'm not hoping that Facebook shows my post. And I'm not hoping that Amazon sends out email blast or whatever. I email 30, probably closer to 40 now 40,000 people. Guys, I'm now translating my own books into German.      

Kate:               What?

Lee:                 I did the same thing, I got book one through five of the berserker series, which you mentioned, already translated. I put them up and then I went back to the translator, said, Hi, I have this very short, like 20,000 word freebie, and I paid another $1000 for him to translate that, and I put it up and the only way they get it -  it's never been for sale. It will never be for sale. The only way they get it is by signing up to a special mailing list that I call my German berserker mailing list. Two days ago, I got, um, another berserker book translated because I have a long Series in that world. Um, so it's book seven or something, so I put it up on Amazon, waited till it was live. Then I went back to my mailing list, which is now 700 people, and I emailed them and said, Hi. The next in the berserker series is out And here's the link and I said all that in German and I had to get my translator to translate that. He basically translated some basic phrases like “new book, now in German” with a title, and I just email them with the cover and they click on it. I can go in actually right now and see how many people clicked on it. But I can also watch the money pour in. Cause you can log in and see how many people are buying your books. Like that day, right?

Kate:               Is Germany a big market to like tap into after the non-English speaking?

Lee:                 That would be your number one market after English. 

Mindy:             Is that specifically for erotica? Or is that...

Lee:                 Erotica does very well, dark romance, which I also write, does very well, which is like Mafia. Where he, like, kidnaps her that’s dark romance. That does well. I found that paranormal does pretty well. SciFi Romance does pretty good.

It looks like out of 720 people that I emailed yesterday, 250 people opened. It, opened the email and 123 people clicked on it. And then a percentage of those people will have bought the book. And then Amazon says, Oh, this book is selling and they might like send emails out about it, they might push it up. People I've noticed on Facebook because I do love Facebook, So I am on Facebook a ton. I have noticed that people will share new releases and it's all in German, the post in the in the links of my berserker book in German. So you know, letting people know and having the power to let people know that you have a product live, its Internet marketing 101, is like build a mailing list. So if you do nothing, write your books and build a mailing list. Like that's and you can probably. Actually, I'm pretty sure you could hit six figures on that alone.

Mindy:            And a loss leader is the key to that?

Lee:                 No, I mean, I think of your writing. I mean, honestly, if you wrote something like the Hunger Games and it was full price and then Book two's coming out and you had everyone who loved your work on an email list like, Hey, you want to know when book two is coming out? Sign up to this email list! And you got what, 100,000 people to sign up? Probably and then you email them. You could do fine without having a loss leader, but you know, I write so much. It made sense for me to write a long Series, put book one on sale permanently and and then also offer an exclusive freebie. So I wrote a piece of fiction that I never will make money off. I hand it to people who signed up for my email list like That's the deal. You give me your email, you allow me to email you until you unsubscribe from my list and I'll give you this free work.

Kate:               Is the freebie a full length book?

Lee:                 It's 20,000 words. So in romance a good freebie would be Meet the parent, adopt a cat or a dog. They have a little fight about their wedding and then they get married at the end of the freebie or baby, baby time. Uh oh, yeah, in romance those little extras write themselves, cause you're like, I want to write their wedding scene or wherever.

Kate:               Can I ask what do you get for your open rate on your huge email list? The 30,000 one?

Lee:                 It’s typically like 30 to 40%. It looks like last time was only 26% but the time before that was 30% 

Kate:               Do you go through and trim deadweight at some point?

Lee:                 Yeah, and MailerLite, which is the software use that I recommend, um makes it easy to do that. And again, what the one thing I love about a mailing list is it's really set it and forget it. Like I set it up and I'm not tweaking with it. I'm not messing with it. It is up, and people in Germany are joining my mailing list in the middle of the night.

Kate:               That's awesome. Well, is it the middle of the night for them, or are Germans just late night people? 

Lee:                 If you're in Kindle Unlimited, it's really interesting. You get paid per page read and I have software that They report page reads. And it's so cool to watch, like everything click over into midnight, and suddenly you have, like, 20 pages reads already. And you're like somebody's reading! Either someone on the East Coast or in the middle of the night. Or it could be, you know, they're in Australia in the morning. I don't know. 

Kate:               I've noticed that, too. Yeah, it always seems to pick up, like at night, like I'm on the East Coast and like, around like 7or 8 It's like seems like a picks up. Yeah, it's very funny. 

Mindy:             I know that on my phone last night, I had a moment cause I was up late. It was after midnight. And, my phone gave me my notification of how much you've been on your phone today or whatever. Your usage Report. And for whatever reason, that popped up. And it said you've been using your phone for 11 minutes, and I was like, Oh, that's pretty cool. 11 minutes in one day. I feel good about myself, right? And then I realized it was 12:12.

Lee:                 You’ve been using it for 11 minutes... or the entire day.

Mindy:             I have spent the entire day scrolling through instagram I was just like, Oh, shit, yeah. I was like all proud of myself for being unconnected. And then I was like, Oh, my God, that that's embarrassing. 

Kate:               So I actually wanted to talk to you about something I heard you on when you were on the Writing Gals podcast. But you said something on there. That for me was one of those light bulb moments, and I thought it was so brilliant. And you were talking about writing blurbs. And you said you don't want to put like your secret sauce in the blurb. Like the blurb isn't meant to be like telling people the whole story and all the things like you, you’re positioning it. You’re marketing it. You're showing the parts of it that you want to get people excited about, you know, sort of like if you are showing somebody a new car and they are excited about having a race car, you're not going to talk about the heated seats. But if you are, you know, showing a mom with a minivan who are you know, what, the toddlers you're going to show her, like, you know, no touch sliding doors and stuff. And I was just like it, it just I don't know why I like, it made so much sense. It was so simple that it was like one of those moments where I just went like, Oh, I get it because I've always hated writing blurbs and summaries and all that stuff, and I always just felt like I had to say all the things because otherwise, like people wouldn't understand the story. And suddenly I was like, Oh, I get it. I just need to tell them the things that will make them want to read it.

Lee:                 Yeah, that's again. It's trope plus, voice, because I really you know, the blurb is where you put the tropes. You know, I might have like a funny parrot. I'm writing a book for a class and it's a romcom. And there's a funny parrot. The funny Parrot is not going in the Blurb. The funny parrot is not going on the book cover, but the funny parrot’s gonna make people laugh in the book. So I called that the secret sauce like That's the secret that's going to get them to want to read every book that I've ever written because they just laugh so hard about the parrot, right? No, it's going nowhere near the cover, like maybe a special edition cover for, like, my true fans one day. If that book ends up making me tons of money and it's just insane, it's my most popular book. Maybe, but probably not that, you know.

I'm gonna elevate certain things to the level of the cover and if it's a werewolf romance, which this book is not, But if it's a werewolf romance it would be the wolves to represent the werewolf and then the man And then typically, my titles.. Someone actually mocked my titles. And my co-writer and I cracked up so hard because we're like, Well, we want to make it obvious that this is a werewolf romance. We want it to be so on the nose. At the same time, we do have a lot of voice.

So in your in your blurb, your book description feel free, like showcase your writing and your literary strength for real. But do it in a way like, for example, an urban fantasy academy make the voice super snarky. You know, I actually wrote a blurb I helped a student of mine launch. And it was an academy book, and it and I wrote the blurb, and I had so much fun writing it cause it was very like in your face. And, you know, these academy boys are gonna take me down. That sort of like, sassy and and so you're giving them a taste of what's gonna be in the book? Right? That sass and that. But you're also saying she's at an academy there. It's a school of magic, like the basics of what's in the books before, like Oh, it's an academy romance. Um, Then add the voice end, so if it's funny put in the jokes, if it's serious and intense, don’t. 

And by the way, the best way I'm actually doing this now on the advice of one of my coaches is the best way to learn how to get good writing blurbs is you go and you look at your genre, your sub genre, which you should know if you want to make money at this thing. Um, going your sub genre, look at all the top selling books and start clicking on them individually and write out the Blurb longhand and do that for 30 days on end. And you're basically, I don't know, apprenticing yourself to copy writing. You know, if you're gonna be a painter, you would have to like paint the skies. The Masters would have their apprentices just paint in the skies for like, years. So you're gonna go for 30 days, you're gonna write out longhand those blurbs and get the style. 

That's how you quickly learn copyrighting. And then, um, keep doing that. Write out blurbs maybe to sort of whet your palate and then right out, um, your own blurb a couple different ways, and eventually you'll be amazing at writing blurbs. So I here I have not gone to the end of the exercise. I've skipped a couple days already, but I'm gonna try it because, um, you know that cover And that blurb is, if you can master those and then you can write a decent book, you can make money at this thing.

Kate:               Would you say with that exercise that people should Definitely, though be looking at Indy books because there really is a difference in how publishers write blurbs for traditionally published books and how indie authors write blurbs. Like a lot of times in the author blurbs are first person, I think traditional ones are or, you know, they try to lead with either quotes or with a, you know, an author recommending it or, you know, x meets y. Expect lots of name checking more and just longer, whereas I find that Indie tends to be tighter.,

Lee:                 Well, I would say that Indie authors are able to quickly pivot and we’re able to reach demand in need in a market so quickly. Like, for example, academy books. If traditionally publishers were gonna jump on the academy trend. It's gonna be over by the time books get out of the pipeline.

Kate:               Oh, for sure.

Lee:                 But I would recommend you probably copy out both Why? Well, you have nothing to lose. And I think that over time we're gonna see, you know, my goal is for my writing to get more polished and to get more so that people look and they're like, Silverwood press. Oh, that's a, That's a big publisher, like they don't know it's me and my husband. Right then, quality of my books are, you know, equal or better than a traditionally pubbed book. I mean, that's my goal, because, you know, I'm an artist and I take my craft seriously. 

But I would also say the blurbs I tend to choose for this exercise are the ones that make me want to read the book. But typically it's more the Indie book, and I think I just gravitate more to indie books because I want to read a specific sub genre to get a big trope thing But there are definitely traditionally published books that grabbed me. I just picked up one YA one, and I could tell by the quality of the writing that it was from Wattpad. It was someone who had been taken from Wattpad. It was interesting to me, like, I don't know. Pretty soon there's gonna be a blend. And maybe this book is much better edited than it was when it was on Wattpad. But it still has the same voice. But that’s okay, Because if readers were happy with it, then who cares whether it was on Wattpad? Whether she didn't get an agent or she just published an Indy. So you pick a blur that makes you want to read the book.

Mindy:            So let our listeners know where they can sign up for your email list that you were telling us about?

Lee:                 LeeSavino.com is where I have my free books and freebies up and then at LeeSavino.com/author-advice or on Facebook. Um, go ahead and find the Millionaire Author Mastermind cause I'm in there a lot, even though that even though Facebook is not a place you should be if you want to write a lot and get books published. But I'm doing okay, So I allow myself to be on there. I have an alarm and I set it. I am on there a lot. And what's cool is There's a great many authors on there, and it's a great author community that I've built.