Debbie Manber Kupfer On Building Fiction from Personal Experiences

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always included in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today's guest for the WHAT is Debbie Manber Kupfer, author of the P.A.W.S series. Debbie grew up in the UK and has lived in Israel, New York and North Carolina. She ended up in St. Louis, where she works as a writer and freelance puzzle constructor of word puzzles and logic problems.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

Yes, P.A.W.S. begins with my lead character, Miri, receiving a silver cat charm from her omama (grandmother) the night before her omama dies. Miri is ten years old at the time. I also lost my omama, whom I was extremely close to, when I was ten years old. I was on my own with her when she had her heart attack and there when they took her in the ambulance. I grew up with this as a pivotal point in my childhood. I used to share so much with my omama. We’d bake together. She’d tell me stories about my father as a child, about their cats, Kitty and Susie, about their life in Vienna, and later during the war in Northern Ireland and after the war, in London. She didn’t tell me too much about the Nazis who forced her to put my father on the Kindertransport. And how he traveled on his own to England when he was just six years old. But the story came out over the years and the idea that this would be part of a book series I’d write in the future was always with me.

Once the original concept existed, how did you build a plot around it?

The plot unfolded during a trip to the zoo with my son, Joey. I’d clearly seen the beginning sequence: Miri receiving the silver charm. I knew it was important, but didn’t quite know where it was leading. Then one Saturday in October 2012 I took Joey to the zoo and told him the story. How Miri was pulled from her life in New York, taken to St. Louis by her aunt, sent to a boarding school and bullied by the kids there for being different. And how this all led to her finding her magic and P.A.W.S.

When I got back home from that trip to the zoo, I started writing and slowly the plot unfolded.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

Oh yes. Those who have read P.A.W.S. will know that the antagonist is an extremely evil werewolf by the name of Alistair. What you wouldn’t expect is that Alistair wasn’t in my original concept of P.A.W.S. at all. Rather I had thought that the main antagonist would be Miri’s uncle, David. But several chapters into P.A.W.S. Miri meets Josh, the young werewolf that will bring her to P.A.W.S. and become her mentor and friend, and while Josh tells his story, Alistair forces his way in and makes it all about him. 

Do story ideas come to you often, or is fresh material hard to come by?

My mind is constantly abuzz with new ideas and new characters. The key is not to get sidetracked, so when I get a new idea I write it up quickly in a different file and then go on with my work-in-progress. Some of these new characters will end up in the P.A.W.S. Saga. Others will be part of short stories. 

How do you choose which story to write next, if you’ve got more than one percolating?

I’ve got a pact with myself that I *have* to finish my series before I write anything else novel length, but I do occasionally take a break to write short stories in different genres.

I have 8 cats (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

Eight kitties – yay! You really need to come on my blog, Paws 4 Thought, sometime. My readers love anything cat related! I have just the one kitty currently, Miri Billie Joe (named for my lead character and Billie Joe Armstrong of Green Day). She sadly is not a lap kitty, but does like to sit somewhere near me while I work at my computer each day.

Randy Ribay On Plots That Shift While Drafting

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today's guest is Randy Ribay, Randy Ribay is the author of the contemporary YA novels AFTER THE SHOT DROPS (Houghton Mifflin Harcourt, 2018) and AN INFINITE NUMBER OF PARALLEL UNIVERSES (Merit Press/Simon & Schuster, 2015). He's also a high school English teacher, reader, gamer, watcher of great TV, husband, and father of two dog-children. He can probably be found somewhere making lightsaber sound effects with his mouth.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

Sports were a major part of my teen years, so I’ve always wanted to tell a story that explored some aspect of high school athletics. At the same time, I didn’t want to tell the standard sports story which focuses on the star athlete and their path to the championship. As such, I decided to write instead about two best friends and what happens to their friendship when one experiences success while the other does not. 

Once the original concept existed, how did you build a plot around it?

I had a vague idea of the climactic scene before I started writing, but I didn’t know how I was going to get there exactly. Drafting, then, was a process of finding the plot beats that would get my characters into that situation. 

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

It definitely shifted as I drafted and in each round of revisions, which I think always happens to me. Because as I get deeper into the story, I understand the characters better. Suddenly, actions or decisions I planned for them suddenly don’t make logical or emotional sense for their character anymore. 

Do story ideas come to you often, or is fresh material hard to come by?

When I’m in brainstorming mode, it’s pretty easy for me to find those ideas. But I really do have to approach the world hunting for inspiration. If I’m not in that mindset—like when I’m trying to hit a deadline—then I might not add anything to my running list of ideas for weeks. 

How do you choose which story to write next, if you’ve got more than one percolating?

I go with the one that is the “stickiest.” By that, I mean the idea that my mind naturally keeps drifting back to whenever I’m bored. When an idea feels “sticky” for months or even years, that’s an indication that I’m interested in the story enough to spend (probably) several years developing it.  

I have 8 cats (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

I do have two dogs, and they love to cuddle. But since I’m an early morning writer, they’re usually still in the warm bed snuggled against my wife while I’m left working alone in the predawn darkness. It’s very sad for me. 

Abbie Fine On Writing A Book 20 Years In The Making

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Abbie Fine is the author of THE LAST FIRST DAUGHTER, and has directed more than 20 professional theatre productions. She works full-time as a nonprofit manager, supporting local arts and culture organizations. She currently works to enhance a large public library system and loves working with librarians, publishers, and authors.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

The kernel of the idea for THE LAST FIRST DAUGHTER came to me 20 years ago! I was 12 when the ANASTASIA cartoon movie came out. I developed a huge crush on Dimitri (my first crush!) and I thought the story was fascinating. Way back then, I had the idea that the story would be so much cooler if Anastasia knew she was a princess, but was going around in disguise. Then she’s asked to pretend to be the missing princess, but she doesn’t reveal her true identity right away. I guess I’ve always liked heroines who control their own destiny!

I’ve had many story ideas in the past two decades, but somehow this idea really stuck with me. I didn’t start drafting it until more than 16 years after getting the idea, when it was the right time for me to tackle it. My lesson learned? Don’t dismiss those “wouldn’t it be cool” ideas, no matter how or when they come!

Once the original concept existed, how did you build a plot around it?

In the 20 years since getting this story idea, I didn’t pursue writing—I became a professional theatre director, with a particular interest in the works of Shakespeare (total Shakespeare nerd here!). My favorite play is AS YOU LIKE IT, mainly because I love the heroine, Rosalind. She’s smart and complicated and sets her own course. One day I realized the play uses the same plot device as in my Anastasia-inspired idea. So that’s how my main character Rosalind (Lindy) was born, and how I built a lot of the plot. I stole from the best! I borrowed elements from the play that I loved and discarded others that weren’t as exciting to me. This helped get me through those stuck moments in the drafting process, even if plot points later changed during revisions.

You never know when your deep study of the classics will pull you through creative projects!

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

The path of THE LAST FIRST DAUGHTER changed many times throughout the process. I had been thinking of this as a “princess story” for two decades, but when I started putting characters to paper, it didn’t feel quite right. It turns out I was more interested in the unique challenges of present-day, so Lindy became a contemporary version of a princess—the First Daughter. It felt more relevant to have Lindy’s mother as President (rather than Queen) and gave me a chance to tackle some themes about technology. The setting became even more relevant as the years progressed (when I started drafting, our current administration hadn’t even announced a run for office).

I also found myself adding more obstacles in Lindy’s way as I put words on paper. Why would I make it too easy for my characters? That’s no fun!

Do story ideas come to you often, or is fresh material hard to come by?

I tend to stay fairly focused on my current creative endeavors, so I don’t have new story ideas to jot down weekly or even monthly. I do have several ideas in the queue, and I find I’m most inspired by some unique experiences I’m lucky to have. Write what you know, yes? My husband is a private pilot and we enjoy the hobby together—I’m dying to write a story about a teenage girl pilot.

How do you choose which story to write next, if you’ve got more than one percolating?

With my background in theatre, I use the same method in writing that I do in directing. When choosing a play to direct I ask myself two main questions: why this play now, and what is there to enjoy in this play? The “why this story now” question looks at why it might be important for this story to be told, today, in the current climate. Writing and publishing takes so long, I don’t mean writing to a specific trend or current event. But I do mean finding bigger themes that feel relevant. For THE LAST FIRST DAUGHTER, I wanted to write about a girl engineer who isn’t naturally the best leader, but works really hard at it—with her friends—to make change.

With the “what is there to enjoy in this story” question, I want to make sure there are elements that I think readers will find fun and, more importantly, that I will love writing. In my new manuscript, I’ve included a magic system based on the arts just because I love art. If I’m going to be working with a story for multiple years, I want to be passionate about it. I think this leads to a better end result, too. 

I have 8 cats (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

I don’t have any furry friends, but I’m having a baby girl this year—my first! She’ll be my snuggly writing buddy, and my inspiration. We’ll make it work! For now, my preference is listening to music while I write. My favorite is Lindsey Stirling and her badass violin. Her music has great energy, but not many lyrics to distract. Highly recommend!