How Has My Time in America Versus My Time in England Shaped My Writing

I write a historical crime series set in World War Two London which features DCI Frank Merlin, a Scotland Yard detective. I grew up in the Welsh town of Swansea, whose most famous literary product is the poet Dylan Thomas. After school in Wales and university in Cambridge, I have spent most of my adult life to date living in London. However I have enjoyed three extended stays in America. In 1972 I spent six months as an English Speaking Union exchange student at an American school in Pittsburgh. The school was called Shady Side Academy. My second spell in America was in the late eighties when I was in charge of the US office of a British company located in New York. My third extended visit was in the mid 90s when I had lot of business in America with the UK computer business I had started with a partner. This stay was not full time but I spent almost six months a year in Los Angeles for a few years. In Pittsburgh I lived in the home of a wonderful local family, in New York in an apartment on the East Side, and, in Los Angeles in a flat in Century City.

All three stays were very different experiences. In the first I was a school student, in the second a corporate employee, and in the 3rd an entrepreneur but I had a brilliant time on all of them. I was not writing at all when I lived in America, but maintained my childhood ambition to become an author one day. I travelled a great deal on all my visits. When my stay at Shady Side Academy finished, I bought a Greyhound Bus Pass for $200. This enabled me to travel anywhere I wanted for a month. The journey was memorable. I travelled in one go across America to Vancouver, sitting next to a friendly and fascinating Indigenous American for a good part of the journey. Then I went down to California. In San Francisco, the father of the family I stayed with pointed out his bearded next door neighbour. ‘He’s a film director. Just finished some gangster movie with Marlon Brando I believe.’ I then travelled across the South via Grand Canyon, Houston and New Orleans to Washington. There I happened to spend, I later found out, the night of the Watergate burglary. On my 80s stay in New York I travelled a lot on business, mostly to Florida, Texas and California. I travelled a little on my final stay in the nineties, but mostly on the West Coast or to New York, where my company was eventually taken public.

What impact did my time in America have on my writing? Well the overwhelming impact has come from reading American writers. At school in Pittsburgh, I first became acquainted with great noir masters from the thirties and forties like Raymond Chandler, Dashiel Hammett, James M Cain and Jim Thompson. When I was working in New York, I got to know another batch of great crime writers including Patricia Highsmith, Elmore Leonard, and John Grisham. Then when I was based in Los Angeles in the 90s I discovered Michael Connelly, Robert Crais, James Ellroy and Walter Mosley. Of course all of these great writers have their own styles, but collectively they all know how to keep the reader gripped from the outset, and generally write great dialogue which helps the story zip along. They also write superb plots. The British and Continental crime writers I was reading at the time had many merits but I definitely think this American punchiness stood apart. One favourite European author of mine who does match this American literary characteristic is Georges Simenon, the creator of Inspector Maigret. Simenon has much in common with many of the best Americans – short, pithy dialogue and a lean writing style.

So to the question posed: how has my time in America versus my time in England shaped my writing? The answer must be in the positive influence of those various writers listed above. I doubt I would have read anything like as many if I had not lived in the USA. In addition I have been much affected my experience of living in such a vibrant, exciting country. I think my time in America has made me much more daring in life than I might otherwise have been. I dared to write a book after all!

Mark Ellis is a thriller writer from Swansea and a former barrister and entrepreneur. He is the creator of DCI Frank Merlin, an Anglo-Spanish police detective operating in World War 2 London. His books treat the reader to a vivid portrait of London during the war skilfully blended with gripping plots, political intrigue and a charismatic protagonist. 

Laura Griffin on Word of Mouth

It’s time for a new interview series… like NOW. No really, actually it’s called NOW (Newly Omniscient Authors). This blog has been publishing since 2011, and some of the earlier posts feel too hopeful dated. To honor the relaunch of the site, I thought I’d invite some of my past guests to read and ruminate on their answers to questions from oh-so-long-ago to see what’s changed between then and now.

Today’s guest for the NOW is Laura Griffin, author of Deep Tide, the story of an undercover FBI agent and a coffee shop owner who must team up when a local barista is found dead in their coastal Texas town.

Has how you think (and talk) about writing and publishing changed, further into your career?

I used to rely on bestseller lists and rankings to point me to what to read, thinking rankings equated with quality. But now I know that a book’s commercial success can sometimes be attributed to random factors. So now I rely much more on word of mouth. If a trusted friend or fellow author tells me a book kept them up all night or changed their worldview then I quickly add it to my TBR list, sight unseen.

Let’s talk about the balance between the creative versus the business side of the industry. Do you think of yourself as an artiste or are you analyzing every aspect of your story for marketability? Has that changed from your early perspective?

To me being an artiste implies someone who is passionate about their work. I think passion is key, no matter where you are in your career. Readers can tell when that spark is lacking, which is sometimes the result of an author (and possibly an editor) who are under pressure to cater to some specific trend in the marketplace instead of what comes naturally. 

The bloom is off the rose… what’s faded for you, this far out from debut?

Experience in this business can be a good thing in terms of keeping an even keel. I no longer get upset out over little bumps in the road, such as a moved pub date, a disappointing cover design, a negative review. But it’s important not to get jaded and to celebrate all the wonderful victories along the way. I love, love, love going out to celebrate pub day. It so exciting when my new book is out in the world!

Likewise, is there anything you’ve grown to love (or at least accept) that you never thought you would?

I have come to accept that it is not possible to please everybody. It’s such a basic idea and also so liberating! You don’t need everyone to love your book. You just need a collection of people to love it as passionately as you do! Finding those people, and hearing from them how about your story and characters touched their lives, is one of best parts of being an author.

And lastly, what did getting published mean for you and how was it changed (or not changed!) your life?

That first book contract is such an exciting milestone. Getting published meant that I had the green light to pursue the career I had dreamed about since I was a child. I always wanted to write stories, and did from an early age. Being a published author meant I could put that dream front and center in my life. To aspiring authors I would say you don’t need a publisher to give you permission to do that. You first have to do that for yourself. If writing is important to you, prioritize your writing time and resist distractions. There are so many homes for so many different stories, so don’t give up!

Laura Griffin is the New York Times and USA Today bestselling author of more than thirty books and novellas. She is a two-time RITA Award winner, as well as the recipient of the Daphne du Maurier Award. Booklist magazine calls Laura's popular Tracers series "the perfect mix of suspense and romance." Laura got her start in journalism before venturing into the world of suspense fiction. Her books have been translated into fourteen languages. Laura lives in Austin, Texas, where she is working on her next novel. Visit her website at http://www.lauragriffin.com and on Facebook