Successful Author Talk with Tracy Edward Wymer & The 100 Queries That Came First

I'm lucky (or cunning) enough to have lured yet another successful writer over to my blog for an SAT- Successful Author Talk. SAT authors have conquered the query, slain the synopsis and attained the pinnacle of published. How'd they do it? Let's ask 'em!

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Today's guest for the SAT is Tracy Edward Wymer, a member of the Class of 2k16 whose MG novel, SOAR releases July 5th from Aladdin / Simon & Schuster.

Are you a Planner or Pantster?

I’m both, or in between. I plan out with running lists or chapter titles, which I call a “Set List.” However, I don’t do too much planning. Finding out what happens next is what brings me back to every story. 

How long does it typically take you to write a novel, start to finish?

This can vary dramatically. It can take two years, it can take 6 months. I typically take longer than most of my peers, from what I can tell. 

Do you work on one project at a time, or are you a multi tasker?

I’m a multi-tasker. I’m usually working on a couple of projects; however, I tend to research for one project while drafting another. Drafting two novels at once doesn’t seem to work for me. 

Did you have to overcome any fears that first time you sat down to write?

Not really. I’ve been writing since high school. Back then, I wrote poetry about famous athletes. Yeah, it was terrible. But I was writing and it felt good, even back then. 

How many trunked books did you have before you were agented?

I self-published a book called The Color of Bones. I then found an agent with my next book, which came to be known eventually as Soar.

Have you ever quit on an ms, and how did you know it was time?

I have several half-baked manuscripts. I know it’s time when I stop thinking about it. That’s my writer brain telling me to move on. If a story captures me completely, you can find me walking around in a fog, which is then not good for my other professional life. 

Who is your agent and how did you get that "Yes!" out of them? 

My agent is John Rudolph of DGLM. I sent a query to him for a novel called Bird Nerd. He loved it and I signed with him. We worked on the book for at least six months, then he submitted it to editors. We received two rounds of rejections. I then changed the title to Might Fly Away, right before the third and final round of submissions. I had reservations about Bird Nerd as the title, because the story was more “literary” than the title suggested. This time, the novel sold to Aladdin/S&S. Once the book sold, with the Aladdin team’s guidance, we changed the title again, this time to Soar.   

How long did you query before landing your agent?  

I sent over 100 queries for The Color of Bones. I had a lot of requests for my full manuscript, but no one ever wanted to represent me or that book. With Soar, I also sent at least 50 queries before an agent loved it. 

Any advice to aspiring writers out there on conquering query hell?

Keep querying. It’s a numbers game. Liking a story, or book, is one of the most subjective ideas on the planet. There’s the premise, the writing, the characters, the setting. There are so many moving parts, readers are bound to not like something about your story. Be persistent, but always remain professional. Don’t query the same agent with the same project more than once. That’s just being unprofessional. 

How did that feel, the first time you saw your book for sale?

When strangers read your book, it is just that… a strange feeling. As far as seeing your book for sale, it’s an out of body experience, one I’ll probably never get used to. 

How much input do you have on cover art?

I asked my editor to not put a kid on the front cover. I’m not a fan of cartoony looking kids on covers. Now, silhouettes of kids on book covers are all the rage. I’m so happy that Brian (Biggs) and the Aladdin team created something different, a kid’s shadow, which also communicates a meaningful action. 

What's something you learned from the process that surprised you?

It takes a long time. Longer than you will ever think. 

How much of your own marketing do you?  

I connect with educators and librarians all the time. They are my people. I love talking books with teachers. I have a website and a Twitter account. 

When do you build your platform? After an agent? Or should you be working before?

You should be connecting with people professionally from day one. Don’t wait until you’re published. Entrench yourself in the writing and book communities. It will pay off when the time comes. 

Do you think social media helps build your readership?

Yes. Educators and book lovers are all over social media. You just have to spend time finding them. Then once you find them, you have reach out and make connections with people. Social media connects everyone, make it work in your favor. And always say positive. If you don’t have anything positive to say, bite your tongue. 

Inspiring With The Aspiring

I spent the weekend with the Buffalo-Niagara SCBWI group, a growing chapter in New York. It was a great experience, with editor Alyson Heller (Simon & Schuster), agent Brianne Johnson (Writer's House), and MG authors Dee Romito, Jennifer Maschari, Janet Sumner Johnson, and YA authors Kate Karyus Quinn, Demitria Lunetta, Janet McNally, and adult author Alyssa Palombo.

I've always been a fan of giving back, partly because I met an amazing group of authors on the forum AgentQueryConnect that were a step or two ahead of me, and were a great resource for me as I climbed to join them. Now, I can do that for others.

And while I went to the conference planning to be a giver, I ended up taking a bit away myself. I've been in a bit of a writing slump lately, having just finished a first draft and wrapped up an edit. I took most of May off to take a breather, but rolling into June I was still feeling a bit of a drag.

I've got to put an edit on that first draft, and I have to admit I'm not looking forward to it. I've taken the steps - ordered books to help with beefing up some research, compiled feedback from multiple critique partners. But I haven't taken the step were I actually read the words I wrote... mostly because I don't feel like doing the heavy lifting of editing.

What I needed was a reminder that writing is re-writing.

As I moved from table to table talking over multiple projects with aspiring writers, I watched their faces as they moved through the natural reactions that come with a little criticism.

1) Um, no.
2) Wait... I see what you're saying.
3) Holy crap, that could really improve my project.

From table to table, question to question (Why not make this MG? Are you sure that's picture book material? Can you age that character up / down? How married are you to the illness angle? Don't you think you're packing too much in there?) I watched different reactions, most people landing on that last place... one where you realize a suggestion from someone else could make a big difference in your work.

I left the conference much more open to some of the feedback I received from my critique partners, and reinvigorated to do the heavy lifting that I'd been putting off.

And I also mean that literally, since I haven't been to the gym in a week...

A MADNESS SO DISCREET Wins the Edgar & Also I Put On Makeup & A Dress

This past week I was at the Edgar Allan Poe awards in NYC, which was an amazing experience. So many talented published and aspiring authors in one room kind of made my head spin. The champagne may have contributed to that.

Wednesday night I had a panel at Books of Wonder, along with the other 10 nominees in the categories of Middle Grade and Young Adult. My librarian ears were perking as the others read from their books, and I made a few purchases on the plane home as a result. I also managed to get a whopper of a migraine right in the middle of the panel, so if you were there and saw me constantly massaging the back of my own head, it's not because I have an itchy scalp.

The boyfriend and I walked back to the hotel from BoW, while I stifled a deep urge to vomit. He told me to just do it on the street. "We're in NYC," he reminded me. "Nobody will really care. If you did it at home it would be a story for years."

He's not exaggerating. I hit a skunk with my car when I was 17 and the car smelled for weeks afterward and it still comes up in conversation occasionally... and that was 20 years ago.

I felt better the next day - thank goodness. I had my hair and face done, accidentally walked through a movie shoot (that doesn't happen at home), and ate a tuna melt that put all other tuna melts to shame. And... it was time to go.

I had to take a quick shot of the dress and shoes because I had no idea how to answer anyone who asked me about my dress other thank to say, "it's black." That is the true extent of my fashion sensibilities.

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This is Edgar, and my awesome editor Mr. Ben Rosenthal. Also my boyfriend's uneaten cheesecake. You can see my wine glass is empty.

This is Edgar, and my awesome editor Mr. Ben Rosenthal. Also my boyfriend's uneaten cheesecake. You can see my wine glass is empty.

And then I ended up in a room with lots and lots of famous, talented people, including Kareem Abdul-Jabbar, which was completely unexpected. I found my awesome editor, Ben Rosenthal, and my equally awesome agent-lady Adriann Ranta, using Kareem as a reference point in the room. Then we all ate dinner and the boyfriend shared his story about a guy in front of Grand Central Station who had decided he just didn't like my boyfriend. Seriously I have no idea what that was about. He called him a scumbag, and then remembered him when we walked past later and said, "Hey, I called you a scumbag earlier."

I told boyfriend to be flattered that apparently he stands out in a sea of New Yorkers.

And, because I think it's important to destroy any mystique I may have garnered, here is a picture of me in my element at home, courtesy of the boyfriend.

And, because I think it's important to destroy any mystique I may have garnered, here is a picture of me in my element at home, courtesy of the boyfriend.

And then, long story short, I won the Edgar. Kind of crazy. The lovely and talented Lyndsey Faye read my name out of the envelope and I went into a little bit of shock and touched my nose for a few seconds (this is how I center myself) before getting up. So basically I came to New York and touched parts of my own skull at major public events.