Lyla Lee on Tapping into K-pop For Her YA Debut

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today’s guest for the WHAT is Lyla Lee, author of the Mindy Kim series as well as the upcoming YA novel, I’ll Be The One (Katherine Tegen / HarperCollins). Although she was born in a small town in South Korea, she’s since then lived in various parts of the United States, including California, Florida, and Texas. Inspired by her English teacher, she started writing her own stories in fourth grade and finished her first novel at the age of fourteen. After working various jobs in Hollywood and studying Psychology and Cinematic Arts at the University of Southern California, she now lives in Dallas, Texas. 

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

My YA debut, I’LL BE THE ONE, is the product of many different experiences, from how my uncle won a K-pop competition when I was in middle school to how my mom and I used to watch Korean talent competitions together when I was in middle school. But the most direct origin inspiration point for the book was when I first got into K-pop dancing in 2017. Winters in Northern California are rainy and cold, and I really needed a fun indoor workout routine/pick-me-up for the days when I needed a distraction from being on submission to publishers. This was actually before BTS got as popular as they are now, and I serendipitously stumbled on them purely because I was looking for fun K-pop choreographies (they consistently upload easy-to-follow dance practice videos on their YouTube channel). I was also a dancer before I became a writer—when I was three, I was fat-shamed into quitting ballet—so rediscovering my love for dance twenty years later inspired me to start writing I’LL BE THE ONE

Once the original concept existed, how did you build a plot around it?

I actually didn’t start writing the actual book until the last half of the following year. I usually take a couple of months to build up a story, and for this one, I spent a lot of time listening to Korean pop and hip hop. I also re-watched a lot of Korean music competition shows and watched other reality TV shows (my roommate at the time was binge-watching Keeping Up with the Kardashians so I watched a few episodes with her, lol) while working on this book. The hardest part of the book, plot-wise, was finetuning the competition structure so that it felt genuine and surprising, like a real reality TV show. I did this with the help of my brilliant editor and a friend that currently works in the K-pop industry. Other than that, I focused on emotional beats and developing character relationships as well as the relationship Skye had with herself, all of which I did through listening to music.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

Definitely! I am neither a plotter nor pantser but an odd hybrid of both. I do write an outline while I am thinking of the story, but then I follow the story wherever it takes me, sometimes even changing things based on the music I come across while writing the book. For example, in my original outline, Henry Cho, the love interest, was a stuck up, douchey celebrity model. So, a lot of plot beats were based off of that. But then I heard “Delicate” by Taylor Swift, which has the lines, “My reputation's never been worse, so/You must like me for me” as well as the surprisingly fragile “Is it cool that I said all that?/Is it chill that you're in my head?/'Cause I know that it's delicate.” These lines inspired me to change the story so Henry is more fragile and, thus perhaps, more relatable and human despite his fame, rather than being the indestructible celebrity I first thought him to be.

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Do story ideas come to you often, or is fresh material hard to come by?

I never run out of story ideas, which can be a blessing and a curse. I actually have the opposite problem where I’d come up with tons of ideas for scripts and novels but only be able to finish writing a small percentage of them since I’m a woefully slow writer. The rest slips through the cracks! 

How do you choose which story to write next, if you’ve got more than one percolating?

When I’m not writing, I’m constantly listening to YA audiobooks. So, I keep an eye out for trends and consult my agent on which project she thinks has the most potential. I also ask my writer friends about their honest opinions about my ideas. Finally, I try writing out a few of the ideas to see if they actually have legs on paper. Sometimes, ideas seem really cool but then fizz out after a few pages once I try writing them. If I feel like a story can continue past that, I work on it until it becomes a full-fledged novel.

I have 5 cats and 2 Dalmatian puppies (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

FIVE CATS!!! You are living your best life. My housemates have an adorable golden doodle that hangs out with me in the house while everyone else is at their regular 9-5 (I don’t work regular work hours for my non-writing job). Her name is Lulu and I love her. Temperamentally, she’s more like a cat than a dog in that she’s usually off by herself somewhere in the house rather than constantly needing attention. But she’s always down to play with me when I need a brain break, which helps me out a lot!

Swati Teerdhala On Finding Inspiration

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today’s guest for the WHAT is Swati Teerdhala. After graduating from the University of Virginia with a BS in finance and BA in history, she tumbled into the marketing side of the technology industry. She’s passionate about many things, including how to make a proper cup of tea, the right ratio of curd to crust in a lemon tart, and diverse representation in the stories we tell. The Tiger at Midnight, her debut novel is now out in paperback. The sequel in The Tiger At Midnight series, The Archer At Dawn will be published in May 2020. She currently lives in New York City. You can visit her online at www.swatiteerdhala.com.

 Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

The first spark of inspiration for THE TIGER AT MIDNIGHT trilogy came from a visit to an ancient fort on a vacation I took a number of years ago. I was wandering the Fort, imagining the lives of the people who lived there, when I came to an open window. I looked down and I thought to myself, “what sight would make a hardened soldier absolutely stop in their tracks?”  Immediately the answer came to me. A girl. And that was the inspiration for my trilogy–and the first scene in the first book. 

Once the original concept existed, how did you build a plot around it? 

I built the plot slowly after figuring out the kind of story I wanted to tell and the characters. Character was more important than anything and it informed the entire plot. Once I had Kunal and Esha, two people on opposite sides of a war-torn land and conflict, the rest of the plot fell into place fairly organically. 

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to pap 

Yes! All the time. I think there is this nebulous, unformed space between the plot in your mind and the plot on the page where things can shift drastically. Sometimes you might have an idea that seems utterly brilliant in your mind but the minute you write it down all you can see are its glaring problems. There is something about seeing ideas on paper that changes how you receive them. So, I’ve definitely thought through an incredible twist or scene only to have it completely transform as I get it on paper and see that it needs something else or something more to truly be brought to life.

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Do story ideas come to you often, or is fresh material hard to come by? 

It’s a mix for me. In the beginning of my writing, ideas flew at me like a hail storm. As I’ve gotten deeper into my writing career and have more deadlines, it can be harder. But it’s funny how inspiration can come from the smallest thing. I heard just a snippet of music the other day that invoked an entire scene in my head. It wasn’t a story idea, but it was enough of a wisp of one that I could grasp it and hold onto it. One day, that wisp will become something bigger. And that’s become more of my process nowadays. Layering and layering until I have the right story.

How do you choose which story to write next, if you’ve got more than one percolating?

This is something I’m still trying to figure out! Usually, it’s whichever story is grabbing me at the moment. There’s always one idea or concept that refuses to let go and demands to be heard. And it works. I try to typically have a few stories simmering on different temperatures at all times. Some take shorter, some take longer, but all of them will eventually come out fully cooked.

 I have 5 cats (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. I recently added two Dalmatian puppies to the mix. Do you have a writing buddy, or do you find it distracting?

I don’t have a writing buddy other than my tea mug, which I use faithfully every day. I do love to write in tandem with a friend as an accountability buddy. On days when writing is hard, it can be really encouraging to have a buddy to “sprint” with and to talk to about your work.

Wendy Swore On Keeping Hands Busy & Your Mind Free

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today’s guest for the WHAT is Wendy Swore, who lives on a farm with a corn maze and pumpkin patch that is home to her five kids, two dogs, two geese, seven peacocks, eleven ducks, nineteen cats, and two hundred thirty seven chickens. She farms in the summers, writes in the winters, and would rather chew her leg off than eat something spicy. 

Wendy is the author of A Monster Like Me (2019) and The Wish And The Peacock (2020).

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

My first novel, A Monster Like Me, grew from personal experience with bullying. Once when my mom and I were at the grocery store, a lady with kids pointed at the blood tumor on my face and said, “Hey, look kids, that kid doesn’t need a costume for Halloween—she’s already got one!” Then they laughed and walked off. That, and other cruelties led me to wonder: what if I believed them when they called me a monster?

My new story, The Wish and The Peacock, sparks from my life as a farmer. My spouse and children have grown up with peacocks, farm animals, high work ethics, and a love of the land. When we bought the farm, we were one of many farm families in the area, but now, over twenty years later, we are one of the last ones left. Each time another farm family sold out, another piece of this story settled into my heart. When our uncle who farmed with us passed away suddenly, everything changed, and we had to build a new vision of how our farm could continue in the future. All this grew into a story of a capable and smart farm girl who could face hard things with heart, humor, and hope.

Once the original concept existed, how did you build a plot around it?

For us, the farm is all about family, so the story began with the characters. One of our boys sees the world differently than the average kid. For him, routines are etched in stone, loud noises require ear-plugs, and books must be carried everywhere. My Scotty character is heavily based on him. We are fortunate to have dear friends and neighbors from many diverse backgrounds on the reservation where we live, and it was important to me to include characters that reflected that. From there, I plotted Paige’s journey as she uses every trick up her sleeve, be it a jar of spiders or good ‘ol farm smarts, to run the real estate agent off and keep her farm intact. Sometimes, you just gotta work hard, and wish big.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

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Absolutely. While my first novel had very few changes, this one was more tricky for me. I think that’s because I chose a topic that was so immediate and real for my family. I couldn’t really step away since farming is my whole world. Luckily, my awesome editor, Lisa Mangum, helped me trim a few things and rearrange a bit to hone in on the heart of the story.

Do story ideas come to you often, or is fresh material hard to come by? 

Because I do a lot of manual labor on the farm, my imagination has time to wander and spark new ideas. If it’s a good story idea, I stop what I’m doing, be it driving a tractor or picking corn, and make a note or voice recording on my phone with enough details to come back to it later when I’m done farming. I’ve learned that if I don’t write it down immediately, some of the details that made the idea special get lost. 

How do you choose which story to write next, if you’ve got more than one percolating?

My favorite way to start a new story is to free-write the first chapter and see what happens. Often I’ll write first chapters of several totally different stories that have been bouncing around inside my head, then I sit back and look at them with a critical eye. If one of the stories resonates enough with me to finish it, I’ll stop and outline the rest of the story, make character notes, and research so I have a good foundation for the story. The other chapters go to a folder of story ideas that I might use a different day—or not. That’s a pretty full folder.