A Conversation with Laurence Leamer, Author of Capote's Women

New York Times bestselling author Laurence Leamer reveals the complex web of relationships and scandalous true stories behind Truman Capote's never-published final novel, Answered Prayers--the dark secrets, tragic glamour, and Capote's ultimate betrayal of the group of female friends he called his "swans."

"There are certain women," Truman Capote wrote, "who, though perhaps not born rich, are born to be rich." Barbara "Babe" Paley, Gloria Guinness, Marella Agnelli, Slim Hayward, Pamela Churchill, C. Z. Guest, Lee Radziwill (Jackie Kennedy's sister)--they were the toast of midcentury New York, each beautiful and distinguished in her own way. These women captivated and enchanted Capote--and at times, they infuriated him as well. He befriended them, received their deepest confidences, and ingratiated himself into their lives. Then, in one fell swoop, he betrayed them in the most surprising and shocking way possible.

Bestselling biographer Laurence Leamer delves into the years following the acclaimed publication of Breakfast at Tiffany's in 1958 and In Cold Blood in 1966, when Capote struggled with a crippling case of writer's block. While enjoying all the fruits of his success--including cultivating close friendships with the richest and most admired women of the era--he was struck with an idea for what he was sure would be his most celebrated novel...one based on the remarkable, racy lives of his very, very rich friends.

For years, Capote attempted to write what he believed would have been his magnum opus, Answered Prayers. But when he eventually published a few chapters in Esquire, the thinly fictionalized lives (and scandals) of his closest female confidantes were laid bare for all to see. The blowback incinerated his relationships and banished Capote from their high-society world forever...a world that was already crumbling, though none of them realized it yet. Laurence Leamer recreates in detail the lives of these fascinating swans, their friendships with Capote and one another, and the doomed quest to write what could have been one of the greatest novels of the twentieth century.

You’ve had a prolific non-fiction career, with a bestselling list of iconic biographies on political and pop culture figures including the Reagans, the Kennedys, Johnny Carson, and Arnold Schwarzenegger. What types of stories and people are you drawn to? What drew you to Capote and his world?

I don’t care if my main character is a politician, a movie star, a television personality, or a crusading lawyer. What matters is that they are playing their game at the highest level. Truman was a tiny, gay man from a small town in Alabama with scarcely a high school education. He set out to become the greatest writer of his age, and he came pretty damn close. That is the game he played at the highest level and a tale worth telling.

You’ve also written books on Palm Beach: Madness Under the Royal Palms and Mar-a-Lago. How has Palm Beach sparked your fascination with wealth, celebrity, and scandal?

I am a professor’s son, and when my wife and I purchased our winter home in Palm Beach in 1994, I had no idea what we were getting into. In 1926, Scott F. Fitzgerald wrote that the rich “are different from you and me.” Ernest Hemingway retorted, “Yes, they have more money.” Hemingway got the best of it in one of the most famous exchanges in literary history, but Fitzgerald was right. The rich are different, and for almost thirty years I have been a bemused observer to their world and have attempted to write about it with honesty and depth. The island is one of the most beautiful places in the world, and I am fortunate enough to spend half my time in my Palm Beach condo. There are all kinds of fascinating people, and I have written about many of them.

What do you think would have happened if Capote had published Answered Prayers? Do you see the unfinished manuscript as a tragic loss or a saving grace?

If Capote has published a book based largely on what we know he had written, it would have been savaged by honest critics. But if he had written the book he set out to write, he would have had his masterpiece and we would speak his name in reverential tones.

If you could sit down with any of the women in your book, who would it be? What would you ask her?

I would give almost anything to talk to any of these women, but if I must choose one it would be Babe Paley. I would have only one question: Why? Why did you put up with Bill Paley? Was luxury so important to you that you traded for it with your happiness?

Are there aspects of Capote’s New York City era that you wish still existed? What, if anything, has lasted?

I always put down social formality. I thought it was absurd that people dressed up to walk down Worth Avenue, Palm Beach’s celebrated shopping street. And I hated the way maitre d’s looked potential patrons up and down, and if they weren’t just right there was no available table or they were exiled to Siberia. I realize now how often wrong I was and what good things there were in Capote’s world. At few months ago, my wife and I had dinner at Cafe L’Europe, one of the island’s finest restaurants. Across from us were two obese men in shorts, T-shirts, and flip-flops eating gluttonously. At another table a party of ten shouted in such a high pitch that it was impossible to talk. When the manager came over to chat, I asked him about this. He said they were losing so much business, they had had to end their dress code. When I walk down Worth Avenue these days, it loos like a locker room. Glamour is dead and I’m sorry it’s gone.

Capote’s Women echoes your previous book, The Kennedy Women, in its exploration into the inner lives of women in a pre-feminist era. What interests you about the female perspective? Were you surprised by anything you learned from writing either book?

When I wrote The Kennedy Women, people told me they were amazed that it had been written by a man. I don’t know how I got it, but I think I have a feminine sensitivity. I wrote about these women as human beings, and in doing so I nailed the female perspective. In that era and probably now, many men were not truly interested in women. They wanted to sleep with them and have them on their arm but not to listen to them. Like Capote, I love talking to women and all my life have had many women friends. They are provocative, daring, insightful, and unafraid of intimacy. As far as what surprised me, I guess I’m always surprised at what people will put up with - whether it’s waiting on hold with an airline for four hours or staying married to a lout of a husband so you can have your home in the Hamptons.

A Needed Message of Hope, Joy, and Love: LITTLE PIECES OF HOPE by Todd Doughty

When the pandemic hit, Todd Doughty began making lists on Instagram of things that made him happy – and as a community started to build up around it, he realized that staying connected to everyday joys mattered more than ever before. LITTLE PIECES OF HOPE combines the best of Doughty’s happy-making things with new ideas, essays, and prompts, alongside charming illustrations by Josie Portillo.

Doughty’s ideas range from the broad (Knowing your worth) to the hyper-specific (David Bowie’s recording of “As the World Falls Down”). He takes inspiration from food (Dunking an Oreo in a glass of milk until it becomes a bit soft; The glow of the fridge when searching for a midnight snack), nature (A stroll through the park at dusk, just as the crickets start to hum; Dipping your fingers in water to shape the final touch on the sandcastle), community (A good friend who gives it to you straight; Guests who arrive right on time), and pop culture (Bryan Burrough’s February 2016 Vanity Fair article, “The Mystery of the Maltese Falcon”June Cleaver’s pearls; Tina Turner, national treasure). He’s incorporated special editions for things like graduation and the ‘80s; playlists; and short essays on everything from small towns to road trips to Templeton from Charlotte’s Web. Doughty even has suggestions for “Things You Might Consider Doing Today,” like eating breakfast outside, listening to Zadie Smith’s Fresh Air interview, or watching a Christopher Guest movie.

Readers are sure to find something to smile at, to appreciate, or to explore further in LITTLE PIECES OF HOPE, and to be inspired to consider their own small joys.

LITTLE PIECES OF HOPEis such an uplifting book to read–through good times and bad. What inspired you to make these lists? Do you think you would have written a book like this if not for the impact of COVID-19 in the last year?

How this all came about can be laid squarely at the feet of my Metronorth commute: On my March 11, 2020 train ride home –the day the WHO declared a global pandemic –I started crafting a list of “happy-making things in a difficult world.” It was a random, scattershot, zig-zag catalogue of stuff that brings me joy: “Newly sharpened pencils. Stephen King’s Twitter. Someone forgiving you. Any movie of Katharine Hepburn’s, especially her entrance in THE LION IN WINTER. An extremely green grasshopper. E.L. Konigsburg’s FROM THE MIXED-UP FILES OF MRS. BASIL E. FRANKWEILER. Long walks. Fat goldfish.”

That little list was a bright spot at the beginning of a very scary and rapidly changing time, and after that, I just kept going.And going. And going. The fact that everything is now curated together –with Josie Portillo’s gorgeous art and Sabrina Bowers’s genius design –along with new essays, playlists and about 50% entirely original lists into a book is beyond anything I could have imagined last March.

Your project began on Instagram –what kind of a reaction did you get from your followers? How was the writing process different once you started to collect your thoughts in book form?

The comments started percolating immediately and it was such a feeling of connection to see folks respond and/or start to add their own items, thoughts, memories to each individual list. There’s a fine line between remembrance and discovery, and each one of those new comments created that shared spark between us (and more than once I thought “I should have thought of that one!”). Once the book sold, I took an Instagram break from late August to October to keep writing in earnest –the isolation was a bit strange, like hitting the mute button on that communal dialogue. But that will (hopefully) pick back up with the reader and my hope is that each of the new 16 essays –longer pieces ranging on everything from red velvet cake to taking the leap to living life like Mary Bailey (from IT’S A WONDERFUL LIFE) –resonate as much as the lists themselves.

Your lists are so immersive and touching to read, and you manage to avoid repeats and to draw from all aspects of life –from delicious foods to pop culture touchstones to the natural world. How long did it take you to make the lists, and did you ever get stuck?

I tried very hard to avoid repeats–I wrote nearly everything on my iPhone in Notes, so I was able to look up something to make sure that it wasn’t previously included. The element of surprise–connecting the dots or bridging that gap between the nearly 3000 items that comprise the book –was essential, and there’s a definite rhythm. LITTLE PIECES OF HOPE is a book you can dip into or read in progression. It’s left to the reader’s schedule or whim. And I didn’t really ever get stuck because I am a packrat and Saver of Things –articles, postcards, CDs, photos, books, objects, etc. –and that nature of collecting helped me curate the book because I curate my life. There were also daily inspirations: hearing a song on the radio, seeing a painting online, looking at the books on the shelf, cleaning the apartment, watching a favorite sitcom. And knowing that I was doing a list everyday (or so) kept me grounded in an extremely disrupted world. Each one took about two hours, but it was pure joy for me.

There’s one name that comes up more than once in LITTLE PIECES OF HOPE, and that’s Lin-Manuel Miranda. What is it about LMM that makes him a pinnacle of delight for you?

I’m a Broadway nut –I wrote a fan letter to Michael Crawford in high school when he was starring in THE PHANTOM OF THE OPERA (he wrote back!); brought flowers to Katharine Hepburn at her townhouse door my first week in New York (she wrote back!); and saw the original cast of RENT six times. Theater is an escape for me –you enter a room with 1300 other strangers and share the same experience for three hours and then it’s gone, except in your memory (and on the cast album).Once the lists began, I started adding Lin-Manuel Miranda as a coda to each post because his work on Broadway and beyond (and Twitter feed) radiates happiness.

There’s been much written about the health benefits of a positive mental outlook and how optimism can help reduce anxiety and stress. What did you gain from meditating on these everyday joys? Do you feel your own mental health benefitted from this project?

Like pretty much everyone I know, I’ve had my ups and downs(sometimes well-deep)during the past 18 months. But something a friend of mine once said has stuck with me over the years: “Everyone is carrying an invisible bag of rocks.” I believe that, and whether you are going through a challenging time in life or just having a plain old bad day, try to think about that one (or more) touchstone that gets you through: the song, painting, recipe, memory, photograph, sitcom, movie, person, thing or book. Cling to your little piece of hope as best you can.

What do you feel reflecting on these happy-making things can give us as we move forward in life? Do you consider this type of list-making to be therapeutic in its own right, something you will continue to do as a daily mental exercise?

I had a heck of a lot of fun building these lists and writing the book, and I hope that sense of play is felt in the experience(and again, in Josie’s art and Sabrina’s design). And if this book lightens a reader’s burden for just a moment, then mission accomplished. On the daily front, I’ve started doing this thing before I fall asleep: I think of five good things that happened in the past 24 hours and picture them written on a yellow Post-It Note. It’s a nice little coda to the day: a little quintet of happy-making things and then you start all over again tomorrow.

You’ve worked in publishing for over twenty years, and in your day job, you’re the deputy publisher of Doubleday. What’s it like to be on the other side of things as a first-time author?

Over the course of my very lucky professional life, I’ve done publicity, which is the caboose of the publishing train. We receive a given book in its final ,tip-top incarnation: it’s finished, designed, jacketed, fully-formed and ready to go. I have now experienced the life of creating a book in its entirety and have seen first-hand the remarkable effort it takes to build that publishing train from the beginning. Being a first-time author has given me a newfound respect for our writers and my colleagues in editorial, copyediting, production, design, sales, and art. Working with the incredible Penguin team and my North Star editor Meg Leder have been the best part of this Mr. Todd’s Wild Ride in the past year.

What do you hope readers take away from LITTLE PIECES OF HOPE

The ultimate goal is to provide a thought-provoking or energizing break in a busy day and scary world. LITTLE PIECES OF HOPE is kind of like a modern-day version of a scrapbook, carefully crafted just for you. I hope it inspires the reader to listen, read, watch, look at, spring into action, and discover.And that it reminds folks that we’re all in this together.

Todd Doughty is currently SVP, deputy publisher of Doubleday and has worked at Penguin Random House for more than two decades. A graduate of Southern Illinois University (Carbondale) and former bookseller, he lives with his partner in Westchester County, New York.

Save the Cat! Writes for TV! - Enter To Win!

Have you ever considered writing for TV?

It’s a distinct skill set, and slightly different than writing a novel, or even a screenplay. A TV series is the long game—the series itself needs an arc, or course. But so does each season, each episode, and each character. Sound like a lot of work? It is. But there’s a tried and true method that can be applied to writing for television.

First, what is Save the Cat!®? 

Save the Cat! provides writers the resources they need to develop their screenplays and novels based on a series of best-selling books, primarily written by Blake Snyder (1957- 2009). Blake’s method is based on 10 distinctive genres and his 15 story beats (the Blake Snyder Beat Sheet). Our books, workshops, story structure software, apps, and story coaching teach you everything you need to unlock the fundamentals and mechanics of plot and character transformation. 

Find out more about Save the Cat! by visiting their webpage at https://savethecat.com/

About the Save the Cat! Writes for TV

Blake Snyder's Save the Cat!, the world's top-selling story method for filmmakers and novelists, introduces The Last Book on Creating Binge-Worthy Content You'll Ever Need. 

Screenwriter Jamie Nash takes up Snyder's torch to lay out a step-by-step approach using Blake's principles for both new and experienced writers, including:

  • How to write and structure a compelling TV pilot that can launch both your series and your TV writing career

  • All the nuances, tricks, and techniques of pilot-writing: the Opening Pitch, the Guided Tour, the Whiff of Change, and more

  • The 8 Save the Cat! TV Franchise Types that will improve your story and your pitch

  • The not-so-secret TV Pitch Template that turns your TV series into the necessary read-over-lunch industry document

  • a how-to in creating layered characters who are driven by complex internal struggles

  • Beat sheets of the pilots of Barry, Ozark, Grey's Anatomy, The Marvelous Mrs. Maisel, What We Do in the Shadows, Black-ish, The Mandalorian, This Is Us, Law and Order: SVU and more to help you crack your story.

Create your binge-worthy TV series with Save the Cat! Writes for TV.

Purchase a copy of this book on Amazon or Barnes and Noble. Or save it to your GoodReads reading list.