Rachele Alpine On the Whispering What-Ifs

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

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Today's guest for the WHAT is Rachele Alpine, author of both MG and YA novels. Her newest MG release YOU THROW LIKE A GIRL, about a girl who pretends to be a boy in order to play the sport she loves, releases today!

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

Yes!  When I was in elementary school, I was obsessed with hockey.  I watched it, I read books about it, I played street hockey on rollerblades, and begged my mom to let me learn to play on ice.  The problem was, my local ice rinks didn’t have a program for girls.  I always thought about how unfair that was (and for the record, they do let girls play now), and the idea for You Throw Like a Girl came out of there

Once the original concept existed, how did you build a plot around it?

I would have dressed up like a boy and played hockey in a heartbeat if I could have gotten away from it, so that’s what my main character does.  I loved writing about her experience trying to fool the boys’ team!  I tried to figure out problems that she’d get into and obstacles along the way.  I didn’t want the path to be easy for her, so it was a lot of fun trying to come up with funny situations to put my character into and figuring out ways she could get out of them.  I sometimes feel bad that I torture my characters, but it’s always out of love, and they always prevail!  

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

I used to write with a plot in mind and then sit down and see how where it goes.  When I wrote like that, my story was always changing and surprising me.  However, now that I juggle teaching and being a mother, I’ve gotten a lot more rigid in my writing.  I don’t sit down to write a book into a have a very firm story in place.  I’ve sold my last few books on proposal, and instead of turning in a summary to my editor, I give her a chapter by chapter outline that is usually nine to eleven pages.  I find it’s so much easier to write this way because life is so busy, and I try to squeeze my writing time into any little space I can.  

However, you can’t really develop voice in an outline, so I find that as I begin to draft my story, my main character’s personality comes out and she starts to take over the story.  There are definitely twists and turns that take me off the path of the outline, but I always find that those are the most fun, because they surprise me and usually make the story better.

Do story ideas come to you often, or is fresh material hard to come by?

I always say that my mind is a crazy crazy place because it’s never quiet.  It’s full of story ideas, characters, and “what ifs” spinning around.  I have a notebook where I jot down all my book ideas as they come and always have a few that seem to be whispering for me to write them.  

How do you choose which story to write next, if you’ve got more than one percolating?

It’s usually the one that I can’t stop thinking about.  My books come to me in scenes, so I’m constantly visualizing chapters in my mind.  I usually write the one that is the most vivid and keeps coming back.

I write middle grade and YA.  I started writing YA first, but my YA is pretty dark and focuses on heavy topics.  I always say that I started writing middle grade, because I need something funny after writing a book that was pretty depressing.  I  like to jump back and forth, because it’s not always easy to dwell too long in the worlds of my YA novels.  My middle grades give me a much needed escape and laugh!

2016 was not an easy year. Do you draw any inspiration from the world around you, or do you use writing as pure escapism?

I definitely draw information from the world around me.  I teach high school American Literature, so I’m surrounded by teenagers every day. What we read often sparks discussions and debates about what is important to them, and it’s those ideas, fears, and worries that inspire what I write. Not everything I write is a based off of my opinions or views on a topic, but the way I see the world definitely influences what I write and the themes in my books all spring from issues that I feel connected to in some way. My writing is often a way to understand things that are going on in my world, even if I’m exposing the ugly side of things. I’m working to create some kind of meaning to what is oftentimes hard to understand or accept.   

Macye Lavinder Maher On Finding Inspiration

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Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask writers where their stories come from and you’ll get a myriad of answers. In that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today's guest for the WHAT is Macye Lavinder Maher, author of Fireworks & Fertility. Macye divides her time between writing fiction and managing Live Water Properties, a brokerage firm specialized in hunting, ranching, fly fishing, and conservation properties in the Rocky Mountain West and Pacific Northwest. A member of the board of the Jackson Hole Writer’s Conference, she holds a Bachelor’s of Science from the McIntere School of Commerce at the University of Virginia where she also earned a minor in Environmental Science.  She lives in Jackson, WY with her husband and three children.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book? 

believe a lot of well-written works of fiction are conceived as an essay or short story. Mine was birthed at the Dave Matthews Band Concert in Chicago…eons ago. Good vibes, good birth.

Once the original concept existed, how did you build a plot around it?

I wanted this scene at the concert to be the beginning of Fireworks and Fertility, but it was moved to the middle on the rewrite/edit. Apparently major action is needed to engage readers!

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

My mind transfers the thoughts pretty efficiently to the page. I make sure to eat well beforehand, so that indecision is in another building.

Do story ideas come to you often, or is fresh material hard to come by?

Fresh material is everywhere from the guy carrying the ladder to fix something in your office to the latest story on what it takes to get pregnant when you are in your thirties. The world is quirky. That’s the best fodder for a story idea.

How do you choose which story to write next, if you’ve got more than one percolating?

If I have more than one idea or inspiration, I make little notes that I cut into triangles that then form a pile or pyramid of triangles on my desk. I never forget about those lovely triangles. 

2016 was not an easy year. Do you draw any inspiration from the world around you, or do you use writing as pure escapism?

Struggles and triumphs are long processes; they’re journeys. Losing my 98-year-old Grandfather, Roy C. Kinsey, Jr., was traumatic for me. I wanted him to live forever. He left a lasting star—the famous neon star on Mill Mountain in my hometown (Roanoke, VA). He shines brightly and reminds me that you have to do it for you. He created that star. So many people told him it was foolish, it wasn’t worth it, and he and his brothers conquered it anyway. I feel like there is this amazing connection between the souls on this side and the ones on the other. The proof for me is in that gigantic star so I dedicated the book to Roy C. Kinsey Jr. and my family, who also appreciates five points on a Blue Ridge Mountain.

Melissa Landers On Writing A Companion Novel

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask writers where their stories come from and you’ll get a myriad of answers. In that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today's guest for the WHAT is Melissa Landers, a former teacher who left the classroom to pursue other worlds. A proud sci-fi geek, she isn’t afraid to wear her Princess Leia costume in public—just ask her husband and three kids. She lives outside Cincinnati in the small town of Loveland, "Sweetheart of Ohio,” where she writes science fiction and fantasy for Disney Hyperion.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

STARFALL is the second book in a duology, so its origin point was the first book, STARFLIGHT. Instead of a sequel, STARFALL is more of a companion novel. It picks up right after the previous story ends, but it’s told from the points of view of Cassia and Kane, who were supporting characters in the first book.

Once the original concept existed, how did you build a plot around it?

To me, building a plot for a companion novel is infinitely harder than crafting a fresh plot with original world-building and a cast of characters that I can shape to fit my needs. It’s confining to write a sequel because so much is already established. For that reason, it took a lot longer to craft Cassia and Kane’s story than it did to create Doran and Solara’s. But I still drew inspiration from American history. In book one, I modeled a large part of the premise after the events of Westward Expansion, and book two was largely inspired by the rise of Las Vegas, particularly the mafia’s nefarious means of getting—and keeping—employees.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

Oh, yes. All the time. Any synopsis I write beforehand is just a guide.

Do story ideas come to you often, or is fresh material hard to come by?

Ideas come to me often, but they’re rarely as cool as I think they are in the moment. Often times I’ll go back and read my file of “Shiny New Ideas” and roll my eyes at some of the concepts I thought were sooooooo exciting when I first wrote them down.

How do you choose which story to write next, if you’ve got more than one percolating?

I’m a practical gal, so when I have more than one story concept in mind, I pitch them to my editor and let her decide which one is the most marketable. Then I develop that idea into a proposal (3 chapters and a synopsis) and wait until I have a deal before writing the rest of the book.

2016 was not an easy year. Do you draw any inspiration from the world around you, or do you use writing as pure escapism?

You’re right—2016 wasn’t an easy year, and 2017 isn’t shaping up to be a carnival ride, either. I still draw inspiration from the world when I can, but mostly I use writing as my escape. The biggest challenge for me is staying focused on writing when my mind is occupied by other things. Characters can’t whisper ideas to me when I drown out their voices with worry.

But, hey, a little escapism is an essential part of self care. (Or at least that’s what I tell myself.) So if you love sci-fi adventure and need some time away from reality, I hope you’ll pick up the Starflight duology today. Starflight and Starfall are both available in stores and online. ☺