Larry Atlas on the Inspiration for South Eight

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. 

Today’s guest for the WHAT is Larry Atlas, author of South Eight, the story of a young doctor’s collision with the demands and contradictions of modern acute care medicine, both its power and failings, and the moral questions it ultimately provokes.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

My background as a writer was entirely in plays and screenplays, exactly zero in prose fiction. So when, quite by accident (honest, it’s true!) I found myself working in a hospital first as a nurse, and then within a few years as a nurse practitioner hospitalist, my initial thought was to write something for the stage. In fact, I tried that twice, and within pages knew that it wasn’t going to work. What I wanted to write, the internal experience of treating hospital patients, could only work as a novel. That was a starting point, a hospitalist physician, in the heart of that world, his experience of it, and of the patients and co-workers.

Once the original concept existed, how did you build a plot around it?

I set out thinking of South Eight as “literary fiction,” but built a plot around events and a patient from the central character’s past, how they intersect with the main character’s present position, the power the current position.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

Well, this is my first novel, but as with plays and screenplays, I was surprised by how the story did actually, in important ways, assume a life of its own. I remember reading somewhere, about playwriting, that the characters will tell you how the story should unfold. I think that was true here. Also, I love mysteries and thrillers, so perhaps it was natural that I’d incorporate those elements as I wrote.

Do story ideas come to you often, or is fresh material hard to come by?

Often. On any given day there’re a dozen possibilities in the news, or someone will tell me a story they’ve heard that has interesting twists, possibilities. The question always is, will it hold up, will it hold one’s interest the next day, a week later, a month. And if it does, will it have enough “room” for expansion into a complete work, whatever the form.

How do you choose which story to write next, if you’ve got more than one percolating?

Well, in my case I’m still working in medicine — can I say active sideline in medicine? — which takes a lot of time and energy. So, the question is, do I have a story, a single story, that is so compelling that I simply have to find the time and energy, to write it. One can have a lot of ideas percolating, as you say, but having that one that comes to a boil in a sense, chooses itself.

I have 6 cats and a Dalmatian (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

I have a four-year-old black Labrador who comes into my writing space and lies on the blue couch there. Once in a while she’ll bring me her ball to remind me it’s time to take a break.

Larry Atlas is a former Drill Sergeant who served in the Army. After his service, he attended Bennington College, earning both bachelor’s and master’s degrees before declining admission to medical school —and moving to New York to begin a successful career as an actor, playwright, and screenwriter. Among his produced plays are Total Abandon and the award-winning Yield of the Long Bond which premiered at the Matrix Theatre in Los Angeles. He worked on multiple studio film projects including Sleepless in Seattle. He conceived and implemented the first nationwide online actors’ casting service, and then later co-invented and patented the first navigable nonlinear video architecture. Larry lives in upstate New York with actor-turned-therapist Ann Matthews, and their dog Ruby.

M. M. Crane on Writing Fake Relationships

I have never been asked by a ridiculously handsome man to pretend to date him or marry him, or act as if I am madly in love with him for the sake of [insert a compelling reason, like our careers or some such thing]. Obviously I view this as a great travesty, but I deal with this enduring disappointment the way I deal with most things: I write about it.

I have thus far written some 30 or so books with a fake relationship element, but I am particularly proud of Reckless Fortune—my new book that approaches this trope by marrying it up with a contemporary Alaskan spin on a mail-order-bride as well. 

In Reckless Fortune, Autumn McCall enters a contest that pairs her up with brooding bush pilot Bowie Fortune and requires them to reenact a version of an old school Alaska frontier-style, mail-order-bride marriage. They both know they’re just pretending, but that doesn’t prevent sparks from flying as the two spend time together. And especially not when disaster strikes and they crash down in the formidable Alaskan wilderness with very little hope of making it to safety…

I loved writing this book, not least because I got to spend a lot of time thinking about the extraordinary courage of the women who decided to take their chances with strange men in far-off locations all throughout history in the hope of a better life. The women who set out on difficult journeys hundreds of years ago, praying that the man waiting for them on the other end wasn’t going to be the more difficult than the wilderness. 

But I also really loved the fact that the mail order marriage in this case is fake. Both Autumn and Bowie know they’re taking part in a contest—a publicity stunt to draw tourists to a remote stretch of the Alaskan Interior. They both know that either one of them could call it off at any point. Instead of being stranded with no recourse in the middle of nowhere with a man she doesn’t know at all, Autumn is choosing to be there. Bowie is choosing to participate in this marriage that isn’t actually a marriage.

Hopefully readers will find that as exciting as I do.

It’s always fun to play with forced proximity in a romance. In real life there are a thousand ways to disengage—even right in front of each other. It’s far too easy to hide from anything intimate behind a screen, or let the bustle of our noisy lives distract us. The beauty of fake dating in a book is that the people involved are forced into acting as if they have a kind of intimacy they haven’t earned, making what happens between them all the more delicious. The beauty of setting a fake dating story in the Alaskan wilderness is that there’s not a whole lot of the noise of the modern world to offer any distractions.

How can they help but fall in love?

Reckless Fortune is out 9/27 and I hope you love it!

M. M. Crane is a pseudonym for a USA Today bestselling and RITA-nominated author. She currently lives in the Pacific Northwest with her husband.