5 Things Not To Say To Writers... And 5 Things To Definitely Say

Last week I blogged about the first world problems of a published author. Yes, our live are pretty awesome. Are the easy? No. We’ve still got problems. They’re just not query trenches problems… and no, I don’t think any of us would ever trade it.

Today, I’d like to talk about things that are said to me… often. They aren’t bad things, or insulting things (although I do get those too, just usually not related to my writing). They’re just… things that I hear a lot, and I’m guessing other authors do, too.

Again, I don’t have a hard life. Consider this post first-world problems of a published author, part two.

5 Things Not To Say

1) You Still Publishing Books? Yes, because it’s my only form of income. I doubt lawyers, doctors, farmers or teachers are often asked if they are still in their chosen career path. But here’s the other thing - what if the author you’re talking to is on a downswing? What if they can’t sell another book and their publisher dropped them and they don’t have an agent anymore? That’s incredibly painful, and not something that’s easily spoken about.

2) How’s The Book Selling? If the author is traditional published, they probably don’t know. We typically get our royalty statements once every six months, and they cover the period of time three to four months prior to that. If they are self-published they have a much better grasp on how the book is selling, but… did you just ask how much money they make?

3) You Should Make Your Book Into A Movie. We all would if we could. A movie requires things like actors, set designers, directors, producers, recording equipment, editors, and probably a million dollars. Movie making is incredibly difficult, very expensive, and best left to the people that do that for a living. We’re writers.

4) I Have The Idea For Your Next Book. No, I have the idea for my next book. Sounds like you have an idea for a book that you’re excited about. You should totally write it.

5) I Love Your Work! I Illegally Downloaded It! Cool. What do you do for a living and is there a way I can reap all of the benefits of it without paying you anything? Let me know.

5 Things To Definitely Say

1) What Are You Working On? Authors are usually pretty happy to talk about our work in progress. This is a safe question because even if the author isn’t under contract or hasn’t sold a book in awhile - or even if they lost their agent - chances are they are still writing, and would love a chance to talk about their current project.

2) Are You Going to Write A Sequel To… Most authors are going to love the fact that you’re asking for more of their work. In my case, I get this question all the time about A Madness So Discreet. I don’t mind answering honestly - as of right now, no. This is because a sequel generally only nets about 40% of the audience of the first book, and A Madness So Discreet hasn’t really sold well enough for my publisher to green light a sequel. But - the fact that you love it makes me happy, and this gives me the opportunity to encourage you to tell your friends about it, in the hopes a sequel could be forthcoming. Word of mouth is still the best marketing out there.

3) Your Book Made Me Feel… Honestly, I love hearing this. I made you feel!! I don’t even mind if it made you angry, or sad, or any range of negative emotions. A couple months ago I had a girl walk into one of my signings and say, “Mindy McGinnis, I’ve got a bone to pick with you.” I loved it. She was seriously aggrieved with the ending of one of my books, and I told her what a huge compliment that is to a writer.

4) Will You Sign My Book? Yes. Always. Forever. Twice, if you want. I’ve had people walk up to my table with a stack of all my published titles, then apologize for asking me to sign them. Don’t apologize! This is the highest compliment that can ever be paid to me. You love my work! You bought my books! The absolute least I can do is sign them for you. Personally, I don’t mind if people approach me in public, either. Don’t hold all authors to this, but if you see me and you have a book on you (or nearby), yes, yes, I will sign it for you. Of course I will, thank you for asking.

5) You Probably Don’t Remember Me, But I Met You At… Honestly, no we probably don’t. We see a lot of faces. But, this is still an excellent thing to say to us because you’re telling us you care enough about us, or our work, to come out and see us more than once. We’re all busy. Making time in your schedule to come to an event is a huge compliment, and signings are notoriously dull for authors. If you met us before, tell us! Give us a little reminder of where, and while we might not remember you, we can probably still recall the event, and thank you for being enough of a super fan to support us by coming out for events!

Growing A Thicker Skin with Ryan Graudin

It’s time for a new interview series… like NOW. No really, actually it’s called NOW (Newly Omniscient Authors). This blog has been publishing since 2011, and some of the earlier posts feel too hopeful… er, dated. To honor the relaunch of the site, I thought I’d invite some of my past guests to read and ruminate on their answers to questions from oh-so-long-ago to see what’s changed between then and now.

Today’s guest is Ryan Graudin, who debuted in 2013 with All That Glows. She famously did not have a smartphone in 2011 when she got notification that she was going to be a published author… and so had to borrow someone else’s to check her email.

Has how you think (and talk) about writing and publishing changed, further into your career?

Early on, I placed a lot of emotional energy on little things. Marketing swag. Cover changes. A one star Goodreads review. Especially during my debut year, there was this attitude of “make-it-or-break-it” that haunted my brain space. As the years—and the books—have gone by, I’ve realized that even things that feel huge, such as a rejected manuscript or an Amazon snafu on release day, are simply a part of the game. They say if you’re in publishing long enough, everything will happen to you. And for some reason, 8 years feels oh-so-long in this industry! The highs are high and the lows are low and it all evens out in the end. I hope to keep writing and publishing, so for my own sanity, I try to keep this perspective.

Let’s about the balance between the creative versus the business side of the industry. Do you think of yourself as an artiste or are you analyzing every aspect of your story for marketability? Has that changed from your early perspective?

Both? I’m certainly aware of what readers seem to gravitate toward in my catalogue, and it’s a good thing to keep in mind going forward. I recently had 200+ pages of a fantasy novel that I was working on, and when I went back and read it, it was good, but I knew it wasn’t the kind of story that readers would obsess over, so I decided to strip it back down to the roots and rework it. I’m still reworking, and let me tell you—I LOVE IT. It’s still art, but I think it’s super marketable art, which is the best kind.

The bloom is off the rose… what’s faded for you, this far out from debut?

The joy of that very first acquisition is something that’s so hard to recapture. Now, new contracts feel more like relief (I get to keep my job, hooray!) instead of the giddy high that comes with first finding out you’ll be published.

Likewise, is there anything you’ve grown to love (or at least accept) that you never thought you would? 

I’m less impacted by negative reviews. Notice I didn’t say NOT, but my skin has definitely gotten thicker with each book. Back when I was first starting out, certain one stars would make me physically ill. I’m better about protecting my mental space and understanding that no one book is universally loved. 

I’ve also found that I’m pretty good at public speaking, which I hadn’t had too much of an opportunity to implement before going on tour and doing school visits!

And lastly, what did getting published mean for you and how was it changed (or not changed!) your life? 

Getting published was a dream come true, and whenever I find myself frustrated with set backs or industry quirks, I remind myself that this is still the dream and my stories are important. Meeting readers, visiting schools, talking to producers, doing book events in different countries… There are so many doors publishing has opened for me, and I hope to keep going through new ones in the years to come.

(Also, I have a smartphone now. I don’t have to use my friend’s to check emails like I did eight years ago! Lol.) 

 

Take The Guilt Out Of Writing

A writer's worst enemy is procrastination.

The second thug in our lives is procrastination's close cousin - responsibility.

Too often our writing time is carved out of the day, the niche of a few minutes where there isn't food to make, laundry to do, floors to sweep, lawns to mow, weeds to pull. The terrible truth about the to-do list I just ripped off is this: it never ends. The food will be eaten, the laundry will get dirty again as will the floor. Grass grows, and weeds (unfortunately) grow even faster.

Very rarely do we treat writing as a responsibility on its own. Even when I'm under contract or on deadline, writing still very much feels like something I do for myself. Because writing is a solitary undertaking, it's easy to identify it more as me time than as something that requires a true work ethic in order to be properly executed.

Squaring these two facts is no easy feat. Sitting down to write can often feel like a guilty pleasure if there are dirty dishes in the sink, or socks on the floor. While the to-do list is daunting, it cannot go ignored - unless you don't mind starving, stinking, living in filth, and being covered in ticks from your yard. And if all of those things sound just fine to you, I'm guessing that finding some alone time isn't all that much of a challenge anyway.

I recently went on a writing retreat, which is something I've always pooh-poohed in the past. I used to think that if I took a writing retreat, I would laze about, act like I'm in a coffee commercial while I sit on the deck of a cabin, then take long walks in the woods while pretending that I'm in some sort of medication commercial. None of these things would bulk up the word count, so I always thought a writing retreat was a euphemism for I'm going to get drunk in the woods and play Tetris on the laptop but keep a serious look on my face while doing it so that everyone thinks I'm writing.

Surprisingly, I wrote quite a bit while hanging out in a cabin, and starred in exactly zero imaginary commercials. I realized on the second day that the reason why was because I wasn't worried about laundry, floors, lawns, food, or any other myriad of responsibilities present in day-to-day life. I could sit down and write without guilt.

I realize that leaving home for three days might not be in the cards for everyone, realistically. But the lesson remains - next time something is stopping you from sitting down to write, ask yourself if it's actually the chore that is the obstacle, or the guilt?

Because if it's the guilt, don't worry - the chore will be there tomorrow.

Your inspiration might not.