The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

I am thrilled to present “I am Online,” my debut novel that chronicles the unexpected rise of Sebas, an eighteen-year-old who inadvertently becomes an erotic webcam sensation. This narrative explores his journey of self-discovery, the complexities of human relationships, and the dichotomy between virtual fame and real-world anonymity. Not bad. Normally I tell people to start with their hook, but this is a good summation para, and I think it can stand.

Thirty-eight euros in his pocket, all his life savings, are you saying the euros are all his life savings, or he has that in addition to? It could be read either way. I would suggest cutting the phrase all his life savings and changing the following everything to all was everything Sebas had on him when he stepped out of the last night train at Barcelona’s central station. Probably Sebas should have planned his home runaway better. I don't think the phrase home runaway makes sense But he didn’t. He just could not stand his oppressive home life anymore. Why was it oppressive, what is he escaping? The city, poised to swallow him whole, instead becomes the backdrop for his meteoric rise in the adult industry. As the number of his webcam followers grows into the thousands, Sebas grapples with the stark contrast between his online celebrity and his offline struggles. What does this mean? You said as much in the intro paragraph, but this is a vague statement that covers the theme, but not the plot “I am Online” weaves through genres, I would definitely find a genre to allocate this to. Saying it weaves through genres isn't the best move one could say this novel is for “Fifty shades of Grey” what “Pose” is to “Sex and the City”: a kinky story narrated by those whose kinkiness is not mainstream or often understood. But by being designated as a kink at all, isn't it inferred that it's not mainstream? And what is the kink? An agent is going to want to know what the webcam is for, specifically, and what Sebas is doing It is the antithesis of “Heartstopper,” away from gay-mimicking-straight relationships in a sugar-coated plot,This is reading as criticsm of other books / authors, which you definitely don't want to do within a query I don’t hold back: Don't refer to yourself within the query Sebas goes through a lot like what? You should be talking about the plot, not using vague language and he gets to see the cruelty of human nature and how relationships are often driven by desire and selfishness rather than by love and feelings. Set in the year 2014, this tale also serves as a modern coming-out story, far away from those early-00 cheesy stories, Again, knocking other books / authors won't win you any points this one reflects a contemporary time when the lines between hetero and homo are more blurred than ever. My own experiences as an LGBTQ individual growing up in Barcelona and living across the globe have deeply influenced this work, infusing it with authenticity and a unique perspective. So far, only few friends have read “I am Online”. Feedback is diverse: “the world is a very f*** up place”, “I am ashamed to admit I wish I had been Sebas” or “this story will make readers disgusted and horny at the same time”. But maybe the best one was “it’s hilarious, it reads itself”. Feedback from friends isn't worth mentioning in a query. Also you reference earlier that you don't hold back, but then you censor the work fucked in the query? I have chosen to query you because your reputation for championing bold, boundary-pushing literature aligns perfectly with the essence of “I am Online.” I believe this novel not only entertains but also opens a dialogue about the evolving landscape of sexuality and identity.

So I'm left going... and what's it about? A query needs to convey these things - what does the main character want? What is stopping them from getting it? How will they overcome the obstacles? This doesn't do any of that - it just says it's about kink and webcams, and the complexity of human relationships (without mentioning any other characters in the story at all). Just saying your MC goes through a lot isn't going to cut it. Everyone's MC goes through a lot - that's a narrative. You need to be much more specific about the plot, get rid of the vague qualities. Don't bash other books / writers, and remove commentary from friends.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

The Asfours is a hopeful and moving upmarket 77,000-word family saga in the vein of The Vanishing Half, Little Women, and This Is Us. I always tell people to open with their hook. Everyone has a title and a word count. Start with what you have no one else does. Also I think describing your own work as "moving" an be off-putting. Of course you find it moving, someone else might not.

In Arabic, an asfour is a bird. What is more gentle, kind, sure, and brave than birds, who disperse seeds throughout the land and nurture nature among them? Not a great start. You need a hook, and I have no idea what a bird has to do with your book or characters, and you're also starting with a rhetorical question, which isn't advisable. And also, I love birds, but someone that loves honeybees can say the same thing about their favorite thing in nature, so it's just not a decisive statement.

Mira never believed she embodied what it meant to be an Asfour. The Asfours were more than hotel heirs and heiresses. They set out to better the world despite all the suffering they endured. I don't know what this means. How are they bettering the world and what have they suffered? Her family rose above misfortune in the only way they knew: not talking about it. But after the suicide of her mother, her life fell apart as she succumbed to addiction and struggled with bipolar disorder. After years of turmoil and a massive falling out with her family, she isolates for a year until she receives news of the passing of her father. Now orphaned at twenty-five, Mira is faced with a decision on her father’s final wish. What is his final wish? What is this decision that she has to make?

The Asfours chronicles how a family falls apart and comes together in the face of mental illness, abuse, and generational curses. Mira is the red string that ties them all together; as she navigates her challenges, the broader family tapestry unfolds, revealing their interconnected paths to redemption. There's not nearly enough plot here to make this a succesful query. I don't really know what's going on. I've got this - a family has big problems... and that's about it. That could be any number of stories, featuring any character of any type. You've got to get into specifics to explain why your story takes a new or untold angle on the family saga. Right now it's just - this is a family saga.

Redacted is a queer Palestinian-American that grew up in the Southwest Suburbs of Chicago. Her short stories will be featured in The Piker Press (July Edition) and The Wise Owl (August Edition). She received her BA from Columbia College Chicago. She works in literary representation with diverse and queer writers working in television. She lives in Los Angeles with her beloved cat, Sabrina (the teenage witch).

Good bio, but the bio should be in first person, not third.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Ciel Briar’s sole dream is to escape her abusive mother. Great hook, thank you! A dream that gnaws at her insides due to the impossibility. However, this isn't a complete sentence so I'd combine the two and explain why it's an impossibilty. That is, until the charming Crown Prince of Eireann hosts a birthday celebration held solely You've got a couple of echoes here with sole/solely and holds/held An echo is when you use the same or similar words too closely together, and is best avoided. for the youthful faeries of the kingdom. The party is dazzling, but not more than the handsome stranger courting her. Mid-swoon, she discovers he's the Crown Prince's assassin, I feel like it's hard to discover anything while swooning and as the only one who can identify him, she becomes a valuable asset to the kingdom. Is she an asset or a threat? I don't understand why her knowing who the assassin is would be a big deal... unless I'm reading this wrong and he's not a court assassin, as in an employee, but rather he was actually sent to kill the Crown Prince. Which raises the question of whether he was succesful or not.

Welcomed into the safety of the castle walls, Ciel learns of the royal family’s esteemed bodyguards. The Watchers are the answer to escaping her wicked mother, How is her mother wicked? Why does she want to escape her? How are they the answer? but Ciel must prove herself worthy before the assassin is found or else return home. Worthy of what? The chances are slim for an untrained, weak faerie like her to become part of the elite guards. Why would she need to become part of the elite guard? Doesn't the fact that she can ID this guy make her important enough? Desperate, she finds the perfect opportunity when a starry-eyed woman approaches her, telling her of the assassin’s location. If Ciel can find him before the kingdom does, she will earn Watcher status, but the woman is a witch, and Ciel is ambushed. Forced into a magical bargain with the assassin, she's now a rebel spy. I don't understand why she wouldn't just tell the Watchers where he is... unless what you're trying to say is that her only chance of escaping her mother is by becoming a Watcher, and in order to do that, she's got to nab him herself. This all needs clarified.

The game she must play is tricky, and as Ciel learns the rules, she discovers her kingdom is more flawed than she imagined. With a rebellion on the rise, she must decide which side she wants to take: her beloved Crown Prince, or the cunning assassin tugging at her heart. This was the first time there's any mention of her having any sort of romantic feelings for either one of these fellows.

I saw that you represented [author name] with [book name], and I am excited to seek your representation for A KINGDOM OF STARFLOWERS AND BLOOD, a young adult fantasy romance complete at 100,000 words. An Irish folklore setting with themes of political intrigue, power, and resilience, it will appeal to fans of Witches of Ash and Ruin by E. Latimer and Powerless by Lauren Roberts. Good comp titles. The YA fantasy market is absolutely flooded right now, and breaking in will be difficult. If you can get your word count under 100k, that might help.

Last year, I won the Kingsmead Book Fair Young Writers’ Competition for the young adult age category, a national writing competition in South Africa. Currently, I intern at Future House Publishers. Great bio!

Overall, there are quite a few instances here where you know what you're trying to convey, so it reads correctly to you, but the reader doesn't have the background knowledge, so it's confusing. Clarify that the assassin is an enemy, not in the Prince's employ (that's how I first read it). Explain why her mother is so horrible and why escaping her is impossible, and clarify why becoming a Watcher herseelf is the only way out. Also, you say she swooned but that's the only indication that she's got eyes for either one of the male characters, and if a romance / love triangle is a part of this, that will need to be included, as well as some nod to the role each of these guys will play - is the Prince a nice guy, who doesn't want power? Is the assassin a lone wolf who doesn't want to fall for her, either? Just one line for each of the fellows will give us some feel for them as characters.