Kimberly Behre Kenna on The Story Behind "Artemis Sparke and the Sound Seekers Brigade"

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview.

Today’s guest for the WHAT is Kimberly Behre Kenna, author of Artemis Sparke and the Sound Seekers Brigade which releases on February 2, 2023

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

Years ago, I taught fifth grade, and we explored a Long Island Sound salt marsh as part of our ecology studies. Having grown up on the Connecticut coast, the Sound’s shoreline has always been my favorite place to be, so I loved watching my students experience the joy and beauty of this vibrant area that we are so lucky to have as our neighbor. Fast forward five years later… While hiking the salt marsh trails alone one day, my protagonist, Artemis, suddenly appeared as a whisper in my ear. She, like many of my students, had strong opinions about the salt marsh, her sanctuary; it was there that she conversed with plants and animals without feeling self-conscious about her stutter. She worried about its fragile health and what would happen if it disappeared, but how could she ever speak up and help it survive? Artemis’s plight felt personal as I, too, struggled to embrace my voice as a child. I knew this was a story I had to write.

Once the original concept existed, how did you build a plot around it?

Again, my years of teaching informed the process. In order to understand present day environmental problems, my students and I tapped into the wisdom of deceased ecologists. We used drama activities to actually embody these people and think about how to apply their strategies to solve problems around the Sound. Then we wrote and performed plays depicting this. I knew Artemis could also benefit from the past in this way. So, she conjures up the ghosts of Wangari Maathai, Ding Darling and Simon Rodia to energize a brigade that will help keep Long Island Sound “sound” (strong and healthy!) My story plot developed in the same way our class plays did. I embodied a character, allowed their emotions to flow, and then imagined how they’d act upon them.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

The way I work, moving the story from my mind to paper is always a very sketchy deal! The first time I record a story, it’s skeletal, shaky, and needs to be fleshed out. And even then, my stories never feel firmly in place until I’ve shared them with critique partners and groups, often revising for tension, bigger stakes, and deeper characterization. 

Do story ideas come to you often, or is fresh material hard to come by?

I have a folder of story ideas that I’ve collected, and possibly even worked on, over the years. It includes ideas for novels, short stories, plays and even poetry. Recycling story ideas and mixing and matching them is second nature to me. Putting two or more ideas that at first don’t seem compatible together often do combine to make seeds for a unique story.

How do you choose which story to write next, if you’ve got more than one percolating?

I write the one that excites me the most at the time. It’s a gut level reaction. I’m not great at working on several novels at once, though it has happened, but usually there’s one idea that requires me giving it all the time it needs on its own. And I enjoy immersing myself in just one story. Then, when I need to step back and take a break, I’ll go to another idea and see if a skeletal plot or story line comes to me.

I have 6 cats and a Dalmatian (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting

I have a rabbit named Sage. The rabbits I’ve had over the years haven’t been super snuggly, but Sage loves to sit next to me on the floor hoping for pets and scratches. That position isn’t conducive to writing for me! But the very first rabbit I adopted plays a role in my second MG novel. So, though not my writing buddies, my rabbits have definitely inspired my writing.

After years as an adolescent and family counselor, and then as a fifth grade teacher, Kimberly returned to school for her MA in creative writing from Wilkes University. Her debut middle-grade novel and first book in her Brave Girl Collection, Artemis Sparke and the Sound Seekers Brigade will be published by Fitzroy Books 2/2/23. The second in the collection, Jett Jamison and the Secret Storm is forthcoming from Black Rose Publishing 8/3/23. Connect with her at www.kimberlybehrekenna.com.

The Saturday Slash

Don't be afraid to ask for help with the most critical first step of your writing journey - the query.

I’ve been blogging since 2011 and have critiqued over 200 queries here on the blog using my Hatchet of Death. This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot me an email.

If the Saturday Slash has been helpful to you in the past, or if you’d like for me to take a look at your query please consider making a donation, if you are able.

If you’re ready to take the next step, I also offer editing services.

My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

Nessa Bailey wants revenge on her brother’s killer. The only trouble is, she’s in love with him. Nice... so you clearly understand what a hook is and how to use one. Well done.

Seven years after the suspicious car accident that killed Silas and sent hmmm... so, we don't know who Christian is. We can kind of assume that he's the "killer" but I think it needs clarification. Was Christian driving? Suggested rephrasing ... and sent the driver - Silas' best friend Christian - or, if it was a two car accident and Christian was driving that car, simply refer to him as "the other driver" to prison, Nessa’s life is stunted. I think I need to know more here. Is she just unable to move past it? Is she fixated? How is it stunting her? Despite her complicated emotions, Why are her emotions complicated? Was she already in love with Christian at the time of the accident? Also, the way this is written, it sounds like the emotions referred to are the therapist's, not Nessa's her therapist's solution is simple: face Christian upon his release and forgive him. Again, I think we need more about this accident. An accident is called an accident for a reason - why was it suspicious? What is Christian jailed for, exactly? Manslaughter? Drunk driving? Only, instead of apologizing, Christian stonewalls. How? Insisting upon his innocence? Again, the details surrounding the car accident need to be given just a little bit more room. And instead of forgiving, Nessa takes a golf club to anything within swinging distance. Including him? The next line makes it sound like this was in public, and she got into legal trouble. More please.

This earns her community service alongside Christian, which she sees as an opportunity to exact revenge.How? And does it play out? The cost doesn’t matter; anything is better than shouldering the guilt of never avenging Silas. But when anonymous letters appear on her doorstep, Nessa discovers that more than her precarious mental health Is her mental health precarious? I don't think that's completely clear here, minus the golf club mention. What's her situation? Is she working? Living in her parent's basement? Hospitalized? How bad, exactly, is her mental health? Can she function? is on the line. Someone other than Nessa and Christian has vested interest in the accident, and they will do anything to make sure she stops digging. And what does that mean for the two of them? Are they both in danger? Do they both have a vested interest in finding out who this is, or why they did what they did? Would it clear Christian's name? What's his stake in this? Are they thrown together, and made to work together to find the solution? Does her "revenge" plan for him come into play at any point? Is she still in love with him? Is that blooming again? How does that feel? How does he feel for her?

THE LOVELIEST THINGS THAT STILL REMAIN is a 77,000-word contemporary romance But... it also feels like there's a mystery / thriller angle told through dual POV and timelines. If this is dual POV, then the query should be as well, to an extent. One para for Nessa, one for Christian. Also... dual timelines meaning the present, and the past, leading up to the incident? I wasn't getting that out of the query, at all. If Every Summer After married Forever, Interrupted and went to therapy, you’d have my book.

Before crying myself through writing this book, I authored missing "a?"standalone Divine and The Separation Trilogy, then appeared in First for Women Magazine and Chicken Soup for the Soul. I also write romance novellas under the pseudonym Tesla Storm. Your bona fides for the articles in magazies / collections are solid. If you don't have good / many reviews for your other titles, I wouldn't mention them When I’m not writing, I teach high schoolers as a trauma-informed educator. And when they’re not giving me scathing (if honest) critiques of my outfit choices, they are good company lol. Yah. I substitute and once had a fifth grader inform me I had on too much foundation

Roxana Arama on the Inspiration for "Extreme Vetting"

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. 

Today’s guest for the WHAT is Roxana Arama, author of Extreme Vetting, the story of an immigration lawyer who fights to keep her client from being deported and losing his family. But those who want him gone will stop at nothing—including murder. Extreme Vetting releases on February 7, 2023

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

One afternoon in 2018, I watched a video of the president of the United States at a rally, where he compared immigrants to venomous snakes that should be crushed underfoot. He’d been bashing immigrants since he was a presidential candidate, but this was different. He read a poem to his crowd about a kind-hearted woman who took pity on a snake only to be bitten and killed by it. The crowd loved it. I was horrified. I tried to imagine what it would be like for a Trump supporter to look at me, to hear me speak with an accent, and to see me as less than a human being. A dangerous beast that should be killed. Soon I started writing an immigration thriller. I wanted to take readers inside our immigration system so they could see for themselves how complicated and broken it sometimes is. Through storytelling, I hoped to affirm the humanity the president had denied foreign-born people like me.

Once the original concept existed, how did you build a plot around it?

I researched the legal immigration framework, which I hadn’t completely grasped while going through the green card process—twice—and then the citizenship application. I interviewed an immigration lawyer extensively. I read news and articles about immigration, and thrillers to learn how to write one. I asked my immigrant friends how they felt about their lives in their adoptive country.

The seed for the plot was my own experience as an immigrant, though my story is quite different from the one in the novel (I arrived in the US from Romania in 2001 with a job in software development). Here’s a quick synopsis of my thriller Extreme Vetting. An immigration lawyer fights to keep her client from being deported to the country where his family was murdered many years ago. Then she finds out the killers are coming here—for both of them. As a single mom, she must protect her daughter and the sons of her detained client. The inspiration for one of my villains came from two criminal cases in Washington State where ICE prosecutors were sentenced to prison for defrauding undocumented immigrants. Once I had my main characters and conflict, the plot had momentum, and the supporting cast appeared next.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

That usually happens between my initial outline and the first draft. Once I have a draft, it happens again with every critique from beta readers and editors. I sometimes make substantial changes to my characters and the plot—if the novel needs it. I don’t think a story is ever finished because I slowly change as a person while I work on it, and I sometimes see my existing pages in a new light. But at some point, I must set it aside and decide it’s done.

Do story ideas come to you often, or is fresh material hard to come by?

There are times when I’m in between projects and I’m not sure what to write next, but I usually go through the nonfiction concepts that fascinate me at the time, and I find one that allows me to spin a fictional story from it. From my passion for the history of religions, I wrote a historical fantasy, still unpublished. From my interest in artificial intelligence and interplanetary travel, I’m now writing a sci-fi. Prompts for magazines or literary contests are always nice, though not every prompt resonates with me. For now, I have more work planned than time to do it, so I won’t complain.

How do you choose which story to write next, if you’ve got more than one percolating?

I try to write them all, especially when I’m just beginning to imagine the story or draft the essay and I’m not yet committed to the prose. I always try to work on a new concept to see where it leads. Sometimes it leads nowhere, but I wouldn’t have known that without experimenting with it. Once a story forms in my mind, I rely on my brain to develop it while I’m not thinking of it directly, as when I do the dishes or walk to school to pick up my kids. I also discovered that having multiple things to work on keeps me from feeling burned-out.

I have 6 cats and a Dalmatian (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

When I first started writing, I used to need my own space, away from all distractions, where I could think about my story. Not anymore. I still have my office, where I go when my kids are at school because it has a big monitor where I can plug in my laptop. But half the time I write in my bed, crisscross-applesauce, on my laptop, with my door open so I can hear the kids in the house. Sometimes when I’m in the middle of a scene or an essay, one of my kids runs in and jumps on the bed to ask me something. I set my laptop down and we talk. And when we’re done, I pick up right where I left off. But it took me many years to build that kind of flexibility, I now realize.

Roxana Arama is a Romanian American author with a master of fine arts in creative writing from Goddard College. She studied computer science in Bucharest, Romania, and moved to the United States to work in software development. Her short stories and essays have been published in several literary magazines. Extreme Vetting is her first novel. She lives in Seattle, Washington, with her family.