The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Memories are a wormhole jump. I believed mine were true. At thirteen, my early impressions were overlaid by questions. Exploring them could lead me home to acceptance or cut me adrift. This is pretty vague, and to be honest with you I'm not sure what a wormhole jump is. I know what a wormhole is, but using it with that phrasing just had me kind of scratching my head for a second, which isn't great for a hook.

Pa was a nonconformist, and our American pie was served in a soup tureen. Born in a commune, I lived in a van with siblings and fosters. I could skin a snake and sneak into campgrounds for a shower but struggled to eat in public. Again, this is all very interesting, but I'm not sure what's really being said here. I don't know why you would struggle to eat in public, or how it's related to the story here.

Our shifting landscape was darkened by mental illness, immune disease, and loss, but Ma’s storytelling and faith lit our way. We counted on humor and imagination. Everything else had to fit inside a Dr. Pepper backpack. But I was leaving for Africa, and memories travel light. Again, a lot going on here, but no concrete idea of what is being pointed at. Who is mentall ill? Who has immunodeficiency issues? What were her stories, why are you leaving for Africa?

SEARCHING THE WAVES is relevant in a cultural climate that yearns for reminders of a simpler time. It will appeal to those interested in pivotal shifts in perspective. It blends the 80’s nostalgia and dysfunction of Amanda Uhle’s Destroy This House with the evocative, child’s hope of Javier Zamora’s Solito and the naturalism and isolation of Forager: Field Notes for Surviving a Family Cult, by Michelle Dowd Really good comp titles here, but I don't have any idea what the actual crux of this story is. What's the journey for the memoirist? What is learned? How do they change? I can't even tell from what you have here if this is saying the commune childhood was good or bad.

I have led and spoken at child advocacy events. As a foster mom, I understand how a trauma-informed brain filters the present through past experience, and that humor really can heal. I’ve written for the National Park Service as a naturalist and published newsletters for The Mommy’s Network. Really great bio! You have a lot here that shows that you know what you're talking about, but the trauma angle isn't completely clear in the query itself, and if this has strong elements of humor, they need to be in the query as well. Right now it all just feels quite heavy.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

I’m excited to offer my adult M/M romantasy novel, THE IRIS AND THE ACONITE, complete at 105,000 words. Romantasy is still going strong, but as a trend it is beginning to cool. With that in mind, your window is likely closing and a word count over 100k as a debut isn't going to do you any favors It features the court politics and conflicting loyalties of Mask of Mirrors by M.A. Carrick, and is set in a secondary, Slavic-inspired world reminiscent of Where the Dark Stands Still by Ania Poranek.

It’s a simple plan. Seduce the king, platonically. Get him alone. Kill him. The chancellor’s only warning? Do not let the king charm you. So I wasn't really sure how a person would go about seducing someone platonically, then I remembered this is M/M so it could be under the guise of friendship, etc. Overall, I think it's a good hook.

Kresimir Zaheriev, beautiful as he is prickly, is a courtesan by trade, so he is certain nothing of the sort could befall him. Not when it was all the king’s fault that he was in this business. Your tenses are getting mixed up - some present (is a courtesan) and some past (was in this business) Had his benevolent monarch not slaughtered his parents under false accusations of heresy, Kresimir and his ailing best friend wouldn’t have had to fend for themselves. It is only reasonable that when he learns of the chancellor’s search for a king’s assassin, Kresimir jumps at the opportunity for vengeance. So I read this as a job opening to assassinate the king - which the opening hook supports - and wondered why someone would just advertise that job title. Then I realized you meant that he's the king's personal assassin, but I had to untangle it. Needs clarifying.

As expected, Kresimir effortlessly steals the king’s attention upon his arrival in the capital. idk if "steals" is the word you want here, b/c it implies he's taking it from someone else. When a kidnapping case targets Kresimir's fellow courtesan, the king insists the two of them work together, often in close quarters. But, as Kresimir grows closer to the king, another problem arises: King Athanasi is nothing like the tyrant Kresimir had dreamed of–infuriatingly handsome, maddeningly cheery, with a keen interest in gardening and a habit of lending a hand to anyone who needs it. Soon, the king's affection chips away at Kresimir's carefully tailored armor, and Kresimir begins to doubt the circumstances of his parents’ execution. But he has already promised the King’s death to the chancellor, and going back on his word means not only losing his life, but that of his best friend as well. And there is nothing that Kresimir would not sacrifice for her, not even the king who had accepted every jagged piece of him with a smile. Not totally clear on what this last line is trying to say.

I am a first-generation Polish immigrant raised in the Midwest, and I currently live and work in Hokkaido, Japan, as an assistant language teacher. I also hold a B.A. in English and an M.A. in Library Studies from the University of Wisconsin-Madison, and have self-published on the serial-publishing platform Tapas under the pseudonym REDACTED. Through my work, I hope to bring more attention to Polish history and culture. Thank you for your consideration.

Overall this is in good shape, but the word count might give you an issue. The only other thing I would clarify is whether or not this is historical, or fantasy. There's no place / kingdom name, and since you lean on your Polish background in the bio, I wasn't sure whether this is suppposed to be historical or fantasy, or a fantasy kingdom based on Polish history and culture.