A 2013 Class Reunion with Rae Carson, Madeleine Roux, Michelle Gagnon and Sherry Thomas

Mindy: Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see as a guest.

Mindy: We are here with a group of ladies that I met 10 years ago when we all were touring together, and at least for two of us, it was our debut year. And we very recently discovered, I guess in some ways because we're not math people, that it had in fact been 10 years. So we are doing a reunion episode. We're going to talk about what it was like then and what it's like now and things that have changed in publishing and the world in general because I want to talk about social media. But first we're going to start... Everybody go around and say who you are and what you're probably best well known for.

Sherry: My name is Sherry Thomas. I write a bunch of everything. My first book came out in 2008, and I wrote a bunch of historical romances. While at the same time I was writing these romances, I also wrote three young adult fantasy trilogy, for which I went on tour with you guys. Nowadays, I'm probably best known for writing historical mysteries. I write the Lady Sherlock Historical Mysteries, which is a gender bending Sherlock Holmes, and that's what I've been doing since like 2015 or '16.

Rae: I'm Rae Carson. I can't believe I've been doing this for over a decade now. Thanks for reminding me, ladies. I guess I'm probably best known for The Girl of Fire and Thorns trilogy and some Star Wars. That's all I'm going to say right now.

Madeleine: I'm Madeleine Roux. I am the New York Times bestselling author of the Asylum series. This tour that I went on with all these ladies was my young adult debut. I had written a few zombie novels to absolutely no fanfare or recognition previous to that, but Asylum kind of blew up. Which was cool. I've done a bunch of other young adult horror since then and then also transitioned into doing adult science fiction, adult romance, and some, you know, intellectual property stuff. I've written for Star Wars, World of Warcraft, Dungeons and Dragons, Critical Role.

Michelle: My name is Michelle Gagnon. I am the author of the young adult trilogy, Don't Turn Around series. And also just had an adult novel come out a couple of weeks ago called Killing Me. That's the first in a new series, and it's kind of a feminist neo noir thriller.

Mindy: Can you repeat what you're best known for? That was a great line.

Michelle: Yeah, no. I'm best known for being the oldest of this crew.

Mindy: Yeah, we all toured together in the fall of 2013. I guess I should say, I'm Mindy McGinnis and my debut novel was Not A Drop To Drink. And so we were traveling together for that, for me on my end. And I remember being really excited. I guess this is the first thing that I want to talk about is I remember just being like, "Oh my God! I'm going on tour, and this is going to be fantastic." And of course, Rae was established and well known. You know, Rae is a big name in YA, and Sherry and Michelle are going to pull the adult audience. And then Maddie's new book, people were talking about it already. And I was like, "Oh, man. There's going to be like a million people at every signing." And I distinctly remember walking into our very first signing and Rae turning to me and saying, "You know there's going to be like four people here, right?" And I was like, "There's five authors. How can there only be four?" And yeah, there were four fucking people there. So, I guess if you guys... Would you like to talk a little bit about expectations? Not necessarily our tour, but in general when you're, when you're putting yourself out there and how expectations are really... Can be very different from reality.

Sherry: I have always feared book signings. It might have been an irrational fear, but I think it's actually a very rational fear because my first impression of a book signing, my first understanding of a book signing, was when I was a teenager, and I was lingering in a bookstore in Baton Rouge. I think it was like Books-a-Million that had just opened back then. I just remember in the central aisle of that bookstore, a man was sitting at this table and every time I walk by he would look hopefully at me. You know how it is. If you are a teenage girl and a grown ass man is just looking at you, you feel a little weird. Like. Like, why? You know? So finally this man left. And then I went over to where he was sitting and look at the little plaque on the table, and it says... Oh, apparently he was there to do a book signing. And this whole time I was there walking...

Madeleine: He just desperately wanted you to notice him.

Sherry: Exactly. He just desperately wanted me to even stop and ask what he was doing. Ever since that point in my life, I've always known deep in my heart, I mean front in my heart, that book signing can be a deeply isolating and humiliating experience. Which is the reason I almost never arranged for book signings for myself.

Madeleine: Yeah, they're hell. Like, truly just a nightmare. I think my first one ever, when I was fresh out of college and my first, Allison Hewitt Is Trapped, my first book came out. I actually got a pretty decent turnout. I mean, a lot of it was friends, let's be honest. But like, you know...

Mindy: Right.

Madeleine: Just having your own crew there, it kind of tricks people into thinking you're something. So then more people will sit down. Which is a great thing to know, by the way, if you're like new to this and you're... Always bring some people because then at least there'll be curiosity. But so it's going pretty well. I do a reading, and then I open it up to questions. And I'm getting some good questions. I'm like, "Oh my God. Like, I'm doing it. This is it. Like, it's not so scary." And then this guy had been kind of lingering in the back ,and all of a sudden he just keeps raising his hand to ask questions. And it's like, uh... Basically you are promoting the devil with zombies. And he was kind of sly at first, but then like, tricked me into keep... Like, I kept calling on him, and he just wanted to harangue me for being a sinner, basically, because it was about zombies. So that was my first public reading experience, and it was mortifying. At least you all were so cool that it was like, "I don't care if nobody shows up. At least we're having a good time."

Sherry: Screw the trolls. My God, screw the trolls.

Rae: I had so much fun on that tour that by the end I didn't give a single shit how many people showed up.

Madeleine: Exactly.

Rae: You all were awesome. It's rare, and I know this from talking to insiders at HarperCollins. It's rare for them to do a big group tour and for everyone to get along and like each other.

Mindy: Yeah.

Rae: Someone always divas out. That just wasn't the case with us. We had all these really strong, really feminist personalities, and we all meshed. And it was delightful. I loved every moment of that tour, and I love all of you. And I love all of your books. And I just did not give a single shit who showed up.

Sherry: I have to say, the last stop was at the big book festival?

Michelle: That was the giant book festival. Yeah. Austin...

Sherry: Yeah. That was, that was good though, because people actually lined up to buy books afterwards. That was nice.

Rae: It's not like we had no audience. We had some decent turnouts. I don't wanna undersell. 

Michelle: We had a few people. 

Rae: It ended up being a pretty good tour, and we did end up selling a bunch of books. The value I got from that tour was meeting you ladies and comparing experiences and talking on the plane and all that stuff.

Madeleine: Everyone had warned me how fucking cliquey YA is, and they're like, "Oh my God. Those women are going to eat you alive." And I was like, I'm terrified. I am not good at conflict. I am awkward, and YA is very cliquey and shitty, but that's why...

Rae: It really is. Oh my God.

Madeleine: It's even more incredible miracle that this worked out the way it did. Because like I went on other tours. Actually, I went on another one that was very good as well, and then another one that was not so great. But yeah, it's like I think the fact that all five of us clicked is pretty astounding given that, like, that is not the norm inside of YA.

Rae: I mean, let's not forget our video.

Madeleine: Can we please forget?

Sherry: That was... That was a very cool video. I think came across it accidentally a bunch of years later, and I was like, "We look good." 

Rae: Right? We looked good man! Come on.

Madeleine: I completely blocked that out. And then you guys were like, "Check it out!" Ugh.

Mindy: It is, it still up? Because I know that it got like... It got pulled off YouTube because of the song.

Madeleine: It had to get copyright striked. Yeah. That doesn't surprise me at all.

Mindy: Yeah. But I remember making it. It was so much fun.

Madeleine: So much fun.

Mindy: I've had the experience of touring. Pretty much every year after we toured together, I toured right up until Covid. And I had like one other where everybody was copacetic, and it was really good. And we actually wanted to hang out together, and we had a great time. But immediately after our tour, pretty much any time I toured with anybody after that, I would be like, "Hey, what's your cell phone number?" And then I would be like, "Hey, let's go out to eat or let's go to dinner. Let's have drinks after the signing." And most people are like, "You know what? I'm good." 

Madeleine: Oh, no. 

Mindy: Don't you know, when you tour, you become friends and you have fun.

Madeleine: Right? This is like a giant adult sleepover that someone else is paying for, right?

Michelle: That's true.

Madeleine: Getting the vibe here.

Michelle: It's funny. I still think sometimes about how like the nicest hotel they put us in was the one we were only in for like three hours in the afternoon.

Sherry: Yes. Yes. I've been trying ever since to find the couch that they had there. That was, like, the best couch I've ever sat on.

Mindy: Yeah, I remember that. That was the hotel that we just took a shit in. Like that was it. Yeah. Basically.

Madeleine: What a glorious shit it was.

Mindy: It was all we had time to do. Like, we go in and we take a shit, and then, like, we basically checked out. And the lady downstairs was just like...

Michelle: She thought we were prostitutes. She was like, 90% sure we were prostitutes.

Madeleine: Have you seen me? No shot. There's no shot she thought that.

Mindy: That was fun. That was kind of ridiculous. Well, that. And, um... I think we were in Denver. I think that was in Denver. But...

Sherry: No, that was in Houston.

Rae: That was in Houston. Yeah, that was Houston.

Sherry: We were to drive from Houston to Austin, and we spent the overnight in Austin.

Rae: Yes. Much inferior hotel. Can I just say? It was a real letdown. To go from that hotel to the one we actually slept in really bummed me out.

Mindy: Did we go to Denver, though, at some point?

Michelle: We did. We did. We went to Denver.

Sherry: I think we were in the Tattered Cover in Denver.

Mindy: Yes.

Rae: Tattered Cover.

Madeleine: I know for a fact we went to Denver because everyone just kept talking about the giant scary horse that's at the airport.

Mindy: Exactly.

Rae: Oh, my God.

Mindy: Okay. So for listeners, there is a ridiculously large, I don't even know how big. Like I don't... Like hundreds of feet. Maybe a hundred. I don't know. But it's huge. There is a huge ass blue horse at the Denver Airport.

Madeleine: Yeah, it's called the Blue Mustang.

Mindy: I just remember driving towards it, and there's nothing. Like everything's flat. And for some reason, one of you was really into the prairie dogs and kept looking for prairie dogs. And it was like either really late at night or early in the morning. And I just remember seeing a humongous horse on the horizon. And I was very tired and we were approaching it, and no one was saying anything about the humongous horse on the horizon. And I was just like, "Oh shit. Am I the only person that sees this thing?" And then finally somebody was like, "What the fuck is that?" It was this humongous horse. But then if you remember, we ended up Googling it, and it's also anatomically correct.

Rae: Yes. Yes, it is.

Mindy: And it killed the artist that made it. Like it's made out of...

Sherry: Exactly.

Mindy: Yes.

Sherry: Exactly. I was in Denver this past spring. And I actually asked my friend if that's true, that, you know, the horse really killed the sculptor. And she said, "Absolutely." Fell over on him.

Mindy: Oh, God. Okay. Yeah. So that was, that was Denver. Like, that's how I remember that horse. And I just remember Googling it and the first return and the images was the anatomically correct close up. And I was like, "Dang!" In terms of just the actual tour, obviously it was so much fun and we had a great time... Successful or not in terms of sales. And I have learned after that that, yes, that's just how it goes. When you show up, you may get 4 or 5 people and you're glad it's not zero. And that has been true for me continuously throughout the...

Michelle: Oh, I'm never glad that it's not zero. I much prefer zero. My worst case scenario is one. One person. That's my own personal hell. Zero. I can just chat with the bookseller for a few minutes and then, like, jet on out of there. But one person. You're both miserable, and you feel like you have to go through it. 

Madeleine: Yeah. You want like zero or greater than ten.

Group: Yes.

Madeleine: Then you can at least like... You'll get some questions. You're likely going to sell a book or two. It's that weird middle of just like enough people that you have to stay and try but not so many that it's going to pay off in any real way.

Rae: Exactly.

Madeleine: My policy now is that if it's less than ten, I'm like, "Everyone has to come sit in the front row and we're just going to have a conversation." I'm not gonna... I'm not gonna put on a big "to do" because I just don't think that's valuable. I also usually tend to pivot to like, "Hey, is anyone here an aspiring writer? Do you have any questions? Do you want to just know about the industry?" Because usually the people who reliably show up to this kind of stuff are aspiring writers or nerdy about publishing, and I think it always ends up better. You always get more out of it. And I think if you can also establish that you're easy to talk to and kind of a chill person, they're much more likely to follow up and follow you on social media or feel like they made a connection with you and then become more of a true supporter rather than just like, "Oh, okay. I went and they did an awkward reading of their first chapter. And then we just kind of looked at each other," you know? So.. 

Sherry: I actively campaign against anybody who asks me to do a reading. I'm like, I don't know why.

Madeleine: Yeah same. I hate it.

Sherry: You know, like...

Rae: Ugh. I hate doing readings. 

Sherry: The audio books sound better. And the book reads better by itself than I can read it. Like, let's just have a chat since we're here. Yeah.

Rae: Yeah. I had someone recently do it in conversation with me. And they hadn't told me they were expecting me to read, and they just handed me the book and I was like...

Madeleine: No! Surprise!

Rae: I was like, "No. That's why you're here."

Mindy: I don't read either. I don't like to read. Typically, if I do read, I use a lot of words in my books. I use a lot of four letter words, and I'm not ashamed of them or anything. But when you're saying them out loud to a room of people and one of them is pussy and you're just like, "eh."

Michelle: That's especially fun when you're in a bookstore and they're having like story time in the next aisle. 

Madeleine: Right. Some family shoppers, you know, wandering by.

Rae: Did a reading last month in a very conservative community. I chose to read a short story I had written that has multiple all caps the word "fuck." And so I basically yelled fuck to my audience multiple times throughout the reading. And afterwards someone came up to me and said, "I think it was good for this community to hear that."

Madeleine: Oh my gosh.

Rae: I'm not sure what that means, but I did get to yell fuck a bunch, so I was calling it a win.

Mindy: I want to talk about social media because Maddie brought up social media. When we first started, so back in 2013, like we had Facebook, we had Twitter, and like I think kind of Tumblr. But it was like that was all we were really doing. I, at least me... It was Facebook and Twitter. And now social media has changed so much. And I don't know about you guys, but I am basically almost not doing it anymore. I just... I almost resent it. Everything is video, and I'm not interested in sharing that much of my life with everyone in the world. So, just like the other day, my boyfriend... We were going to go hiking, and he was like, "Hey." He's always trying to help me out and that's cool. But he's like, "You know, we can make a little video, and you can be like, 'Yeah. I'm getting ready to go on a hike.'" And I'm like, "No. I'm getting ready to go on a hike, and I want to go on a hike with you. And I don't want to think about how I can use that to sell books or create content. I'm just going on a hike with my boyfriend like a normal ass person." So, I don't know. If each of you could talk a little bit about whether you're even still using social media or how you use it or how you think it's changed from when we were working at this ten years ago.

Madeleine: I know that for me... I was actually just talking about this with another author, Mallory O'Meara, who is a total fucking badass. She does a lot of cool nonfiction stuff. But, you know, she was kind of saying like, "Oh, I'm... You know, I'm sorry, I'm so, like, bedraggled. I just... I'm in the middle of a deadline and promoting a launch, and it's just so much work." And I was like, "Yeah, I'm going to be honest. I... I will do, you know... I'll usually do like a giveaway, and I'll definitely like, be like, Hey, it's coming." In the weeks leading up to a launch, I will definitely like take some nice pictures of the book or give excerpts or make some little like, you know, quick little Photoshop things to put on Instagram. But I have just sort of like dropped out of the rat race of trying to be viral, get on TikTok, like that sort of stuff. Because you just really can't compete with the juggernaut of a publisher. If they want the book to succeed, they're the ones who make that happen. And I've just... I have 20 books out now. I've seen this cycle enough times to be like. "Nothing I personally do on Instagram is going to skyrocket this book into the stratosphere because I don't have the hundreds of thousands of dollars that any of the big three publishers have to promote something." 

And so for me, it's sort of like I now have really pivoted to just not agonizing over it, number one. I'm not going to waste a bunch of my money on it, number two. And number three, I'm just going to put my energy where I know I can best control it, which is like the quality of the book. Because I don't enjoy social media. I think if you like it, that's a different conversation, right? If you like, have a natural pizzazz for social media. You like making videos. You like TikTok. I think like, that's great. And you should do it because you like it. But I just think I've gotten real with myself that like, I am a pebble in a stream, right? And so I'm going to put all my energy into the book. Promote a normal amount, but not kill myself trying to, like, go viral. Do something ooh la la. Like, it's just not going to do much is what I've come to realize.

Rae: Things got really tricky for me on social media when I did the novelization for The Rise of Skywalker.

Madeleine: Yeah. I had your back though.

Rae: Yeah, yeah. Some of my friends did, and I will never forget that. Thank you, Maddie.

Madeleine: Always.

Rae: But yeah, like trolls just come out of the woodwork. And they love to make fun of your appearance, especially if you're a woman. They would, like, find old videos, freeze frame the most unflattering frame they could find. Post it on Reddit. It's just... It was just gross, you know? So it reminded me so much of high school. Like you're putting yourself out there trying to impress people who are refused to be impressed. And if anything, you're going to use what you do against you. And I thought, "why would I put myself through this when I've spent so much money in therapy trying to get over what happened to me in my adolescence?" You know, I don't want to go through this as an adult, too. So, I kind of bowed out of social media, and I just mostly post cat pictures because that makes me happy. What Maddie was saying about, you know, when you have a launch coming up, I don't mind doing... Taking some nice pictures of the book. Reminding everyone that I exist. All that's great, but pretty much I feel like my job is done. 

Sometimes I'll get a marketing plan from my publisher, and I have a little resentment about this, because it'll say something like... One of the tick marks is "leveraging author’s social media platform." And I'm like, "No. That doesn't count. I'm not a self-published author. And the reason I'm not is because you're supposed to do promotion and stuff." So I kind of bow out of that responsibility except for the stuff that I think is helpful. Like I should have a cover of my book on a social media profile, you know. That kind of a thing. Like Maddie says, the publisher decides who's going to break out. If they pick you, great. If they don't, there's not a goddamn thing you can do. Why worry about it? I have my close friends I talk to on a pretty regular basis. I have my close but not nearby friends like you guys that I talk to once in a while, and I have my cat pictures. And I find that that's what I need. So I'm happy with that.

Michelle: I hate doing videos. 

Rae: Oh, right.

Sherry: Yeah, I totally echo that sentiment. I barely take pictures or videos. It's just... I don't even have a TikTok account. I don't... I don't think I've ever been on TikTok per se. I've seen TikTok videos either on Twitter or Instagram. I've never been on TikTok. And I totally echo what Maddie said about social media. Everything. I mean, I would echo what Rae said, except I haven't had that sort of exposure to the worst elements online. So, you know, I haven't had any personal experience like that being made fun of and all that. But I just want to say Maddie basically said everything I would have said. I don't think social media really matters at this stage in our career.

Rae: Mmm hmm.

Sherry: I don't think I've posted anything in like two months because I've been writing and because I just don't have anything I want to say to the whole world.

Mindy: I think about it, and I'm 44, right? And I think about... Am I just getting bitter? Am I too old that I'm just like, social media is stupid, you know? It's just like, you know, when my grandparents were like, who wants a color TV? That's dumb, right? So, sometimes I feel like, you know, I am really missing out on something that I should be doing that could be helpful. But pretty much every author that I talk to is like, "No. It's dumb, and I don't do it anymore." And I don't know. I just... I find that really refreshing because I too Rae have had so many conversations with my publisher. They are supportive. My publisher is actually super supportive of me and I've always feel like I have...

Rae: Yeah, you got lucky.

Mindy: Yeah, I did. And I've been with the same editor for, I mean, gosh, since 2015. I've had the same editor...

Rae: Yeah, I mean... That never happens.

Mindy: Yeah, I know. I'm very fortunate. So I actually do have my publisher in my corner, which is really, really cool. But I am not the kind of person... And we've had conversations and they've been like, they're always supportive of "Don't do anything you're not comfortable doing." Guys, if you want me to do more social media, I'm just going to be like kind of an asshole all the time. And we're just going to broadcast that. Because that's who I am and that's how I act. And I had actually texted my boyfriend. "I am so frustrated that I feel like I should be doing more, but I also don't want to. And my new plan is that I'm just kind of going to be an asshole all the time. And if there's videos of it, fine." And he was like, "So the NEW plan is to kind of be an asshole all the time?" Like, you really don't need to comment whether or not it's just like an old plan or that's always been happening. It is interesting that you guys all feel similarly about social media and like, you know, we're all still here and we've been here. I think that's...

Madeleine: I think it's a bizarre demand or expectation to have of like... You picked truly the most solitary...

Michelle: Yes. 

Rae: Mmm hmm.

Madeleine: Anxious, weird job that like... Of them all. And then it's like, hey, and we really need you to be charming, gregarious, put yourself out there, be vulnerable, engaging. You know, really like hook into youth culture. And you're just like, I never did I ever give the impression.

Rae: Remember being on stage at the festival?

Mindy: Yes. 

Madeleine: Right. Yeah, yeah. It's just this... Yeah, it's really strange. 

Rae: What does that have to do with writing? We were just like playing games for the entertainment of children, which is something they would never ask adult authors to do.

Madeleine: Right. And also the idea that, like, books and YA books don't appeal to the kind of kids we were, right? Which is like, you're inside. You're an indoorsy type. You like... You're kind of weird.

Rae: A little bit cerebral. A little bit introverted, maybe.

Madeleine: Yeah. You're like a little anxious mental health bomb, and you just want to sit in your room and escape for a while. It's just really strange that there's so much pressure put on our type of artist, you know what I mean, to do this kind of stuff when that's like never been what was on the tin. And it's always funny to me. Sometimes I'll play this game where I'll think of authors from like a much older generation that I love, right? And that I grew up reading. And I'll see how many of them even have like a single social media presence, and none of them do. Right? And that was never part of what was expected in the past. So, it does make me feel a little better that I'm like, "Well, okay, A. S. Byatt doesn't have a Twitter, you know?" And you're just like, these are people that I look up to and really aspire to have a career like. So it makes you feel like it's not hopeless. And I'm not trying to, you know, shit on people who do like doing this stuff or have a knack for it. I desperately wish I did, but I have... It takes so much energy just to write three books a year that o then also be like, "Hey, let me devote an equal amount of time to promoting it, even though there's just no demonstrable benefit." I don't know. I can't get myself there anymore.

Sherry: Yeah. For me, for me, social media has always been a professional requirement. As in like, I never would have signed up on my own to do this. So, I always viewed it as work, and I try to do as little work as possible.

Mindy: Rae, I'm really glad that you brought up that festival that we were at where we were basically like, we played charades. And we played... I don't even know what the fuck we were playing. But we played games in front of, you know, like a thousand teenagers so that they could laugh and have fun. And they did. And like, ultimately, I had a little bit of fun myself. It frustrates me. I almost balk when I'm introducing myself to someone and I say I'm a writer, and they ask, "What do you write?" I actually just have come to a point where I talk genre and I don't say that I write YA. Because I am just so used to being dismissed out of hand when I say that I'm a YA author, and I hate that.

Sherry: Well, you haven't been a romance writer.

Mindy: Yeah, that's true.

Madeleine: Try being that too, and then also trying to go into like science fiction. And people are like, "You need to leave." Like, you do the two things we hate the most. Please get away from me.

Mindy: I guess I struggled with more at the beginning of my career, and I was like, "Man. Nobody takes me seriously because I'm YA author." But then at the same time, I am running around on this stage with a funny hat on and trying to make people laugh. So, I guess if I am... Want to be taken seriously, maybe I need to stop playing 20 questions on stage for a laugh.

Michelle: For the record, though, we did. We did kill. We killed.

Mindy: We did.

Madeleine: Yeah, we did crush.

Michelle: We crushed.

Rae: We won every game we participated in because we were all... 

Michelle: We won. We just... We made that other team from... I don't remember if they were from Putnam or Simon and Schuster.

Madeleine: I mean, we put them in the dirt. They didn't have a chance.

Michelle: We... We made them cry.

Mindy: I felt bad for them.

Madeleine: Yeah, we had to, like, guess, you know, like, what each other would answer to certain things, and...

Michelle: It was like the dating game. And we loved each other, so we... We killed.

Madeleine: Yeah, we actually had, like, gotten to know each other. There wasn't a bunch of weird tension. So we actually did pretty well. I also... Like, I've noticed of the people who seem to be very, very successful on social media, particularly in the YA space is like.... It also coincides with just incredible success, right? Your book is constantly on the... It's constantly charting. It's a guaranteed hit, and it's like, you know, "oh, let me like film myself opening my royalty check." And like, check out... Look at my, like, look at this fancy new place I bought with my money. And it's just like, that is so alien to me. And so, like, it also... Look, do what you want, and it's clearly working for them. So I should maybe take a lesson. But to me, that just hooks into influencer culture and like flex culture in a way that I find really disgusting. Especially because, like, I never got into this for the money. Like, I never... I never started doing this because I thought, "Oh, this is what's gonna make me rich and famous," right? I just...

Rae: That was a wise choice on your part.

Madeleine: Yeah. Thank you. Thanks. Yeah. Um, but, like, you know. I mean, there's always that dream, right? And I... And I think that's great. I think you should keep the dream alive. But it's just, to me, it's such a weird interpretation of what this lifestyle is. And it... I get that it appeals to teenagers because they are also very hooked into flex culture and, you know, flash and look at my cool author life. But I guess for me it's really hard to reconcile that, right? Where it's like, Well, yeah, you do have a 1 million people following on Instagram because your books are always supported by your publisher and are always given the biggest budget. And that doesn't mean they're bad. I'm not trying to imply that they're bad books. I'm just saying it's like... It's very easy to maintain a happy, upbeat, flashy, sexy social media presence when it coincides with unimaginable success.

Sherry: It's like the chicken and egg. Actually, it's not. It's... It's simpler than that.

Madeleine: Right, I don't think their book's not famous.

Sherry: It's not like their social media... It's not like their social media made them. It's them that made their social media.

Madeleine: Not a one of them did the social media predate their book success, right? It's not like they made themselves famous by having such an incredible social media presence. It's just that like, yes, it's very easy to show off a cool, attractive lifestyle that people want to follow when your books are that popular. And it's like a self fulfilling thing, right? It's like if someone already has a huge name in the industry, then yes, their book coming out will almost guarantee success. And it just like... It just kind of dominoes that way. So... And that's, I'm not like bitter about that. Like, I know that because I have a New York Times bestselling book, I can get a lot more money when I am doing a book contract. That's just a fact of the industry. But I think when you're talking about maintaining this career over a long period of time to try to also maintain a just like, relentlessly upbeat attitude about it is asking a lot.

Mindy: Yeah. Yeah. I'm sitting here. I'm recording this in my bedroom, and I had to wash all of my, you know, bedding and everything today because it's really nice out here today. And so I hang it all out on the wash line. So everything smells nice. But I'm sitting here, and I'm looking at my mattress. And I'm just thinking, you know, if I shot a video right now... So my dog sleeps with me, and I can see at least two urine stains on this mattress. And then also, you know, I'm a female, and I menstruate. 

Madeleine: Is this an intervention? Are we like... Is this a Hoarders episode? What's happening?

Mindy: Oh, no. It's just my daily life. So, it's like I have this shitty mattress that's covered in stains, and there's literally... Like, my dining room has a hole in the ceiling that has insulation dripping out of it. And that's what I said to my editor when they talked to me about maybe trying to do a little more action in social media. And I was like, "Yeah, I can totally show you my like, piss stained mattress and the insulation."

Rae: Is that what they... Did they specifically request that?

Madeleine: It kind of fits the vibe of your books though. Like, let's be real. It's...

Rae: I think you're getting... I think you're getting confused. That's like an onlyfans thing. That's not a...

Madeleine: It's like a performance art situation where you're like, "I'm just going to live my books."

Mindy: Well, I kind of do. I mean, that's just... I write the way I write for a reason. My life is pretty stark. And so it's just like maybe... Like, guys, you don't want me being on social media the way you think you want me on social media. I mean, like I said, we're just going to go back to kind of an asshole all the time, and I'm just going to be like, "Yeah, see that hole in my ceiling? Pay me more. Okay." You know, it's just... I don't know. It's bullshit. Um, Michelle, you said something interesting that I'm going to hook onto real quick. Um, you said... You mentioned only fans. So I really do feel like at this point in time and the internet and everything being what it is, the only thing that actually sells is sex. I just feel like sex is where it's at. And if you want to promote yourself, you either have to be, um, you know, young, attractive, flirty, open. I don't know. Doing something different than what I fucking do, you know what I mean?

Rae: Can I weigh in on this? Because all of you are beautiful and could do lots of TikTok videos, but you'd have to put so much effort into it. You get the right filter, you know. You have to do the lip purse thing. You have to do your makeup just right. It's just... I find it all kind of gross. 

Michelle: Yeah.

Madeleine: I also think that TikTok Booktok can be kind of a scam. I've noticed a lot of the people who, like, tend to get big followings. I just see the same like five books in every genre getting pushed. And I'm like, I don't know that there's really like space for everyone here and, you know, do what feels right. But again, I just like... I will always come back to the fact that, like, Harper Collins has an astronomical amount of money to spread around to support different authors, and they have to make decisions just like every company does. But that decision at the end of the day is what's going to decide. You know, like I pick up books all the time that I read. I'm like, this is fucking incredible, and I don't know a single other person who's read it or talked about it. This person has like no social media presence. They like... This book is not a success, and it should be, right? And it just... It always goes to show you like it is not a meritocracy. There are a million incredible books that will never get the recognition they deserve.

Mindy: Yep.

Rae: There's this myth, I think, that what happens on social media is somehow organic and impulsive.

Madeleine: Yes. Yeah.

Rae: But even TikTok and Instagram, those big influencers are paid. They are paid by HarperCollins to promote certain books or whatever. Which is not to say that some word of mouth doesn't happen. Of course it does. But the myth that social media is a completely organic thing, that your book, word of your book, can spread like wildfire with the right social media presence is completely wrong.

Mindy: We're just talking about the oversharing part and also the pressure to look good in order to really do well. And it's like I don't give a fuck. It's like I, I don't care in my regular life. I'm not going to... I'm not trying to impress anyone with what I look like. I don't care enough to do that. And I'm certainly not going to do it for strangers. It's just not who I am. So, it's just not a fit man. It's not. I'm not interested.

Rae: Now, for some people it is a good fit. I think Maddie was making the point earlier, if you love it, do it. And I think too glamming up for social media is like a creative exploration for some people.

Mindy: Yeah.

Rae: And I wouldn't want to, you know, shit in someone's chocolate pudding and tell them they couldn't do it. But it's not for me.

Mindy: No, it's not for me either. Yeah. Like I said, I'm on this mattress, and I have dirt under my fingernails because I was gardening before I came in. And I got a sunburn.

Michelle: You just... You're just painting such a gorgeous picture. I can't...

Madeleine: If you need help...

Michelle: Party at Mindy's house. On the mattress.

Mindy: Yeah. I mean, I set this up because it's actually a cry for help, and you guys need to help me.

Madeleine: I was like, just be clear, right? If you need something. We all showed up. So... 

Sherry: A Go Fund Me for a new mattress for Mindy.

Michelle: Yes. 

Mindy: Just a quick... I mean guess it's a lot to ask someone to cover your shit for a decade real quick, but it's... What have you done since then? Where have you been? What are you doing now?

Michelle: Oh, I can go. So I moved from San Francisco to Los Angeles. I got married a second time. I went back to school for a master's degree in clinical psychology that I'm just finishing now. So I'm...

Mindy: Wow.

Michelle: Yep. I'm doing therapy sessions at the LA LGBT Center with their youth and homeless kid outreach. That's... It's been a big decade, man. It's been a lot of stuff.

Sherry: Wow. Thank you. Thank you for the work you're putting in, Michelle.

Michelle: Yeah, no worries.

Rae: You still writing books, Michelle? 

Michelle: I stopped for a while. I kind of... I went through, like, a real bad writer's block right before the pandemic and then during, and I really kind of thought I was done, and then during the pandemic, I had an idea. And I wrote the book just for fun as kind of like an escape hatch for me and ended up selling it like right around the time that I was going back to school. So, for the last two years almost, I've been kind of working on the book and working on the sequel and working on school and doing the clinical hours. And then I've got this damn family that I'm trying to like, keep alive.

Rae: That's a lot, Michelle. That's a lot.

Michelle: Yeah, it's been... It's been a lot. And, and you'll all appreciate this since I know we have a lot of proud pet owners here. I've now have three dogs and two cats. Yeah. Not, not by choice. So I'm just kind of, you know, running a small petting zoo.

Madeleine: Yeah, I'll go. Umm, let's see. Ten years. Uh... I live in Seattle now and have for, like, eight-ish years, I think, we're coming up on. And I love it here. That I've done a lot of work for in sort of the nerd space lately. Um, I did a book for... I did two books for World of Warcraft. I did, um, a Critical Role tie in that came out in November. And I've been doing a series of middle grade Dungeons and Dragons books that I am absolutely in love with. And that will... The final one, it's done. It's, it's just sort of in production. It comes out next year. I've put out a bunch of YA horror - two complete series and then a standalone. And then I'm actually today working on the follow up, which hopefully will be out sometime next year. I'm not sure. We'll see. And I also started publishing in romance. I published two books in adult sci-fi.

Sherry: Are all these books traditionally published? I mean, I know your intellectual property ones definitely are.

Madeleine: Yeah. Yeah yeah yeah.

Sherry: But are the... Are the YA, the romance, the sci fi, they are all traditionally published?

Madeleine: Yeah. Penguin Random House, Harper... Oh, shit. I'm going to forget someone, and they're going to get pissed. Del Rey. Yeah, they're all traditionally published. I haven't self-published anything. Um, it's all traditionally published. I had my 20th book come out in November. That was pretty darn cool. I'm just keeping up. I had... I had kind of a tough year. I had a family tragedy in August. So, I've slowed down a little bit this year. I'm only writing like three books this year instead of, instead of however many I usually do. So but, you know, it's... It kind of goes in cycles. So this year is like a slow release year. And then next year, like uh 400 things come out. That's how it goes. It's like a year where you don't see anything from me, but I'm like busy, busy, busy typing. And then the next year 4 or 5 books drop. So, um... Yeah. So that's what I've been up to. And yeah, I live with my, my two doggies and my partner in Seattle and just living, living the life, you know.

Rae: I'll go. Um, I wrote another YA trilogy, a western. That was a lot of fun. Wrote some Star Wars, couple standalones. Moved to Arizona because I decided I was done with Ohio and stupid Ohio winters. That didn't take, but that was good. It was a good move. We like it back here in Ohio. We like where we live. It's really great. There was a feral cat colony here when we arrived. So, I now have five cats. Five accidental kitties. A couple of them were planned, but that's okay. I love cats. So, I'm living my best life. Um, I had a... I had a rough career moment a few years ago because Covid hit right when two of my hardcovers came out.

Michelle: Oooh.

Rae: And so they went out into the world and then the shutdowns happened. And one book did okay because it was in Walmart and stuff. It was a Star Wars book. It was... It did okay. Not great, but whatever. But the other one didn't even hit shelves. It was... It got to the bookstores. The bookstores weren't open. So they sent it right back to the publisher.

Sherry: Oh, my God.

Michelle: Wow.

Rae: And then the book after that, which I was already under contract for at that time, was about a worldwide pandemic.

Madeleine: Oh, no.

Rae: And I had a come to Jesus meeting with my publisher. Is this really the right book for this time? I can give you something else. We don't have to do this. They assured me that they wanted to move forward. They loved the book, which was really sweet, but it did as expected. I just... I couldn't get traction with marketing. No one was excited about promoting a pandemic book during a pandemic for some weird reason. So my career took... I'll just be honest, it took a hit. And I'll be recovering from that, I think, for a while. I do have a book under contract, but I kind of had to... Between that and some the Star Wars trolling I got and a few other things, I had to take a mental health break from writing. And my publisher has been... 

Michelle: Good for you. 

Rae: very supportive, but I'm starting to get back on the wagon. And I hope that about a year from now I'll have another book come out finally. So, other than the writing, everything is great. I'm happier than I have ever been. I love my life. I have a great partner. I love my house. It could not be better. So, I actually have no complaints when all said and done.

Sherry: You did say you moved back to Ohio.

Rae: We were just lonely, you know. We got there and we didn't make friends because no one was going anywhere.

Michelle: Yeah.

Rae: So we moved back and now we have family and friends again and it's great. And I think we're probably going to stay here forever. Sherry, your turn.

Sherry: I was sort of, you know, occasional YA writer. So, most of my career has been in books for the adult commercial market. I published my first romance in 2008 and my last one in 20... Last Historical Romance in 2013 or 2014, I think. And at that time I was like, I'm basically out of ideas, and I wanted to switch genres. And I got lucky in that 2014 was when um, or 2013 was probably when I was trying to make the shift, that was when publishers were losing romance writers in droves because self-publishing was so good back then.

Mindy: Yeah.

Sherry: And so they actually didn't even ask me any questions. They didn't do any push backs. I said I wanted to write a gender bending Sherlock Holmes book, and they said, "Here's a three book contract. Go have fun with it." So, that's where I got lucky. I didn't have anybody who said, "No. We don't want you to change genres" or anything like that. So I managed to change genres without any resistance, and the books were well received. And I am at the moment writing book eight.

Madeleine: Oh, that's fantastic.

Sherry: Yeah. So when I was writing romance... I mean I was like making put food on the table kind of money, but it was always uneven. It's wildly unpredictable how each one of my books will do.

Mindy: Yeah.

Sherry: There's just no telling. Like, one would do well, and the next one would be like, you know, half the sales and whatnot. But with the mysteries, it's been much more even and it's been like.... I was like, wow! You can actually make steady money in publishing. So it hasn't been a bad decision all around, but I would like to write other stuff also. Just see. But I really envy Maddie that you can be so productive. On the other hand, I think maybe it's good for me not to write so much because I think my brain has an automatic shut down button. It just... It will work this much and no more. Like on any given day or any given month or anything, it just will shut down. On the flip side of that, I've never really had writer's block or when I seriously couldn't write. I just cannot write that fast. That's all.

Madeleine: I've definitely transitioning to slowing down a bit. You know, a lot of self work and therapy has shown me that, you know, kind of doing so much was trying to just fill the hole in my soul that cannot, cannot really be filled with that kind of stuff. I hit burnout real bad this fall. I was just... After my brother passed, I was just sort of like catatonic for months and barely wrote a word. And it was like, "Oh, like something's wrong, wrong," and not just because of like, grief. But like I was doing too much, and it was a wake up call. So, I think I'm really looking forward to a more sort of balanced approach to this job and not just saying yes to everything. Saying yes to myself, and to what I feel actually called to do. So...

Mindy: Yeah. I had a similar experience. I've been doing well. I've been doing just fine. Book a year in the traditional market under my real name, and you know, just kind of trucking along with that. I started writing under a pen name with a couple of friends in self-publishing, and it did okay. Not great, but, you know, just something to kind of do on the side. And I had like in the past ten years, right before Covid, I went through a breakup. So it was the person that I was dating when we all went on our tour. We'd been together for like 12 years, and it just fell apart like very suddenly. Like within a space of 24 hours, and he was gone. Like, he left and took his stuff. And so that happened. And then my dog died, and then Covid hit. And it was just like breakup, Covid, dog died. It sucked. It was not good. But writing, keeping myself very, very busy with writing, was what, you know, kept me going, like through the pandemic. But I got a puppy, and I got a new boyfriend. And, you know, everything just started, you know, from scratch. Mattress is still the same. But, you know, it's like...

Rae: We gotta... I'm willing to chip in for a new mattress. Who is with me?

Michelle: Sure.

Mindy: The sad thing is, is this mattress was actually... It's not that old. It's just that I, I'm not careful with my things. All my stuff. Everything I touch breaks or dies. Like, that's just where we're at. Yeah. But yeah, I mean, I've been doing well, but much like Maddie I had, um, last fall was actually like super tough for me. I made the decision, because I was in a very, very good relationship and things were really good and I was like, You know what? I probably don't need these antidepressants anymore. Not realizing that having been on them for 15 years was one of the reasons why I was doing better. So I just like.. And I was, you know, safe. And I tapered, and I did everything the right way. And I was fine until about two months off of them. And it was like jumping off a cliff. It was really bad. And I had a book due, and I couldn't motivate myself to do anything. 

And I ended up writing a book. It's the one that comes out next March. I wrote it in about three weeks because I kept putting myself off, and I wrote that book while I was basically having a nervous breakdown. And then I edited it while I was transitioning onto a new medication. I basically felt like this was a dumpster fire, and it was trash, and it was horrible. And this is going to be like, what breaks my career. Luckily, the main character in the book... It's very heavily focused on mental illness. Not through design, but having going through what I was going through when I wrote it. Everyone that has read it for me is just like, "Holy shit! This is your best book yet." I'm just like, "That's cool. But honestly, I don't know what happens in it" because I wrote it... I wrote it in such a state, and then I edited it in, in like a total, like, I don't know, zombie mode of, you know, ramping onto a new medication. Everyone says it's good. I'm going to have to read it if I end up doing tours for it because I don't know what happens in it. But, um. But yeah, so it's like I'm good now. 

Maddie and I actually connected about a couple of things and she gave me some advice that was really good about like handling the depression and anxiety arena. And I'm like, much like Rae, really don't have any complaints right now. Um, and my puppy, who's of course now a full grown man. He's a Dalmatian. And I was just... I was in California just like 24 hours ago, and a Dalmatian showed up, a stray Dalmatia, showed up at our local pound. And literally, because I live in a very, very small community, I literally had like ten text messages and five DMs. People are like, "Oh my God! Gus is at the pound." And I go, and I look at the picture. And I'm like, "No. That's not Gus, but man, do I need another Dalmatian? Maybe" So I mean, that's where I am. Things are good. I just signed a contract for 25 and 26. So, like doing well. And like I was saying, much like Maddie, I... My little period of pretty serious mental downtime made me go, "Okay, what are you doing that you don't need to be doing? And how much work are you putting into places that maybe you shouldn't?" And the returns that I'm getting on the pen name? Probably not worth it. And the work that I put into even this podcast and my blog, it's like... Well, I'm not making money. I need to only do the things that, number one, I want to do. And number two, that secondly, are lucrative. 

So I sat down, and I looked at my income. And I figured out that after my traditional income and my money that I get off of contracts, after that, the place that I make the most money is appearances. I do school visits, and those are just a wonderful experience for me. I love doing them. So I just sat down and, you know, did the math and was like, okay. I need to be focusing on writing under my real name and booking appearances. So, that's kind of where I've been concentrating my energy right now. I've trimmed the excess, and I just have to make sure that all my efforts are going to the right places. And I'm saying this as someone that might go adopt another dog. So, I don't know. Let's finish up by everybody sharing your websites. We already like slammed social media for a while. So if you would like to share any of your social media that you're active on, of course, feel free to do that. But your website or if you have a newsletter that you use. Whatever it is that you use, plug it here as we finish up.

Madeleine: Cool. I am Authoroux on everything that I participate in, which is honestly, truly just Instagram and occasionally Twitter. Although I'm thinking about getting off of that. It's A-U-T-H-O-R-O-U-X, and Instagram is probably where I'm the most active. You can also find... I have a public email address there. If you have questions about the industry or publishing or whatever, I'm happy to take them. And then I have a website Madeleine dash Roux dot com

Sherry: I am at Sherry Thomas dot com. On Twitter, it's just at Sherry Thomas. Facebook, it's Author Sherry Thomas, and I think Instagram is Writer Sherry Thomas. I am equally inactive on all of them, and typically only post like stuff like okay cover reveal, book title, and you know, time to order. And occasionally I will do like you know... Because I cook a lot. We cook almost every day, every meal at home. So and occasionally I will post stuff what I'm cooking, and people who follow my Instagram know that I am the worst food photographer in the world. So, if you want to see some, you know, delicious but spectacularly ugly food, head on over. Otherwise, there's not much content to be had.

Michelle: So, I am Michelle Gagnon dot com. Just my full name. And I think I'm mostly on Instagram which is Michelle A. Gagnon because I had to slide the middle initial in there.

Mindy: Rae, do you have anything you want to share as far as where people can find you?

Rae: Sure. My website is Rae Carson dot com. You know, in addition to this being the ten year anniversary of our amazing tour, it might be the ten year anniversary since the last time I updated my website. So, if you want something kind of vintage, retro, blast to the past, definitely check out my website Rae Carson dot com. Like Sherry, I'm equally unavailable on all the different social media platforms. You can find me at Rae Carson except on Instagram, which I do once in a while. I'm Rae Carson pics. You can find a lot...

Michelle: That sounds so dirty.

Rae: I know, right? The pics you've always wanted of my cat. Just all cat pictures. And I have to say without any bias at all, I do have the cutest cats in the world. So you definitely want to check those out.

Michelle: I feel like "Rae Carson Cat Pics" was probably right there for the taking. It feels like false advertising to me.

Mindy: Yeah. Yeah. I have to say one reason Sherry mentioned food pics, and taking pictures of your food and taking bad pictures. The one time I did a food pic, I had eaten like the best possible meal. I was in Texas somewhere. And I took a picture of like the empty plate, and I was like, "Hey, this is what I ate, and it was awesome." Everybody was like, "That is not how you do this. You take a picture of the food," and I'm like, "No! It's way better if I'm like, Look, I ate all of it, and it's gone now." And everybody was like, "No, you're wrong. That's not how you do social media." And I was like, "Okay, I'm never trying that again."

Mindy: Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.

Natasha Preston on The Island: Writing A Large Cast, and the Time Suck of Social Media

Mindy:   Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see as a guest.

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Mindy: We're here with Natasha Preston who has had a really interesting and amazing career. We're gonna be talking about The Island, which is her newest release coming on February 28th. But first, I wanna talk to you specifically about the beginning of your career because you have a very interesting career path in that you got started on Wattpad. And Wattpad was really something that launched you in a pretty big way. I think your name is probably the one that comes up the most whenever people talk about Wattpad and success in that arena. So, if you could talk a little bit about that and how that was so integral to your beginnings.

Natasha: Completely. I didn't even start writing before I found Wattpad. So I wouldn't be here at all today if it wasn't for that. It was about 2010, and I was just scrolling through the app store and I came across Wattpad. So I downloaded it and started just as a reader for quite some time before I decided that actually I have some ideas inside of me as well, and then I started to upload chapters.

Mindy:   And Wattpad is one of those things where it really is driven by word of mouth. It's driven by readers really liking and engaging with that content and then telling other readers about it. For me, I really think it is just one of the best examples of true word-of mouth grassroots fan-based readership.

Natasha: Yeah, definitely, and I met a lot of people through Wattpad. Some of them I'm still in contact with now. So you build a lot of friendships as well, and these people recommend you and you recommend them.

Mindy: I know that you had such great success there on that platform. Did you then decide to move out of that realm and look more into the realm of traditional publishing? Or were you doing so well, the agents and editors approached you?

Natasha: My friend, who was also on Wattpad, Kirsty Moseley, she self-published her first book, and she encouraged me to do the same. So I actually self-published first, and then my publisher, Sourcebooks, in the US, they picked up The Cellar. So then they traditionally published that one.

Mindy: Yes, and The Cellar was your first book that came out in the US. Ridiculously popular. So, I was a YA librarian. I worked in a public high school for 14 years. So, The Cellar came out in 2014, and I just remember all of my students were so in love with it. I couldn't keep it on the shelves. Colleen Hoover before TikTok. That's kind of what The Cellar was like, and then your subsequent titles as well. Something else that I wanted to talk to you about was your cover art. In the US, they're very stark, and they're very striking. Very much look like thriller covers almost even for adults. Your covers are amazing, and I think that that has been part of the appeal. Of course, just getting the eye drawn to get people to pick it up. Are your covers the same in the UK?

Natasha: Yeah, they are the same. I love them.

Mindy: Yeah. They are really beautiful. Did that come about through your publishers? Or you had something in mind already? Did they just happen to strike gold the first time?

Natasha: Pretty much gold, yeah. So when it was on Wattpad, I had a flower image on the cover of that one. The characters are renamed after flowers, so it was kind of pretty organic to have a flower theme.

Mindy: It really is. It's perfect. And then your subsequent titles, they match. Your publishers do a great job of branding you. It's kind of like Stephen King or Jodi Picoult's... When you see the cover, I don't even have to see your name to know that it's your book because the covers are so distinctive.

Natasha: Yeah, yeah. They’ve done a phenomenal job of carrying that through.

Mindy: So your next release, your newest release, is The Island. It revolves around 6 teen influencers who have accepted invitations to an all expenses paid trip to a luxury resort and amusement park. And then of course, when they get there things suddenly go quite wrong. I would love to hear more about where you got the idea for this book. I love that you're operating with kind of that closed room mystery in the sense that the room is an entire island and there are rollercoasters on it.

Natasha: Yes, it's pretty much... I think I was flicking through Instagram, and I was seeing like all these influencers. And they are rich! The idea came from that. Putting them all together and seeing what would happen if they are in a place where they can't escape. And I feel like quite a lot of influencers would go to an island if they were invited.

Mindy: Yeah, definitely. It's kind of like the Fyre Festival. Do you remember that?

Natasha: I don't.

Mindy: Fyre Festival... It was a US thing, so it is possible it didn't hit the news so much there in the UK. But Fyre Festival was this really hyped, big party. They had these promo videos made and it was like, "you were going to be hanging out with very rich, very beautiful people. Buy your tickets now. It's gonna be amazing." And then people got there and it was like hot dogs on sticks. Drift wood for your pillow. There was nowhere to pee. It was really bad.

Natasha: Oh no.

Mindy: It was really, really bad. Tell us a little bit more about The Island. What are your characters like? Because influencers in particular... I go back and forth. I'm a difficult person. I'll just say that. I'm a difficult person. Traditional marketing just doesn't work on me. I'm always a little bit cynical, and I'm always suspicious. So whenever someone is trying to sell something to me, I immediately shut down, and I'm just like, "No. I don't like you, and I don't want what you're selling."

Natasha: I don't believe you.

Mindy: Exactly. It also makes it difficult for me whenever I'm trying to think about marketing my stuff, because the traditional stuff that does work, I never wanna do that because it doesn't feel genuine to me. So talk to me a little bit about your characters and where you got the ideas for each of them as individuals because you are writing 6 different characters.

Natasha: Yeah, so the gamer, two beauty bloggers, Paisley, who is like a main character, she reports crime - love her - and then we have Harper who is book reviewer. So they all have very different personalities. Some of them are pretty cocky entitled. And then some of them are a little bit more reserved, and they grow throughout the book. Obviously, when somebody is out there trying to kill you, you have to try and mesh all these personalities together so they can defeat the bad guy together and get through it. And also one of them could be the killer.

Mindy: I think that would be very challenging. I tend to keep my casts pretty small - two or three like maybe four, and then some peripherals. But I think writing six and trying to build them and, of course, give all of them their own layers as well, and still creating a little bit of suspicion so you're keeping that mystery going for each one of them... I'm sure that was challenging.

Natasha: I did kill one of them pretty early so... It took it down a little bit.

Mindy: Did you do much research into influencer culture and what it's like to be an influencer?

Natasha: I did a little bit. It is pretty hard because I think all of them have quite different experiences and how they're perceived and how people react to them. So I didn't want to do too much research. I wanted to be sort of quite organically just writing and then building how I see them. Do you do that? I should really research it, then I get stuck in this "I've researched too much" and it stops being my character. I try to make them something that they never were, if that makes any sense at all.

Mindy: Yes, it does. It makes perfect sense. Absolutely possible to over-research. You could almost get stuck in it, I think, cause you worry so much about getting it right. I write YA as well. But I have an adult book that I would love to get out one day, we'll see. I still have to work on it. But it is set in 1916 during the Spanish influenza. And I was writing a scene... It's set in the US, like in a rural area in a one-room school house. And I was writing a scene where the teacher... 'cause the Spanish flu could drop you very quickly. Your symptoms could just come on and you could become very violently sick and die within hours. The teacher very suddenly - she feels herself getting sick. She knows something's wrong, and so she doesn't want her students to get sick. She runs out of the building as fast as she can, and she's disoriented. She's ill. She also trips and falls, and she rolls down the steps and the kids come out and they're like, "Oh my gosh. What do we do? Should we even touch her?" And in my mind, her shoe had come off, and her shoe was sitting on one of the steps. But would her shoe have come off? What would her shoe have been in 1916.

So I go and I start researching women's footwear in 1916, but it couldn't be like high fashion. It had to be what a middle class rural woman would have been wearing in 1916. So I'm trying to figure all of that out. Eventually I decide no, her shoe probably would not have come off because it would have been a boot, And it would have been the kind that you literally use a crochet hook to finish tying, and it's like "no her boot is not coming off." I mean, I probably did two to three hours of research to figure out if her boot came off. It doesn't matter. It doesn't matter. It doesn't matter if her boot came off or not, number one. And number two, a reader probably isn't gonna notice or care, and I literally dropped everything and did not write for three hours 'cause I needed to know if her boot came off. And that is an example of caring a little too much.

Natasha: Yeah. Exactly. Exactly. And it's so easy to get pulled into that.

Mindy: It really is. Have you ever had that one thing that you just felt like you had to chase down and then you were like, "Okay. That was not worth it."

Natasha: Oh yeah. So, it was when I was writing The Cellar, and he weights bodies, chucks them in the river, and disposes of them. And I'm googling this for a very long time - getting a little worried that someone was gonna see what I'm doing, and I spent hours, "what weight do you need to make sure that they don't come back up?" And I think, "You know what. I could just write, 'He's weighted the body.' They don't need to know exactly."

Mindy: No, you don't. You're right. But that's exactly the kind of thing that will happen to you. That you just end up going down that rabbit hole of wanting to make sure that you're right, and essentially it doesn't actually matter. You're talking about the things that you Google, and then you have to worry a little bit. As a writer, we do end up looking at some things or wandering into parts of the internet or information that we might not necessarily want to be associated with. I can tell you that my ads that I get or on Amazon, when it's like "based on your recent search history you might be interested in... " and it's like, "No. I don't need that bondage material thing." Have you ever researched something like the weighting of the bodies and just been like, "Oh man. I am a little concerned now about my search history." Or also just... "Gosh, I wouldn't want anyone to stumble across this in my browser."

Natasha: Definitely. So when I was writing You Will Be Mine, the killer cuts out hearts. So, I'm googling "how you get to the heart." You ought to get through the rib cage and how you would cut it out. That was interesting.

Mindy: I have definitely searched some things that have skewed my ads. I actually have a friend who writes tech thrillers, and she needed to know how to get a bomb onto a plane. So she just Googled it and tried to figure out how to get a bomb onto a plane. She lived in California, and her husband was a TV producer. He also lived in California, but because of their work, they were at different parts of the state. One of them would fly to the other one every other week. She went to go see her husband, and she had been put on the no-fly list.

Natasha: No. Oh my gosh.

Mindy: Yeah, she couldn't get on the plane. She had a friend in Homeland Security, and she talked to them eventually. And they were like, "Yeah, dude. I can tell you exactly why you are not allowed to fly on planes anymore."

Natasha: Oh no! Did she get off the list though? Is she okay now?

Mindy: She did. She did, but without her friend inside the system to vouch for her who knows how that would have gone? But you gotta be a little bit careful.

Natasha: You do. Yeah, you have to be careful.

Mindy: So, tell me about what you are doing for The Island and press. Obviously, you're doing interviews and you're doing podcasts like this. Post covid... Are you doing much traveling?

Natasha: I haven't very much at all. I would like next year to come back to America. I've been a couple of times. Barnes & Noble events have been so much fun. So this time around, I'm doing an online with Barnes & Noble. Which will be really fun, but it's nice to go to in person, I think.

Mindy: Definitely. I miss being in-person a lot. I have a release in March, and this will be the first time since 2020 that I have done much in terms of actually doing a string of events or tour. I had a book come out in March of 2020, and we shut down over here... Third week of March in 2020 was when the lockdown started. I was touring with two other writers, and we had, I think, five cities right in the middle of March and at our first event, we had people. It was cool. At our second event, we had about half the crowd. At our third event, I think we had four people, and everyone was wearing masks. And at our last event that we showed up to... The book sellers, they were very kind, but they got a hold of us and they were like, "We're closing. There's not gonna be anybody here. Please come, and sign stock. Wear a mask, and go back home." We were like, "Okay." And then as soon as I got home from that tour was when we went on lock down.

Natasha: A similar thing over here. Everything just stopped didn't it? And it's still not picked back up, I don't think. There's still a lot more happening virtually.

Mindy: Yeah, there has been a lot more virtual events and trying to make things work online and doing zooms and Instagram Live. So, is that something that you have found success with? Do you enjoy doing the online stuff?

Natasha: Yeah, I do. It's still nice to connect with people and booksellers and readers. It's just not quite the same as being able to physically see them and you get to take pictures with people and sign a book for them in front of them.

Mindy: Yeah. I agree. I get energy from other people. That's where my energy comes from... Is from drawing off of others. And when I can get them excited, then they're feeding me back, and we just get a nice little feedback loop. And there is so much about that that is organic, but there's also... There's a real presence that is necessary in order to make that happen. I don't know. I feel like it's hard to get that same feeling and to build that same energy when you're doing it virtually.

Natasha: Yeah, when you're just on your own, it's not the same.

Mindy: Yeah. It's really hard to generate excitement for yourself. Well, and speaking of that, generating excitement for yourself... How was it for you writing over covid? I know a lot of writers struggled with being on shutdown, first of all just emotionally and mentally, but also just being creative and finding ways to write or things to write about. Suddenly we had all the time in the world, but we needed to have the drive.

Natasha: Yeah, no, actually, I was great during lock down. I mean, I had my children at home which I had to home school. So that was a little bit of a battle, but... No, it was great. I would get up at six. I would probably write a couple thousand words, and then the children would get up. I was on it. That hasn't happened since... It ended.

Mindy: So, is that your typical approach? Do you have a word count for the day that you like to hit?

Natasha: Yeah. Typically, I try to... 1500-2000 words, and I'm generally happy with that.

Mindy: I always say minimum 1000. If I can get two, that's amazing. 15 is a nice, nice little bonus. Do you write every day then?

Natasha: Every weekday usually. On the weekends I keep my children at home, so... Yeah, every weekday... Go drop them off and come home and just sit in front of the computer until I'm happy with my word count.

Mindy: Yeah, and that's something that a lot of newer writers or writers that are trying to finish their first book talk to me about. Tips and tricks. They're like, "How do you write a book?" And I'm like, "Well, unfortunately, the only answer is you have to sit down and do it."

Natasha: Yeah. You have to be quite disciplined 'cause when you are just at home, there's so many things you could do. You need to make yourself have that time.

Mindy: Yes. And writing is hard. I will do anything other than write.

Natasha: That's exactly what I do. I'll check social media, and I'll do some other things. And I tell myself I'm being productive by doing different posts here and there and answering emails, but it's really just putting off starting writing.

Mindy: That is exactly accurate. Yes. I have been working really hard for three hours, and it's like, No, you haven't... Actually you haven't done anything. So speaking of social media then... What has your experience been like with social media kind of changing? 'Cause you came out right around the same time that I did. The Cellar was published in 2014. My first book came out in 2013, and when we were first out in the world and publishing, social media was very text-based. It was tweets. It was Facebook posts. And then Instagram came along, and it was pictures. But now suddenly, it's videos, and it's music. And it's whatever the trends are. It's just more time consuming than I'm willing to put into now. It's like, I can have a thought, and I can have a one-off. And I could tweet that 10 years ago, and that was good. And people were like, Yes. And they would interact with that. And it's like, now I have to make a video, and I have to be using the right filter, and I have to have whatever song is popular right now. And for me, I've just kind of stepped back from that a little bit because like we were just saying, I can get too sucked into that and put a lot of time into it when I should be writing.

Natasha: I completely agree. My heart is still in 2014 where you could just pop a post up every couple of days, and that was great.

Mindy: Yep.

Natasha: It's a lot of work now. It's more interactive, I think, and I do like that. But you can spend hours where you used to just spend a few minutes, and it does take away from your actual writing time.

Mindy: I agree. I feel too that things are more crowded. I was on TikTok for about five minutes. I have an account there, but I very rarely post because I would put together something, and it took me so long to put it together, and then I would put it out there. And it's like if the algorithm doesn't basically choose you, you're not going to get a lot of reach with that. And it's like, man... And granted... Learning curve. I didn't really know what I was doing, and so it took longer. But I would just be like, "Oh my gosh. I just spent an hour making this 15-second video, and 40 people saw it." I say that as someone that definitely has not figured out how to use TikTok. I will say this though. The nice thing about TikTok and booktok... The readers are the ones that are generating the content. There's not so much responsibility on us to generate it. If they can do it, that's great.

Natasha: I mean, if someone out there just wants to do all that for my books, that would be fantastic.

Mindy: No, I agree. Whenever anybody is like, "Oh my gosh. I read your book, and I loved it." I'm like, "Cool. Are you on TikTok?" Last thing, why don't you let listeners know where they can find The Island when it comes out on February 28th, and where they can find you online.

Natasha: The Island is to be in stores in America. So, it will be in Barnes & Noble for sure. Everywhere else, it's going to be online. So yeah, it's where you can get The Island. And you can find me on Instagram, TikTok, Facebook. All of them. Just Author Natasha Preston.

Mindy:     Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.

Many Little Irons In The Fire - Diversifying Your Writing Income With Beth Revis

Mindy:   Welcome to Writer Writer Pants on Fire, where authors talk about things that never happened to people who don't exist. We also cover craft, the agent hunt, query trenches, publishing, industry, marketing and more. I'm your host, Mindy McGinnis. You can check out my books and social media at mindymcginnis dot com and make sure to visit the Writer Writer Pants on Fire blog for additional interviews, query critiques and more as well as full transcriptions of each podcast episode at WriterWriterPants on Fire.com. And don’t forget to check out the Writer, Writer, Pants on Fire Facebook page. Give me feedback, suggest topics you’d like to hear discussed, and let me know if there is someone you’d love to see as a guest.

Mindy: We are here with Beth Revis who has a rather long and really interesting career in the writing world, and I love talking to Beth. Number one, she's interesting and she's funny. But number two, she has moved across all these different arenas in publishing. And I think she just has a really interesting story and has a lot of different things that she can talk about in terms of diversifying and writing outside of that traditional publishing box. So, if you could actually just start talking a little bit about your career because your career started with this huge bang. I remember I was not published yet, I was a YA librarian, and your first book Across The Universe came out and basically everyone was losing their minds. And that was even before it was released. I remember the publishing world being like, "everyone has to read this book." And even among educators and librarians, there was this humongous buzz for your first traditionally published series. So, if you could talk a little bit about what that is like - about coming out of the gate so hard right at the beginning.

Beth: It is freaking weird, man. I very distinctly remember that my publisher, before the book came out actually - this was before the book was out. One of the members of the team in the publishing department was speaking at the SCBWI. I think it was a national conference. It was something like that. And he kept talking about how much of an overnight success this book was going to be. He talked about it as if he had plucked me from obscurity, and there was this overnight success happening. I wasn't even at the conference. My friend texted to tell me about it, and I just couldn't stop laughing because I had been writing books for 10 years. I wrote 10 books over the course of 10 years. None of them were published. It wasn't an overnight success to me. It was a decade-long success before I saw anything at all in any return on it, and actually Across The Universe was the book that I was going to give up on. It was my hail Mary, last ditch effort. I just threw everything at the wall to see what would stick, and I didn't limit myself. I didn't try to think about markets or tropes. I was just like, "I just gotta do something," and it really was my last shot. And if that one hadn't sold, I do think that I would have quit writing. But fortunately, it did and everything changed. And it really was a perspective turn around to discover that sometimes dreams actually do come true.

Mindy: Yeah, they do. But one of the things that I think is so cool... Yes, it seemed like an overnight success to everyone else. You'd been working for a decade. I remember reading, I think, the first chapter of Across The Universe. Arcs weren't really that big of a deal yet. Somehow it was out digitally, maybe through a librarian outreach thing because I was at work and my boss was like, "Have you heard of this book? Have you heard of this person? That's all anyone is talking about." And at that point in my life, I had also been doing this for a decade, and I did not have an agent. And I did not have any success in any venue whatsoever. Didn't have short stories published. Had no agent. Had just been doing this for a decade and hurting. My boss knew this and she was like, "Oh my gosh, have you heard of this person and this book. Everyone is talking about it," and I was basically like, "No. I haven't. I don't wanna hear about someone else being so freaking successful." And then she was like, "No. Mindy, I think you need to read this." And I sat down bitter and angry, and I was just like, "Oh shit, this is really good." And it was really cool because all of my bitter grapes just got over-written entirely by my enthusiasm as a reader. This person deserves all of this. This person deserves all of the laurels and all of the credit. I think that that 10 years that you put in before you got any recognition is so clear and so obvious. It wasn't a trend. It wasn't a black swan. It wasn't something that just blew up and burned for 15 minutes and died. Your actual core talent was so obvious to me as someone that was also operating in those same worlds as both a writer and a reader.

Beth: I like to think that. But, I mean, there's a lot of talent in the world, and the more I'm in this industry, the more I'm realizing how much of this is also luck. And one of the reasons why the book reached the large audience that it did was 'cause I got really lucky in terms of opening at the start of the Sci-Fi trend and being there at the right time and having the right people support me. And there was just such a huge amount of luck involved in making that book work that I don't think I fully appreciated it until I got a little older and look around at the industry. 'Cause there's a lot of talent in this world, and it doesn't always get recognized, and that's the soul-crushing part of publishing. The writing is the art, but the publishing is the business. And sometimes in the business side of it, you just gotta end up lucky.

Mindy: I agree with that completely. And when I tell other people that, people that are outside of the industry, I think it comes off as false modesty and it's like... No. I know I'm a good writer. Don't get me wrong. Yeah, I'm aware that I'm good at what I do, but I also am very highly conscious of the fact that luck is such a huge player. I think it helps keep you humble, but also you have to recognize that you're absolutely right. I, and of course you as well, have been moving through the publishing industry for a long time now, and I encounter so many people that I will read their stuff, and no one has ever heard of them. And no one is aware of them. And I'm like, "This person is amazing. This person is a better writer than I am. This person should be hitting NYT." I think of it as both, again, as a reader and a writer, where I'm like, I want everyone to read about this book. I want everyone to know this book as a reader. I'm gonna share it with everyone I can think of. And there's that joy in that but then there's also, as a writer, that little, like for me, it's kind of like a fish hook buried inside of your donut - where it's like, I'm really enjoying this donut, but this is also reminding me that it doesn't matter how good you are. That's a horrible thing to realize.

Beth: It's the kind of thing that if somebody had told me that before I was published, I would have just brushed it off and completely ignored it. And honestly, if somebody had told me that when I was in the high of my debut year, which I debuted very well in terms of publishing as a business - that was a fantastic debut - and if somebody was like, "Oh yeah, but don't forget that there's a huge amount of luck involved," I would have just been like, "Oh, ha, ha ha. I get to be here." Since then, and having experienced a lot more and seeing the way things are... Yeah, there is a huge amount of luck. I absolutely thought that, especially after having written for a decade, that once I made it, that I would never have to worry about that again. But I have had books rejected by my agent. I have had books rejected by publishers. I've had books go on submission and not sell. Whole books that didn't sell all over again, and that just threw me back to those days before I was published. And I've had books that got published that were much quieter and they didn't make a stir. And there's a lot of people who don't even know they exist. And I've had some that just came out of left field that hit the right audience at the right time.

Mindy: Absolutely. That is the experience in a nutshell. I have, I believe, 13 books out at this point. Typically, when people talk to me, there's two titles that they talk to me about. They talk to me about The Female of the Species or they talk to me about A Madness So Discreet, and that's pretty much it. And I don't mind that. I absolutely love that people, number one, are reading my books and wanna come to my signings and show up and talk to me. But the two books that people talk to me about the most came out in 2014 and 2015. You worry. You're like, "Oh man, did I peak?"

Beth: Or did book marketing peak and no book marketer knows what to do anymore?

Mindy: That's true. Everything changed, didn't it?

Beth: I think it's not that much of a coincidence that YA hit like a hey day at a certain time period, in part, because of the books that came before. We had the blockbuster hits of Hunger Games, Twilight, and Harry Potter that boosted YA in a very significant way. But book publishing never knew what to do with social media, and when they started making marketing plans based on author social media presences, that was not a wise move on book marketing. And we've never really been able to recover from that, because book marketing continuously wants to have these free spaces where they can make a book become a hit. And what we're seeing now, especially with TikTok, is that what makes a book a hit is the readers. And if we can get the books to the readers as opposed to getting the books on social media, that's the key.

Mindy: You and I have talked off mic a lot about social media - and particularly TikTok. One of the things I think is so interesting about TikTok - and I'm giving you tons of compliments, and I know you may not necessarily want them - but you do a great job of making content, of putting things out there, and being active, especially in the TikTok space. I have talked to you plenty about the fact that I have just kind of fallen off of social media. There's multiple reasons for that. Right before the pandemic, I went through a break up that was really, really bad. And I was just kind of non-functional for about three months. I wasn't interested in anything. I was having a hard time with mental health and everything. And social media was very much like "talk about how great you are, and how great your books are, and how happy you are, and how successful everything is." I can't do that. So I just stopped posting.

Beth: But there's a point where that's what has to happen, and you should never, ever, ever, ever feel guilty about that. And anyone listening, also, don't feel guilty if you're not doing social media. Starting in 2018, my husband went into heart failure and he actually ended up needing a transplant. And I remember being in the hospital and having these conversations with hospice workers, and when you get to that level that's when they don't say, "Oh yeah. We'll do the surgery, and there's risks." They're like, "Well, what about the quality of life after surgery? Maybe you don't want it." I mean, that's the kind of conversations we were having with doctors. I remember getting a text from a friend who was like, "I know you're going through a lot. Do you want me to just take over your social media for you so it doesn't die?" And I was like, I could not give less of a care about social media at that point. I just completely didn't care about it. And my friend, who was coming from a really good place, and she knew that I like social media. I enjoy playing with the algorithms. I enjoy trying to make it work, but that was a point in my life where it did not matter. It absolutely did not matter to me, and I think that the key take away from that experience and from that memory is that social media actually doesn't matter. And you can always pick it up back later, if you want to. Like, your job is a writer. Your job is not a social media influencer.

Mindy: I had the exact same experience. I walked away for about three months. I just dropped and no one noticed. Nobody noticed. My sales were not affected in any way, and I did not lose followers. People were not like, "Oh, she hasn't posted in three days. Boring. Unfollow." No. None of those things happened, and so, like you, it made me really rethink, why am I spending two hours... And I would. I would spend about two hours every morning on social media interacting and reacting to other people's posts and making my own and doing all the things you're supposed to do. And I was like, Man, I'm spending two hours a day doing this. And when I stopped cold turkey, there was no effect.

Beth: None. Yeah. Doesn't really matter. It does matter that you can reach readers in some way when you are capable of doing so. Just because you write a book doesn't mean you have to open your life to anybody. But if you wanna reach readers, like social media is a good tool for that. I look at it as a good tool for this network where you might not subscribe to my newsletter but maybe you'll see this tweet or something like that. And I do kinda look at social media as this fun little gamble game where I try to outwit the algorithm. I absolutely am not going to invest my life behind the mask of social media. That's not where my art is. My art is in my book.

Mindy: I agree. I agree completely, and my art is not in front of a camera - in front of my laptop without the camera on. See, it's funny because I said that and then I realized just at that moment that I have one knuckle halfway up my nose as I scratch my own. And I was just like, "Man, it's a damn good thing the camera isn't on." Following back up real quick on TikTok, 'cause that is the social media that everyone's talking about right now, especially in the book world. I mean, you know, I've told you multiple times. I just hate it. And I have a hard time finding any success, but also just like everything about it makes me feel slightly woozy. One of the things that I do appreciate and like about it, as you said, it really is driven by the readers more than anything. The readers are the ones that are creating the content that tends to go viral or really break somebody out. I think writers can move that needle if they're doing the work and putting themselves out there like you do. Colleen Hoover, for example.

Beth: Oh yeah.

Mindy: You know, that's all driven by readers. Those are other people using that platform to talk about what books that they love, and for me, that's organic. And if for some reason BookTok were to take off for me, there's a feeling inside of me that it's like... Maybe I'm not necessarily missing out on this because for me what seems to actually work is the readers creating the content.

Beth: Oh, absolutely. To me, social media is where I build a community, because that's where I can talk to readers. That's where I can tell them things. It's not about selling books. It's about building the community, and if some people who like being in my little circle of community, also wanna support you with books, that's awesome. Any major book sales are not going to come from me getting on Twitter and doing a little song and dance. What I do on social media is much more about just reaching out and talking and being a part of a community than like "buy my book! Buy my book!"

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Mindy: Going back to the trajectory of your career. You had your Across The Universe trilogy come out to, as we were saying, just amazing acclaim. It did so well. And then I wanna talk about The Body Electric. It came out in 2014. At that point in the realm of publishing, the self-publishing and indie publishing world was still very much at that point, I think, considered a second rate shot. Considered something that you do if you can't get something into trad. This is where lesser than books land. So I remember when The Body Electric came out, and it was self-published. And I was just like, "Wait a minute." As someone that moves in the industry, I was like, "Beth Revis is incredibly talented and really smart and knows what she's doing, and she's a great writer. And she self-published a book." And it really was a book that made me go, "Oh, wait a minute." This is a legitimate option, number one. And number two, the quality of that book, and I don't just mean the writing - the cover, the design... I remember seeing it on the shelves at SE-YA, which is the Southeastern Young Adult Book Festival, and no part of me looked at that and thought that is a self-published book. Everything about it looked like a trad book, and I was just like, "I thought that was self-published. It can't be. It looks too professional." So if you could talk a little bit about The Body Electric, which was, I believe, your first foray outside of the trad world, and why The Body Electric and why the route you took and how you managed to make it look so professional.

Beth: Talking about timing from before... When Across The Universe came out, it was a good timing in that the market really wanted sci-fi and it really had a lot of publisher support for it, and there was a mini trend of sci-fi. This was also close to the same time. Amie Kaufman and Megan Spooner's book came out very soon after that. There was a grounding for sci-fi, but, just to tell you how quickly trends change... Three years later, by the time Shades of Earth, the last book in the trilogy, came out, my publisher was like, "Oh, by the way. Now, sci-fi is dead." Had to be news to me because I still like it. I still wanted to write it. And I actually had already written The Body Electric and I was working with my publisher. They started off as a three-book deal. There were going to be three books following The Body Electric, and it was what was happening on Earth while Amy and Elder were in space in Across The Universe. I thought it was a good pitch. It was linked to the series. I thought it was good. My publisher thought it was good when they bought it, and by the time I sold it as a pitch to here's the complete book - and by which I mean we went through line edits, developmental edits. We were at the copy editing stage when my publisher was like, "Oh, we just don't think sci-fi's gonna sell anymore." So they were still gonna honor my book deal. They wanted three books from me still. They just didn't want that book or that series.

I remember very distinctly when I got the call from my agent about it because this was also the time period where I was trying to get pregnant. And I was in the parking lot after having an acupuncture session to prep me for IVF after having realized that I was still not pregnant which, anyone who's been through that, is not a happy time period. And then my agent cause and they're like, "they want any book from you but that one." But it's done. It was done forever. I was expecting copy edits, and instead I got the book basically being canceled. The book deal wasn't canceled, which was good for my finances, but the book itself was not gonna go anywhere. And so I had here this complete book that had been professionally edited and no where to go with it. I was locked into a contract, so I couldn't sell it to another publisher until the other three books of the contract were fulfilled, but I could self-publish it. And I had already self-published the Paper Hearts books, which were writing advice. That one started off as blog posts that I turned into a book because readers kept asking me for a format that they can highlight and take notes in. And so I kind of knew the system, and I was like, "Well, I might as well try it." And you're right. There was a lot of stigma. I remember I had people flat out ask me, they're like, "You're failing now. So now you're self-publishing. Oh, so you're just washed up and you failed." Regardless, I just wanted to take a shot. I wanted to see if I could do it. And I had this book done and I loved the book. And I just wanted to see if it was possible. So I invested a lot of time and money to learn the system. I hired professionals to finish the editing process - the graphic design, the cover, everything. And I love that little book, and it did pretty well for a self-published title. And looking back now, I wish I had kept that momentum going. I wish I had continued to always self-publish on the side.

Mindy: I've talked before on the blog about the fact that I also write underneath a pen name and have self-published underneath that pen name. You mentioned the Paper Hearts series, and I said earlier I wanted to talk about how you have diversified in so many ways. And I realize that your Paper Hearts series and your writing advice books likely aren't pulling in a ton of money for you, but it is still something that you have out there that is a venue for you that you can promote to people, if you need to. You have all kinds of workbooks as well as just publishing advice there. And so just for listeners as well, the Paper Hearts books are just fantastic. And they're very, very helpful. You had said that that was something that came out of re-purposing blog posts and putting some writing advice out there. This might sound a little bit heartless, but when I'm at a conference or a signing and there's someone that's like, "Hey, can you give me some writing advice?"

Beth: Yeah.

Mindy: That's like, "Hey, can you explain the cosmos?" Just real quick here. 12 minutes while I'm in line. Whenever this happens, I just like, "Hey, I've got a blog and I got a podcast, and just go hit those up. And this is the website." When you decided to do the Paper Hearts, was it kindness of your heart? Was it now I have somewhere to direct people that want that advice? Or were you thinking, maybe I can make some money too?

Beth: Everything really. I originally started on my blog because I had the long publishing career. I was doing blogs for years before I got my book deal. I was on submission for things, but I hadn't gotten the book deal yet. As my first book came out, as I went through edits, I recorded everything on the blog, and I really wasn't going to publish it until I had people asking me for it. And then I realized, "Oh, people do want it, and that would be the kind of thing I would want." It's like a super chatty, but very realistic, factual, not holding things back and sugar coating things, way of explaining the industry and the process and the craft of writing and the process of publishing, and even marketing a little bit. The blogs are all still up there. So you're more than welcome to go through it, anybody who wants to search through the Internet. I just compiled them into one format, and what I was really focusing on at the time, as I was developing them, was this idea that was forming of how I still really wanted to teach. 

I started my career as a teacher. I worked for six years as a high school English teacher. I loved the teaching process. I hated the education system, but I loved the teaching process and being in the classroom with students. We had a creative writing club. We had a literary journal. It was a wonderful time. I truly enjoy teaching, and I feel like I learn something better when I teach it. And so fortunately, at the same time that people were asking for the print book of Paper Hearts, a friend of mine, Cristin Terrill, said that she had done some workshop retreats when she lived in England, and she was in America now. And she wanted to sort of re-create that atmosphere here. And I was like, "Oh. Well, I've been sort of thinking about teaching and writing this non-fiction book and making workshops." And those two ideas all melded together. It was Paper Hearts and the Wordsmith Workshop Retreats. So we started doing the retreats. The very first retreat, we kinda did it in my backyard. We did it in Asheville, and I brought the first printed copies of Paper Hearts and gave them out to everybody who attended. That's how closely tied those two ventures were, and we just started teaching workshops. We expanded to do online things, especially during the pandemic. Giving back to the community, but also integrating everything into a workshop, educational symposium-style type thing.

Mindy: Those... Having that hook as well that you're able to teach and that writers can come to you as well as readers, it opens up venues for you in terms of teaching gigs, but also just appearances and writing workshops where you can get paid. It's another feather in your cap.

Beth: Yeah. I also I think it's kind of nice when I'm teaching a workshop to be like, "Oh, and here's this workbook and you get to write in it and keep it and everything's organized."

Mindy: So I wanna talk more about just your career in general. I wanna mention all your books because they're all so great. You went on... You wrote the Give the Dark My Love series. You wrote A World Without You. You've written many, many short stories that are in anthologies - different anthologies. You were able to do some IP work with Star Wars, which is just so awesome. But what I wanna talk about next is the Museum of Magic, which is a book that is available now, and this started as a Kindle Vella. You were an early adopter of Vella. Talk a little bit about Vella and what it is and how you utilized it as a writer.

Beth: Vella came about at the perfect time for me, because I was sort of in-between books. I was questioning what genre I wanted to focus in on. I had done the IP work. I didn't quite know where I wanted to go. And when Vella was announced, I had actually been looking at an old book of mine I had written called Blood and Feathers. It was a fantasy novel that I adored and I spent years working on and building the world and building the magic system. And it never found a publishing home. And I was thinking of self-publishing it, but really doubting whether I had the chops to dive back into self-publishing. And then Kindle Vella was announced and I thought, well, that might be a good place for this book that I already have written. But I knew I wanted to rewrite it because I'd originally intended it to be like a series. I was like, I just wanna make it a stand alone. And so as I was re-writing it chapter by chapter, I was uploading it on Kindle Vella and giving readers a chance to vote... Very much inspired by Susan Dennard and the Twitter voting poll she did for Luminaries. Which character the main character should trust and things like that. That one did okay, and I really liked that interaction. And I wanted to find a way to take that interaction to the next level. And I've still really enjoyed doing Vella, and I decided I was going to write something specifically for Vella where every single chapter would be determined by reader votes. And to kinda take it even to a more chaotic level, I was going to write every chapter as if I were in a D&D session, and I would roll dice and flip coins and do other chance-like things to determine what would happen in the chapter. And I filmed that and put it on my Patreon for my patreon readers to see how the chaos happens. Then I let them all vote on like a major decision. It's not just like, what color t-shirt should she wear? It's, should she fight this guy or hide? Should she go down this path or that path? And the story evolved so much as I was writing it. My original plan for this was just like a girl kind of questing for these items so that she could fix a broken spell, and it became like this deep dive into history and feminism and politics and fairy lore and so much more. It is just sort of spun out of control in the best possible way.

Mindy: That's wonderful. And I know that you have had continued success with Vella. We talked quite a bit about Vella, and the serial world can be very hit or miss. I think that discoverability is a problem everywhere. It's getting your book visible - your Vella visible. It's more integral to your success. When we're talking about serials, it is marketing to a different audience, because my readers that wanna read my books, my physical books and hold them, I have not had much luck getting them to jump over to serial. So what's your experience been like with that?

Beth: Yeah, it's a totally different platform. It's something, especially in Kindle Vella, it kind of requires you to read either on your computer or your laptop or your Kindle device, if you have one of those. A lot of young adult readers right now tend to really value print books. I actually don't know how well the serials would have done, if it was just one. I think that's one reason why Blood and Feathers kind of struggled to find a home because I intended it to be a stand-alone. But as I was writing Museum of Magic, the fact that I could draw it out longer, but I split it up into books. So now I have a print book version of it, which I'm hoping my print readers will enjoy, but they could dive straight into the sequel and see the sequel happening as it comes, as opposed to waiting a year for it to happen. You can see the process, and I kinda hope that this is showing some of my readers that I'm working all the time. You only get a book from me once or twice a year, but I'm working all the time. And maybe now people can see that the fruits of my labor, as opposed to intermittently through the years, is happening literally every day.

Mindy: Absolutely, and that's something that people don't necessarily realize how much of a hustle - which is really one of the main reasons I wanted to talk to you, is that hustle. You are constantly doing something. And I used to be that driven. I'm hoping to get back to it. You mentioned your Patreon, and you obviously do a lot of stuff with that and you're finding new and different ways to reach readers. The whole idea of absolute chance and flipping a coin and rolling the dice and videoing that and putting that material up for your Patreon. That is all so outside of the box of anything that I learned coming up 15 years ago, and I think it's just really wonderful that you have diversified yourself to the point where you've got a presence in all these different little avenues.

Beth: I mean, to be clear, if I were independently wealthy, you guys would never heard from me again. I mean, I love you guys, and I love writing. And writing is my art, but the hustle is really exhausting, and I am tired all the time. I'm currently chugging a green tea as I talk to you. I mean, part of this diversification absolutely comes from desperation. And I do wanna reiterate that it's not like I'm some super woman who has all the time in the world, and I'm just playing and flipping coins for fun. Part of this is from desperation. I had to find ways where I could write more books and reach more readers.

I mentioned my husband had a heart transplant, and I am still literally paying for a human heart. And they are expensive, especially when you don't get them off the black market, and it's just ridiculous. And I'm also the soul bread winner, and taking care of my son and my husband, and I did have several hard moments. I'm even gonna say it's one, it was many times, when I'm like, "Okay, can I even make this career continue to work for my family, or do I need to just literally do anything else with a salary?" And the freelance world is hard, and it is about diversification. And it's one reason why I wish I had continued self-publishing after The Body Electric. It's one reason why I'm doing all these different revenue streams. I describe it as having lots of little irons in the fire. With Across The Universe, despite the fact that I wrote it while I was teaching, I only really had two irons in that fire. I was teaching and getting my day job money. And then I was working on this one novel, and that was the only creative pursuit I had going. I cannot afford to just have one or two irons in the fire. I have to have a dozen irons in the fire and constantly be stoking the flames and trying to beat them into a livable income for my family. That also forced me to be creative in ways that I actually really have grown to love and like. With writing a serial novel, one reason why I do the coin flips and the dice rolls and things like that is because it keeps it interesting for me. I hope it's fun for the reader, but it's also very fun for me. And I don't have to carry the whole book in my head. I just have to carry some dice in my pocket and then see where the story will take me and kind of explore that. So it keeps it fresh and entertaining and something that I can do, because if I was writing just straight up three and five novels all at one time, I would get burnt out. I can think just a dice roll ahead for Museum of Magic, and that enables me to keep writing it.

Mindy: I agree so much about the hustle and how exhausting it is. People ask me all the time, "How do you do everything that you do?" And the answer is, "I don't have a choice."

Beth: Yeah, right.

Mindy: I make a living off of speaking appearances and signings and library visits, school visits. Obviously book sales come into that, but I can't control book sales. So much of what I do is me just trying to figure out something else, something else, something else. What else can I do? What is different? What is new? And you do get tired of chasing that. What is new? Because what is new may not always be successful or work. You hear so many things blossom and then die on the vine. I have been involved in projects that were the hot thing going and then six months later, by the time we had something available, it was no longer something people were interested in, and things would release and it just didn't really matter. But you never know what is gonna actually stick around for the long term or where you should invest your time, and you're literally rolling the dice and that's what we do. You were talking about... You remember when you were working and writing. I remember that as well. I was a librarian. I didn't make a lot of money because I was an aid, but I was working in a school full-time. So I had retirement. I had health insurance. Yes, it was weirdly a more restful time when I was working full-time and writing. And now I am scattered, but not in a bad way. Like you're saying, I'm diversified is the better word.

Beth: I think it's interesting that you brought up control though. Because with traditional book deals, we have control over our art, but we don't have control over whether or not it sells.

Mindy: Absolutely.

Beth: And that's the thing that can kill a freelance career. It only takes one or two books not selling for you to not have income for years. That lack of control is really the reason why I have leaned so heavily into this determined idea of always having something self-published as well as traditional published. 'Cause I make a lot more money with a traditional published book, and I know this is not true for everyone, but it's true for me - is that I make my money with traditional publishing. But if I can self-publish and get a set amount of money per month that is somewhat reliable, that is the bridge between those, and that is something that I control. I took November off for the first time in two years. I took some time off from writing all the time constantly, and I did not get any income. And I had to factor in my budget to realize that for the month of November and most of December, I was not gonna have any income. But outside of those times when I choose to take off, having some element of control of how much I'll get paid, or at least knowing something's coming, is actually a big help that traditional publishing can't give me.

Mindy: I explain to people very often that I get paid from that traditional gig, which is the main bread and butter, when you're on a book a year contract - once a year. And if you are working towards the future, if you're turning in a book on that year or if you have a contract come in, you might get paid twice a year. Then you're just... Well, gee. I hope I have enough money to make it until I get paid again. Anything that has to do with traditional life, like you were saying... You very suddenly had a health emergency. And that's something that just, quite frankly, we're fucked when something like that happens.

Beth: Oh yeah. The GoFundMe that somebody made, a friend of mine made it for me, but that's the only reason why I could continue to be a writer. It wasn't even that much comparatively, but quite frankly, the GoFundMe saved my career.

Mindy: Yeah. Yeah, and those are the kinds of things that we do have to rely on sometimes in order to keep us going. Thank God for readers and fans and supporters. Lord knows, I have been fortunate enough to not have any health emergencies in my life. But like you, I am self-employed, and I think about that all the time because I travel so much. Last fall, I was driving for three weeks. I was across the entire West doing school visits, and the whole time I was like, "Don't get in a goddamn car crash." It's like, do not crash your car because every cent that you made on this trip will go towards fixing you and more than likely, way more than that. So yeah, it's scary. You really are counting on the universe to look out for you when you choose this path.

Beth: Especially after the emergency of the health crisis, it made it fundamentally apparent that we only have an illusion of a safety net underneath us. Just like when Across The Universe came out and I thought, "Oh, I've made it. I'll never have to worry about this again. Surely, I will always be able to sell a book." Actually, that's just false, and our safety nets are made out of spider silk. And they're not gonna hold us up under necessarily big emergencies. And really the only thing we have left is our community and our art and hoping that can be enough.

Mindy: Yeah, I absolutely agree with that. Last thing, why don't you let readers know where they can find you online. I know that as we said, you've got so many different irons in the fire. So go ahead and talk about those and where people can find them and support you.

Beth: Yeah, I'm kind of everywhere. On most social media, you can easily find me by just searching my name - Beth Revis. I'm on Twitter, TikTok, Instagram, and Facebook. I have a newsletter at Substack - Beth Revis dot Substack dot com, and I send that out monthly, and that is the most reliable place to always keep up with everything I do. You can find me at Beth Revis dot com, and my Patreon is patreon dot-com slash Beth Revis. I'm obsessed with making sure that the Patreon is worthwhile. So every Sunday, I upload a new chapter of the novel. Every Tuesday, I show you how I outlined the next chapter of the novel. Every Thursday, there is a writing post which can include a 30-minute video writing or Round Table critiques or just general writing advice and... Oh, I think that might be it.

Mindy: That's incredible.

Mindy:     Writer Writer Pants on Fire is produced by Mindy McGinnis. Music by Jack Korbel. Don't forget to check out the blog for additional interviews, writing advice and publication tips at Writer Writer Pants on Fire dot com. If the blog or podcast have been helpful to you or if you just enjoy listening, please consider donating. Visit Writer Writer Pants on Fire dot com and click “support the blog and podcast” in the sidebar.