Laura Griffin on Word of Mouth

It’s time for a new interview series… like NOW. No really, actually it’s called NOW (Newly Omniscient Authors). This blog has been publishing since 2011, and some of the earlier posts feel too hopeful dated. To honor the relaunch of the site, I thought I’d invite some of my past guests to read and ruminate on their answers to questions from oh-so-long-ago to see what’s changed between then and now.

Today’s guest for the NOW is Laura Griffin, author of Deep Tide, the story of an undercover FBI agent and a coffee shop owner who must team up when a local barista is found dead in their coastal Texas town.

Has how you think (and talk) about writing and publishing changed, further into your career?

I used to rely on bestseller lists and rankings to point me to what to read, thinking rankings equated with quality. But now I know that a book’s commercial success can sometimes be attributed to random factors. So now I rely much more on word of mouth. If a trusted friend or fellow author tells me a book kept them up all night or changed their worldview then I quickly add it to my TBR list, sight unseen.

Let’s talk about the balance between the creative versus the business side of the industry. Do you think of yourself as an artiste or are you analyzing every aspect of your story for marketability? Has that changed from your early perspective?

To me being an artiste implies someone who is passionate about their work. I think passion is key, no matter where you are in your career. Readers can tell when that spark is lacking, which is sometimes the result of an author (and possibly an editor) who are under pressure to cater to some specific trend in the marketplace instead of what comes naturally. 

The bloom is off the rose… what’s faded for you, this far out from debut?

Experience in this business can be a good thing in terms of keeping an even keel. I no longer get upset out over little bumps in the road, such as a moved pub date, a disappointing cover design, a negative review. But it’s important not to get jaded and to celebrate all the wonderful victories along the way. I love, love, love going out to celebrate pub day. It so exciting when my new book is out in the world!

Likewise, is there anything you’ve grown to love (or at least accept) that you never thought you would?

I have come to accept that it is not possible to please everybody. It’s such a basic idea and also so liberating! You don’t need everyone to love your book. You just need a collection of people to love it as passionately as you do! Finding those people, and hearing from them how about your story and characters touched their lives, is one of best parts of being an author.

And lastly, what did getting published mean for you and how was it changed (or not changed!) your life?

That first book contract is such an exciting milestone. Getting published meant that I had the green light to pursue the career I had dreamed about since I was a child. I always wanted to write stories, and did from an early age. Being a published author meant I could put that dream front and center in my life. To aspiring authors I would say you don’t need a publisher to give you permission to do that. You first have to do that for yourself. If writing is important to you, prioritize your writing time and resist distractions. There are so many homes for so many different stories, so don’t give up!

Laura Griffin is the New York Times and USA Today bestselling author of more than thirty books and novellas. She is a two-time RITA Award winner, as well as the recipient of the Daphne du Maurier Award. Booklist magazine calls Laura's popular Tracers series "the perfect mix of suspense and romance." Laura got her start in journalism before venturing into the world of suspense fiction. Her books have been translated into fourteen languages. Laura lives in Austin, Texas, where she is working on her next novel. Visit her website at http://www.lauragriffin.com and on Facebook

The Saturday Slash

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My thoughts are in blue, words to delete are in red, suggested rephrasing is in orange.

When 13-year-old Morgan Lane, gifted with a superhuman memory, inherits an ancient, mystical chronometer he owns more than world’s most accurate timepiece. It’s a time machine that can transport him to versions of Earth that exist in timelines before and after our own planet. This got a little stick for me in terms of what that actually means - so he can time travel, but it's also alternate universes? I'd try using that phrasing instead, as I had to sort this one out. But, of course, it’s more than that. It bestows on Morgan another special gift.

Suddenly implanted into Morgan’s mind is a memory and a magical spell forgotten by Princess Leila, a prisoner in Doomguard on a different version of Earth; a spell that, if she could just remember it, will save her life and the world she lives in, one in which dinosaurs and apes have evolved into intelligent, non-human, beings. I don't really understand why the chronometer would not only travel through time in alternate dimensions, and ALSO have a very specific person's memory/spell infused in it. In literally all the times in all the possible worlds, it's got Leila's well being in mind?

Together with Lin Rainbow, his sassy adopted sister from Trinidad who possesses an enchanted amulet, What does the amulet do? What's the power it bestows? Morgan finds himself on an Earth with two moons, where evolved saurians and sapiens are close to war over a precious resource - water. Is this Doomguard, Leila's home? I'd put this paragraph in front of the one before it, identify the dinosaurs and apes here, rather than the above para. Then, illustrate that Morgan has picked up Leila's memory and they need to save her. It will eliminate some of the wording in the para above, which is a bit weighty and convoluted.

Morgan and Lin must save Leila, the way this is written it sounds like the save her first, then do these other things cross the deadly Fleshwarp swamp, find their way through the nightmarish tunnels of Droth and the Soundless Plain to the Forest of Gloom. They face dangers from renegade creatures, mechanical animoids, aerial dragons and slither snakes before reaching the fortress of Doomguard, then rescuing Leila and returning her spell.

But it is just five days till Leila’s execution.

I seek representation for my 42k, middle-grade SF/fantasy Earthscape (first of proposed Timeline Chronicles). It would appeal to young readers of ‘A Wrinkle In Time’, ‘Brightstorm’ and ‘Fablehaven’.

I have been published by HarperCollins and Orion and self-published adult and children’s fiction. I have been long listed for several awards including the Page Turner awards. Great bio!

Overall I think you're in pretty good shape, although I would streamline by changing the order of those two main body paragraphs, giving you space to whittle down the overburdened one.