Memoir Writer Jeremy Hance On Managing Anxiety & OCD During COVID

Jeremy Hance is writer and freelance environmental journalist, who also happens to cohabitate with mental illnesses. He has named his OCD Steve and his depression goes by the name of Malachi. He is the author of the memoir Baggage: Confessions of a Globetrotting Hypochondriac. As a journalist, Hance cut his teeth at Mongabay, beginning in 2009 and working as a lead writer and editor for six years. For over three years he wrote the blog Radical Conservation on the Guardian. Today, he is a columnist for Mongabay, writing monthly articles under the banner Saving Life on Earth: Words on the Wild.

As someone who dealt with anxiety long before COVID, what suggestions do you have for those who are struggling to adapt to the new norm?

Oh snap. So, I think those of us with OCD and health anxiety find ourselves in a strange position. For one thing, this awful pandemic is kind of what evolution built us OCD-sufferers for. I mean, we were already washing our hands way too often. Wear a mask? Happily! Stay away from people you don’t know. No problem-o. Avoid crowded areas. Yes, please. I bet OCD sufferers had a slightly better rate of survival during past plagues.

Of course, at the same time, having a pandemic ravage our world has only ratcheted up our daily dose of anxiety. It makes taking care of yourself even more important, especially as the US response has been such a disaster. 

For those of you who haven’t struggled with anxiety before, but now find it hard to sleep, feel like your brain is running a marathon, or having a panic attack in a bathroom… It sucks. It really sucks. If things are really bad, I’d suggest getting help. Get a therapist. You can see them virtually. And if need be look into medication. 

For less severe cases, make sure to fit in some time every day to do something you enjoy that calms you down. This is so important. You are no good to yourself or anyone else if your anxiety takes over. Also, consider getting into yoga and meditation. Get outside and spend time in nature—scientifically proven to reduce anxiety and stress. Make sure you’re getting plenty of sleep and getting exercise however you can. Take care of yourself. Seriously, this post-modern world we live in requires so much of us—and much of it unhealthy (10 hours of computer screens a day)—that now is the time to start putting limits on things and find your own joys. 

Many authors find their own bio to be one of the most challenging pieces of writing, and the idea of an entire memoir to be intimidating. How do you come to a place to assure yourself that your own story is worth writing?

I don’t honestly know. Really. I mean so much of writing is throwing spaghetti against a wall and seeing if it sticks or falls limpid behind the refrigerator never to be seen again.

I don’t think I’ll ever be certain that this was the book I should write. Really, write about all my mental health problems? And do it in a funny way? Suuuuure.

I will say this, I think it’s often less that you decide to write a memoir, and instead the memoir just won’t leave you. You push it away saying “nah, nah, nope” but it keeps creeping back in until you finally give in. If that’s what’s happening to you then, yes, give it a try. But I’d say don’t start with a memoir. Start with writing things that aren’t about yourself, start with getting to know the world around you, and the things outside you that you care about. If you’re meant one day to write a memoir then it will keep poking at you, but you’ll be a better writer for doing other things first.  

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What motivations in your own life made you decide to tackle a memoir?

As I said, it was more that the travel memoir just wouldn’t go away. The stories and experiences I’d had just kept nudging me to be told—and to be told in a different way than I’d done through my environmental journalism. 

When I couldn’t ignore them anymore, I began to look at it more practically. Would this be a book anyone would really want to read? Was this book distinct in any way? Could this book have an impact on people, especially those who also struggle with mental illness or those who love them? When I felt at least partly confident about some of these questions, I began to move forward.

I knew from the beginning I didn’t want to write a mental illness memoir that would be a super downer, but at the same time I wanted to stay true to my personal struggles. I wanted to write a book that would be an upbeat read overall, but could hopefully provide some insights into living with chronic mental illness—and some laughs.

Any tips for those who are interested in recording the stories of their own lives, but don't know where to start?

I think it’s important to ask yourself why. Why a memoir? If you want to write a memoir so you can share it with your friends and kids someday, then I’d say just do it for your smaller circle and eschew a big publisher.

If, however, you want to write your story and then share it with the bigger, wider world…then I think you need to know what it is you’re trying to say. Not that you need to have a “message” in the book, but a memoir is still a story with themes (and life rarely fits into a neat story). What are the themes? Getting a sense of “why” a memoir can hopefully help you piece together what are the events of your life that are most important to include, because honestly the vast majority of your life will be left on the cutting room floor.  

Once you know why you’re writing a memoir then it’s just a matter of doing what all writers do: stare at a blank page and pray for inspiration. And when that doesn’t come, write anyway. Just write. 

Ehsaneh Sadr On Having A Cover That Reflects The Content

I love talking to authors. Our experiences are so similar, yet so very different, that every one of us has a new story to share. Everyone says that the moment you get your cover it really hits you – you’re an author. The cover is your story – and you – packaged for the world. So the process of the cover reveal can be slightly panic inducing. Does it fit your story? Is it what you hoped? Will it sell? With this in mind I put together the CRAP (Cover Reveal Anxiety Phase) Interview.

Today’s guest for the CRAP is Ehsaneh Sadr, an Iranian-American novelist and activist with a PhD in International Relations. She has worked, in various capacities, on campaigns related to biking advocacy, Palestinian human rights, Iranian sanctions, access to credit for rural villagers, and safe spaces for children in crisis. Her debut novel A Door Between Us, released in September of 2020.

Did you have any pre-conceived notions about what you wanted your cover to look like?

Yes! It was extremely important to me that the cover reflect the setting of Tehran, Iran and something about the brave men and women of the Green Wave without playing into stereotypes that people might have about the country.

One of the central storylines in A Door Between Us is about a young couple whose families oppose their union due to political differences. My initial thought was for the cover to have pro-regime forces on one side and pro-democracy protestors on the other, with the couple in between, somehow bridging (or creating a door between) the two.

The concept wasn’t bad but within the confines of a small cover, it just didn’t work. We tried using flags to distinguish one side from the other but it ended up looking too militant and a bit alienating. Thank goodness the graphic artist, the incredible Zena Kanes had better instincts than I!

How far in advance from your pub date did you start talking covers with your house?

My book launched on September 1, 2020 and I started talking with the designer in December 2019.

One of the first things I did was send over a bunch of images intended to convey a feel for the novel. I included pictures of the Green Wave protests, the government crackdowns,  and the clashes taking place in the streets of Tehran. I included every day scenes of men and women in indoor and outdoor settings to show how Iranians dress, what their homes look like, and what their typical meals are. And I also sent over examples of book covers I love like The Kite Runner, Lost Children Archive, and Finding Nouf.

Did you have any input on your cover?

Yes! The whole process and experience was quite lovely. After sending over images and discussing them, Zena came back with three different concepts. The first was based on my initial idea and immediately felt wrong. The second was a beautiful calligraphy-like rendering of the title across a series of Iranian arches. And the third, that I was immediately drawn to, was a precursor of the final cover. I especially loved the gorgeous rendering of the green fabric symbol of the brave men and women that comprised the Green Movement.

I shared the three options with a bunch of friends and got a lot of great feedback that helped confirm my choice. And from there I worked with Zena to tweak the colors and finalize some of the elements like the skyline of Tehran and whether we’d include a woman in a chador on the front.

At every step of the way I felt like my input was valued and respected. And I was lucky to be working with someone who was incredibly talented and committed to getting it right.

How was your cover revealed to you?

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Well, since it was a pretty collaborative process, there weren’t any big surprises when we got to the final rendering.

The bigger ‘reveal’ was when I finally got to hold the hardcopy in my hands. I’d seen graphics of the cover and had also previously received the galley copies but the beauty and vibrancy of the final version was something else.

Was there an official "cover reveal" date for your art?

I’m with a small (but mighty!) press so we didn’t do an official ‘cover reveal.’ I was also fairly new to the publishing process so wasn’t even aware that was a thing. And I was brand new to social media so hadn’t really cultivated a ‘following’ that would have been excited about a cover reveal. 

But I might enjoy doing a cover reveal for the second book. Especially if I end up loving the cover as much as I loved this one!

What surprised you most about the process?

I guess the biggest surprise is how swiftly and easily we were able to land on something that is such a perfect reflection of the book’s essential themes. The cover was important to me and I was worried about all the ways things could go wrong so the fact that it turned out so perfectly felt like a real gift.

Any advice to other debut authors about how to handle cover art anxiety?

Spend time looking at other books covers so you know what you like and what you don’t. Pull together a library of images that reflect themes of your book, not because any of them will necessarily go on the cover, but to give the designer a feel for what your story is about. And when it comes to giving feedback, be as specific as possible about what you like and what you’d like to change.