The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Eighteen-year-old Andie Shore is finally old enough to audition for the reality TV show I Can Dance!, which she’s dreamt of competing on since she was nine. I don't know if we need quite that much detail. The word "finally" above tells us she's been waiting a long time She convinces her older sister Piper to audition too, even though Piper gave up dance two years ago for college and her controlling boyfriend. Phrasing a little awkward here - she gave up dance for college, but did the boyfriend push her to give up dance? The way the two are paired here just comes off a little awkwardly Andie needs her sister because only Piper can help with her debilitating stage fright—the kind that makes Andie nauseous, breathless, and all around a total mess. Getting Piper away from her boyfriend for a few weeks is a bonus.

But while everything is easy for Piper, Even after being away from it for so long? who doesn’t even care about winning, Andie struggles from the moment the judges say, “cue music.” Failing her first audition, injuring a fellow contestant, and that annoying voice in her head saying she’s not good enough, are just a few things Andie never planned for. Worse is getting partnered with Tae Kim—the technically perfect ballet dancer she accidentally jabbed in the nose. Andie can’t stand Tae, and Tae can’t stand Andie. Unfortunately, all of Canada can tell. Unless they find their connection, there go the votes. So she failed an audition and is still in the show? This might need clarification

As the choreography each week gets tougher, the internet haters get meaner, and her hatred Echo here with "haters / hatred" for Tae turns to something else (something definitely not allowed on the show), I'd strike this simply b/c it doesn't make a ton of sense. Romance between contestants is always a plus for a reality show, and you don't have the space to explain why that's not the case for this show in the query Andie’s stage fright only gets worse, and not even Piper’s support Is Piper still in the running? can help anymore. She’s one switch-split away from cracking under the pressure. But if Andie doesn’t win I Can Dance!, she’ll lose her only opportunity for a professional dance career. Worse, she’ll never prove to Canada, to Piper, Does she have to prove it to Piper? Her sister seemed liked nothing other than supportive until this line and more importantly to herself that even with her issues, she’s good enough after all.

A lot going on here, and for the most part you balance it well. In the first para Piper's b/f comes up twice, then is lost completely. I'd argue for striking him from the query, if he doesn't play into the plot enough to appear again later. Piper's involvement in the show isn't mentioned past a certain point either, even though you infer that P is better than A to begin with, so is she still in the running? The romance is a little lost as well, since it doesn't seem to play into the plot much more than just as an awkward sidebar. If it's inimical to the ending and climax, get that in there. Some tweaks and clarifications, but overall you're looking pretty good!

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Separate Seating (100,000 words) is women’s fiction. It can be compared to the work of Naomi Ragen, Ruchama Feuerman, Deborah Feldman (Unorthodox), and Tova Mirvis (The Ladies Auxiliary); and to the Netflix series Shtisel. I tell everyone to start with a hook, not their data. Everyone who is querying has a title, word, count, genre, and comp titles. Start strong with what only your have - the hook for your book!

Three friends travel together to Rome to uncover a forbidden love story in Cinecitta, the city of cinema and a former D.P. camp. However they can't escape the painful choices awaiting them back home in Jerusalem. Whose love story is it? Why is it connected to all three of them? Why are they expressly traveling there to look into it? Why is it forbidden? Also, this is my ignorance showing, but I don't know what a D.P. camp is. What are the painful choices, and how are they related to the love story? Right now this is very vague, which isn't going to gain points.

Following her grandmother's death, betrayal sends Shulamit spiralling away from the ties of family and community, as she investigates her secret Roma heritage. What was the betrayal, and why would it drive her to look into her heritage?

Batsheva is single minded in her quest to be a perfect mother, until a medical diagnosis forces her to face an impossible decision: should she abort her baby? Again, why would this drive her to go on this trip? And what is the connection between these three? Are they friends / family?

Noa is smart, ambitious and determined to be the dedicated wife of a Yeshiva student. A workplace romance makes her question her heart's deepest desires. But what does that have to do with this trip? How are these women's stories connected, and how do the stories connect to the trip?

Set in the Ultra-Orthodox Jewish community of Jerusalem, Separate Seating explores the conflict young women face in Israel's Ultra-Orthodox community, when age-old laws meet the modern world. But again, what do those laws have to do with these three stories, and the trip?

I am a Ultra-Orthodox writer, software architect, and mother of four. I hold a master's degree in Computer Science. My work has appeared in: Tablet Magazine, Mishpacha Magazine, The Times of Israel, and other publications.

Great bio! Right now everything here is too disparate to feel like it connects together to create a cohesive novel. You'll need to tie the women together in the present, their stories to the trip, and the entire concept to how their faith is conflicting with modern womanhood.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

SIGHT UNSEEN, my 87,000 word YA Fantasy novel, will appeal to readers of V.E. Schwab and Brigid Kemmerer. It is the character-driven portal quest of Thousand Doors of January by Alix E. Harrow married to the world-building, poetic adventure of Spinning Silver by Naomi Novik. I tell everyone to start with a hook, not their data. Everyone who is querying has a title, word, count, genre, and comp titles. Start strong with what only your have - the hook for your book!

In SIGHT UNSEEN, Maya Delporte is an 18-year-old California teenager who can practically taste her independence as a college student and marine biology intern when an accident rips away her sight and future, forcing her to navigate a new path as a blind teenager. This is a long and unnecessarily complicated intro - get her new blindness front and center. Your word count is already pretty high, and you can trim this down quite a bit. When college-bound senior Maya Delporte suddenly loses her vision... etc

Doctors give Maya a BrainPort device to train her to see without her eyes using different pathways to the brain by shocking the tongue with electrodes. This is probably abit too much explanation of the device. For one thing, I don't understand at all how the tongue could help you see, and the query isn't the place to illustrate it. While using the device, she accidentally opens a portal What does this mean, really? Can she go there physically, mentally, or only visually? to a magical realm with five half-human, half-oceanic clans whose kingdom and environment are in peril. The king was murdered and his killer, Drezden, fled, but plots to attack the throne and gains strength by sapping Rhine’s ancient forest magic into his tentacles. The forest and its mighty trade resources are dying, and Prince Ari and his guard need Maya’s scientific skills to save their environment and her immunity to the strange curse befalling Rhine’s clans. Again, way too much detail for a query. ...a magical realm with a murdered king, political unrest, and an assasin who plans to use... Maya can help by...

They have something no one else can offer her—in Rhine, she gets her sight back. In California, she’s blind again. On Earth, Maya is powerless and reminded of it every time she bangs her head on an open cabinet door and fails her Braille tests. In Rhine, she’s useful and essential to save their environment; it’s a relief to fight for something greater than herself where she can see straight. Maya must not only straddle youth and adulthood but sight and blindness as she navigates her complicated relationship with her best friend (and maybe boyfriend), Sam. Though she loves Sam, Rhine offers her an escape from the painful rebuilding of her real life, so she runs further into a fantasy world and away from herself, risking her own destruction and ripping herself out of her own life. Again, way too much detail for a query. We're really deep into the query for a boyfriend to suddenly make an appearance. Right now, this reads as only pros for staying in Rhine. What are the cons? Beyond Sam?

Drezden is gaining ground in his quest to take the throne, and Maya must stop him before he enslaves the clans of Rhine, who she’s grown to love. Drezden won’t stop at Rhine. If he succeeds, he plans to take over the human world and use Maya as his weapon. The stakes just changed. We were worried about Rhine and Maya having to make a decision about which place to stay in, but now the two are overlapping and what's at risk changed entirely - now Maya can be a weapon in her own world. It muddies the plot quite a bit.

I studied at the University of Iowa undergraduate writers’ workshop under Carmen Maria Machado and Ayana Mathis. I work in tech marketing and am excited to offer eight years of marketing experience to help launch and sell my book. I have been published in trade marketing magazines and won a Nine Dot Arts writing contest. This is my debut novel. Really, really good bio! Everything here is great. Just get this trimmed up with only the essentials for a query!