Why and How to Write LGBTQIA+ Characters

By Jessi Honard and Marie Parks, co-authors of Unrelenting.

Diverse representation in fiction is important, full stop. We hear that all the time, both as writers and as readers. But why? We’re co-authors, Marie Parks and Jessi Honard, and here’s our take on why and how to write LGBTQIA+ characters.

While we’ll be focusing on queer fictional characters, know that diverse representation—including race, ability, body type, gender, culture, neurodiversity, and more—deserves just as much love and attention.

It’s important to see yourself in stories.

When we were kids, there were very few instances of queer characters in children’s literature. Honestly, we’re struggling to think of any. As we grew up and started reading adult fiction, the situation wasn’t much improved. 

As a result, we didn’t understand the full scope of the LGBTQIA+ rainbow. There were limited safe places to learn about these identities.  

But you know what is a safe space? A cozy book you can curl up with in your favorite spot, read on your own time, and think about in the privacy of your own mind.

Imagine a world where queer readers are validated by the books they love. In this way, representation can literally save lives.

It’s important to see others in stories.

It’s not just about queer readers seeing themselves in literature, though. It’s about the whole world seeing queer characters in literature. 

When non-queer readers witness LGBTQIA+ people within stories, it becomes easier to see actual, real-life queer people as heroic, capable, and nuanced, just like their cisgendered, heterosexual, and allosexual peers. They become less tokenized, and their experiences become more normalized. 

We write speculative fiction, so we deal with fantasy, magic, and impossibility. But at the same time, we are creating the real world we wish to live in. 

No, we don’t want to get attacked by sentient smoke, the way Bridget (the protagonist of Unrelenting) does. But we do want to live in a world where Bridget’s asexuality is accepted, cherished, and supported.

We also don’t want to have to keep secrets from competing magical factions the way Dan (a side character within the same novel) does. But we do want to live in a world where his bisexuality is not a source of tension or anguish.

So we’ve written an exciting world full of mystery, suspense, and magic. And in that world, our characters’ queerness is a nonissue. We believe this gives our readers a chance to envision and create this reality. 

Tips for writing LGBTQIA+ characters as an ally.

Let’s be honest, you could take a series of masterclasses on the expansive topic of how to write LGBTQIA+ characters. No short article is going to teach you everything you need to know, and we certainly aren’t experts. But we hope to give you a few pointers to get started.

Before we jump in, we’ve run into two main camps of non-queer writers who want to write LGBTQIA+ characters, and yet they feel stumped. Do you fall into one of these camps?

Writers in camp one recognize the importance of writing diverse characters, but because their own life experience doesn’t mirror their characters’, they are nervous about getting something wrong and offending everyone. If this is you, you are an awesome ally, and you’re loved and appreciated. In our experience, someone who worries about being disrespectful will find ways to ensure they are respectful in the end. Keep going.

Those writers sitting in camp two also recognize the importance of writing diverse characters. However, they’re so gung-ho, they don’t bother with research or examining their own biases and assumptions. If this is you, please slow your roll. Your heart is in the right place, but your execution will likely come across as inauthentic and possibly even offensive. 

We recommend digging deep into reputable resources like Writing the Other. Not only are their articles, books, and lectures instructive, they’re super interesting! Plus, you can dive into extremely important topics like intersectionality, which can dramatically impact how you write your characters across the board. 

We also challenge you to do your research, yourself. And by that, we don’t mean asking your friendly neighborhood queer buddy to exhume all their trauma.

Recognize that queerness is all around us. In the US, over 20% of Gen Z adults and 10% of Millennials identify as LGBTQIA+, so odds are you know queer people (even if they’re not out). With that in mind, include a variety of queerness in your stories. Avoid having a single, token representative of the community (and for the love of Pete, don’t immediately kill them off or make them an under-developed baddie, as this is a tired and harmful trope).

Read diversely. Listen to real people’s stories. Work with a sensitivity reader and/or experts when you need information or advice, and pay them for their time and emotional labor. If someone tells you, “I can’t help,” honor their boundaries (and maybe examine if you’re asking too much).

Bottom line: Be respectful, and view the task of writing queer characters as an important and serious responsibility.

Writing LGBTQIA+ characters is an extremely worthwhile aspiration, and we applaud and celebrate you for taking the plunge. Together, we can co-create a beautiful, accepting, diverse world where there’s room for everyone at the table—and on the page.

About the guest bloggers:

Jessi Honard and Marie Parks are best friends, hiking and camping buddies, and unabashed nerds. They’ve been co-writing speculative fiction since 2009, and their 2022 contemporary fantasy debut, Unrelenting, was a finalist in the 2020 Book Pipeline Unpublished Manuscript contest. Jessi lives in the Bay Area of California with her partner, Taormina, and Marie lives in Albuquerque, New Mexico.

 

What Writing Rom-Coms Taught Me About Myself

by Kosoko Jackson

Hi there! My name’s Kosoko Jackson and by the time you’re reading this, my debut rom-com, II’m So (Not) Over You , will be out (and maybe be in your hands, on your bookshelf or on the way to you…no pressure, of course).

I’m So (Not) Over You is a fake dating, second chances romance starring Kian Andrews, who gets the chance to obtain his dream job, if he’ll pretend to still be madly in love with his ex-boyfriend, Hudson Rivers, and help sell the lie to Hudson’s very wealthy and powerful family. But, of course, the lie gets out of hand and both find themselves spending a whole weekend together, and discovering maybe their feelings aren’t as dead as they thought.

If you had come from the future and told me five years ago that I would be writing a romantic comedy, I probably would have laughed at you. I never saw myself as a rom-com author, I thought that my space was in young adult fiction. So, three years ago, When I decided to embark on this journey, I had no idea where it would end up. But since starting, I think I've learned 3 key things about myself.

ONE: NEVER COUNT YOURSELF OUT.

Like I said above, I never saw myself as a rom-com author. I thought that my space was only in young adult fiction because that was what I had told myself. There's an expression from a TV show, I can't remember which one, that I carry with me every day. Don't let a promise that you made to yourself 10 years ago dictate your choices now. When I was younger, and I knew I wanted to be an author, I knew I wanted to be a young adult author. But that was something that I came up with when I was in my teens, that was roughly 15 years ago now. I've changed, I've evolved, I've grown, and the stories that I wanted to write when I was 15, are not the only stories I want to write now. I owe it to myself, and so do you, to not let that limit you.

TWO: WRITING SHOULD BE FUN; REMEMBER THAT.

I think sometimes, especially if you’re a writer, or any creative person, we get caught up in doing what is successful, what (we think) is going to make the New York Times list, or what is going to etch our name in history. We forget, sometimes, why we started writing, what made us want to be a creative person. I know I did. I started writing young adult books because I wanted to see authentic representation of queer Black teens. I wrote rom-coms, or had the idea to, because I wanted to see stories where people who look like me, get happy endings. What happens with this book–be it a NYT bestseller, or a flop, shouldn’t matter, because I set out to do something and I accomplished it. And most importantly, I had fun doing it. The glitz and the glam is nice, but proving to yourself, and putting your heart and soul into something? That should be enough. That is enough.

THREE: CAREERS, AND LIFE, ARE LONG.

If you notice a pattern here, it's that I did a lot of self-discovery while writing this rom-com. I pushed myself, I discovered what I enjoy and what I didn’t, and I honed myself as an artist. I’m so, so proud of that. There are so many books–especially rom-coms–I want to write. And in coming out with those ideas, in finding my path, I’ve always thought, “oh, is there enough time for me to do all these things? I have to get it perfectly right this time because I won’t have another chance”. And while it is true that the arts are cut-throat, and it's not a meritocracy, what is also true is that no artist will ever put out all the work they want. There is never enough time, and all we can do is create what makes us happy, and hope that’s enough. For some, that might be morbid. For me, it helps me put into perspective each book, each short story, each article I write, is a piece of myself I’m sharing with the world; and that’s enough.

I’m So (Not) Over You is my first rom-com. It won’t be my last. But it is the one that I’m most proud of. The book is funny, earnest, honest, real and vulnerable. It is a piece of me that I’m sharing with you. I hope, if this book touches you in any way, you feel comfortable and are willing to share that with me. I promise, I’ll listen with open arms.

Born and raised in the DC Metro Area, Kosoko Jackson has worked in digital communications for the past five years. He is currently an MFA candidate at Southern New Hampshire’s Mountainview MFA program. Yesterday is History is his debut novel. Visit him at Kosokojackson.com or @kosokojackson on Twitter or Instagram.

My Neighbor Is A Serial Killer

by Leanne Kale Sparks

Let me start this story by saying I live next door to the nicest couple. The wife and I have great conversations. The husband is very calm, soft-spoken, and all-around nice guy. They have four adorable little girls, God bless them. I raised three girls and count my blessings that I still have hair on my head and (so far) avoided a psych ward. Anyway, my office is upstairs in our house and has a balcony. When I sit out there, I can see into my neighbor’s backyard. There is a swing set, a trampoline, and various toys strewn about. There is also a rather large shed.

Now, my neighbor was spending a great deal of time in the shed—so much that I took note of the long days and nights he was in there. He always closed the door upon entering, and the girls were not allowed inside. Once I witnessed one of the girls trying to open the door only to be told—rather sternly—that she could not enter.

It was odd. Disconcerting, even.

The calm, even-keeled man actually raised his voice loud enough for me to hear as I sat on my balcony. To say that piqued my interest is an understatement. I am, after all, a crime thriller writer and pseudo-expert of murderers. There is not a crime show—foreign or domestic—that I have not watched. I do copious amounts of research on the subject. Attend conferences where my fellow crime writers and I learn how to properly excavate buried bodies, various types of gunshot wounds and what they do to a body. How to properly breach a dwelling.

I know a thing or two about murder. And kidnappers.

So, of course, I was able to determine my neighbor was a serial killer. My powers of observation have never failed me (that I know of) so there was really no doubt about it. Shite was about to get real. My life as a fiction writer was about to transition to true crime novelist.

When I told the above story to my fellow crime writer friends, we all agreed my neighbor was up to something heinous in his shed. Right under the nose of his wife and little girls. Most of my closest writer compadres, as well as readers of crime fiction and true crime novels are women. We tend to soak up a great mystery, and the more ghastly the crime scene, disturbing the killer, and twisty the plot, the more eager we are to roll up our sleeves, get in the muck, and discover whodunnit.

But why is that? Why are so many women drawn to serial killer thrillers, murder mysteries, and crime, in general? Well, I’m no expert, but I have actually thought about this and come up with a couple of answers.

First and foremost, women are problem-solvers. Give us a problem, and we will work out a solution. Getting a lipstick stain off a collar, tracking our teenager’s social media without them knowing. Determining if the neighbor is a serial killer. No matter the problem, we are game to find a solution. Spread out all the puzzle pieces and see how they fit together. The more impossible the mystery is to solve, the more we dive into the deep end of the evidence pool searching out plausible—and perhaps implausible--explanations.

Second—well, let’s face it, most violence seems to be directed at women. Sit down and watch a day of Discover ID or a few episodes of Dateline, and nearly every single episode is about some sort of violence against women. Stalker, jilted lover, husband wanting out of the marriage without paying child support, or a serial killer. They kidnap, rape, torture, and/or murder women. There is a kinship there.

We’ve all felt the hairs on the back of our necks stand on end when we feel someone looking at us. Watching. And we are never quite sure if it is a warning of something dangerous on the horizon. Or the fear of walking alone at night, always wondering when someone will jump out of the bushes, run up behind, or come around a corner and catch us off guard. Our imaginations can probably conjure the worst possible outcomes—assaulted, violated, shot, or stabbed and left for dead.

We have compassion for the victims. We feel their pain because—by the grace of God—we are not them. We want to solve these crimes along with the investigators, anxious for the families to find even a modicum of justice for their lost loved ones. We cheer for victims upon hearing their stories of survival. We are empathetic. Sympathetic.

And we take notes.

We learn from the mistakes of others: Trust that gut instinct. Be rude to the guy who wants to give you a ride home giving you the creeps. Say no. Say it again. Keep saying it as loud as you can. Fight back with everything you have. Never feel like you are just being paranoid. Call your dad to pick you up from the party you were forbidden to go to even though you have been drinking. Your life is precious. And it may depend on how you react in situations where there is a threat. Teach your daughters to do the same.

I love to write murder mysteries. I research. I conjure what I believe to be the unimaginable. And I want to believe that is true.

But there are some sick people out there doing abominable things to others.

So, back to my neighbor the serial killer. I was on the balcony again yesterday, watching the children play in the back yard when the father came out of the shed. He called for his wife and rounded up the four girls. When the door swung open, I could see inside. Fairy lights glowed. There was a small table with pint-sized chairs, a plastic tea set as a centerpiece. Each girl picked out their spot and laughter soon filled the late afternoon air.

Turns out my serial killer was simply an awesome dad who sacrificed part of his work shed to give his daughters’ a playhouse.

But—I’m still going to keep my eye on him.

After a short career in law, Leanne Kale Sparks is returning to her first love—writing about murder, mayhem, and crime. Currently, she is an author with Crooked Lane Books and is working on a new series featuring an FBI agent hunting down her best friend’s murderer. The backdrop is the Rocky Mountains of Colorado, the playground of her youth, and the place that will always be home. She currently resides in Texas with her husband and German Shepherd, Zoe.