The Saturday Slash

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Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

Tymeria, a kingdom ruled by ignorance and fear. Not a bad hook, but I think you've got a better one in you!

At first glance, Tymeria’s a kingdom of beautiful wineries, fair maidens, and noble knights. But beneath its beautiful word echo here with "beautiful" vineyards is a prison. A prison for the nonhuman races and any human who dares to help them. In Tymeria, the only good elf is a dead elf. This line could almost be your hook! Good world building so far. You've established this is high fantasy, and that something smells in Denmark.

There was a time when nonhumans and peasants had a beacon of hope, the knights in the night: the Knightmares. But eighteen-year-old Jevan knows his comrades aren’t the same free-fighting vigilantes of old. The crusade died; its crusaders reduced to sellswords. It’s not a desirable life – assassinations, theft, a bit of butchery, bodyguard service – but they need to eat. Great so far!

When Jevan accepts a request from a wealthy family to rescue their daughter, he assumes it’s just another job. At first, all goes well. However, the kidnappers they just killed weren’t mercenaries, but members of Tymeria’s religious military organization: the Paladins. And the damsel-in-distress is really part of a rare nonhuman race with the ability to transform into a deadly humanoid wolf creature – a wolfborn.

With vengeful Paladins hunting them, and the wolfborn’s presence generating a moral debate that may tear them apart, the fate of the Knightmares hangs perilously in the balance more than ever. Because they know the facts – it was the Paladins who nearly wiped out the Knightmares long ago, and their extinction is now truly imminent.

Told through four alternating viewpoints, KNIGHTMARE is an Adult Fantasy novel of 95,000 words with a unique twist on the werewolf genre that reimagines them entirely, revitalizing them a race of noble beasts rather than cursed monsters.

Right now, have to say that this is looking really good... the only thing that tripped me up is when I get to the last para, and see that there are four viewpoints. This query only tells me about one character. I can assume that the girl-wolf is another POV, but I have no idea who the other two might be.

This is a great query... but it's focused heavily on the world building, not the characters. My advice is to find a way to condense your world building info down to the opening para, then introduce each of your POV's - and their conflict - in quick, concise para for each.

The Saturday Slash

Slash.png

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

The boys of Asotin are dying. Great hook!

The golden boy, the popular boy, the loner boy––one by one, they’re being found dead in the small Washington town. At first, their deaths are ruled accidental: nothing more than >dumb boys doing dumb things. I'd rephrase to something more like *teens doing risky / dangerous things. You've got an array of descriptors for the boys above, but are all they all actually dumb? But as more of them start dying in increasingly violent fashion, it becomes clear there’s nothing accidental about what’s going on in Asotin.

Athena Briggs knows the boys that are dying. You arleady stated it's a small town, so just knowing them isn't that indicative of an actual relatinoship. As Asotin High’s star wide receiver, she’s competed side-by-side with them her whole life. Are all the boys athletes? Even the loner boy? And as the biggest player in school, she knows most of them off the field, too. Biggest player like her size, or player like with relationships / hearts? With the athletic references that come before, it lends context to the word player, so you might want to use a different one. The first time I read it I thought this meant she was a huge hulk.

Lila Perez also knows the boys that are dying.Again, just knowing them might not need to be stated, I'd go into the how of it right away instead. As the smartest girl in the town, she’s tutored most of them at one point or another. And as someone who can’t ever leave a puzzle unsolved, she wants to know why so many of them are dying.

Athena and Lila haven’t ever crossed paths before.In a small town? And apparently they have a class together? But when an English assignment throws them together, they find out that they have more in common than they first thought––including an interest in the recent deaths, and in each other.

With the local police force completely out of their depth, Athena and Lila take it upon themselves to find out the truth behind the boys’ deaths. Soon, they find themselves emerged in the secret, privileged side of Asotin­­––one that’s far more dangerous than either of them bargained for. It’s up to Athena and Lila to bring the killer to justice, even if the lines between right and wrong aren’t so clear anymore.

IS THERE SOMEWHERE is a YA psychological thriller complete at 65,000 words. It will appeal to fans of Kara Thomas, and ONE OF US IS LYING by Karen McManus.

Overall, this is great. You've got an unlikely female crime-fighting duo, great comp titles and a good setup. Tweak some of your wording here and you're good to go!

The Saturday Slash

Slash.png

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

The Fall of the House of Erie is a contemporary fantasy aimed at young adults. A teenage witch hunter investigates a murder, discovers her best friend is a witch, and uncovers a plot to ruin a prominent magical family. It is complete at 62,000 words and has series potential. I know there is advice out there that says to put the title, genre, and word count first, but I have always felt like it's best to start with your hook. Everyone has a title, genre, and word count. What have you got that sets you apart? Your hook.

Sixteen year-old Jordyn Mielzynski longs for a typical summer following in the footsteps of the legendary Van Helsing as a Vatican monster hunter. Is it supposed to be tongue in cheek that you're using the word typical here? Instead, she has to survive summer school. Why is she in summer school? Isn't that typically a punishment? What did she do? Until the police ask Jordyn’s adoptive father to investigate the drowning of two boys in the city park during a summer heat wave. I'd combine these two previous sentences into one, for flow. When the Lex Legati, the wizard police, show up, it confirms her suspicions. These aren’t ordinary deaths. Then, Ted Erie, the only witness, runs away, becoming the prime suspect. Unfortunately, Ted is the younger brother of Jordyn’s best friend, Stephanie. Who Jordyn didn’t know was a witch. Getting a bit murky here. You don't need all the names -- When the only witness (who happens to be her best friend's brother) disappears, he becomes the main suspect. To make matters worse... then do the best-friend-is-a-witch-reveal). Now, Jordyn’s caught in-between helping Stephanie save her brother and bringing a murderer to justice. Unfortunately, justice doesn’t have best friends. Love the last line here.

Couple of things - is Jordyn operating in an official capacity? Is she a junior witch hunter of some sort? Is she trying to earn a badge? It also raises questions about how good she is at this if she doesn't know her BFF is a witch. More importantly - how does it make her feel? There's no real allusion above to whether she feels betrayed or foolish, or anything like that, just that she's torn between helping her friend and bringing the murderer to justice. Just a touch more emotion on how that reveal affects her would be good.

Overall, you get murky once you start throwing too many character names in, and you need a little more info on Jordyn's offical / unofficial involvement. Is she being encouraged to do this investigation? Or is she operating under the radar?

I studied at Wittenberg University, majoring in creative writing. The short story I wrote for my grandfather about his time in a POW camp during WWII is in the Library of Congress alongside his interview about the experience as part of the Veterans History Project. I currently write two weekly blogs.

Decent bio. If you have good traffic / followers on the blogs you should mention that. Also, what are their topics? Are they relevant to what you're querying? If the answer to both these questions is no, I wouldn't bother mentioning them.